791 research outputs found

    Kad Hari Raya

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    Kad ucapan hari raya yang diutuskan kepada Profesor Diraja Ungku Abdul Aziz daripada Prof. Datuk Mohd. Ghazali bin Hj. Abdul Rahman, Datin Hajjah Sharifah Mariam bte. Syed Mansor dan keluarg

    Pertandingan boling JSKM 2022 / Sharifah Sarimah Syed Abdullah, Ahmad Rashidi Azudin and Siti Mariam Saad

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    29 September 2022, JSKM telah berjaya menganjurkan program pertandingan boling peringkat jabatan bagi tahun 2022. Seramai 30 staf JSKM telah menyertai pertandingan ini secara berkumpulan. Tema kumpulan bagi pertandingan pada kali ini adalah ‘sayuran’. Antara nama sayuran yang digunakan adalah seperti cili, halia, dan tomato. Pertandingan pada kali ini dimulakan dengan sesi latihan teknik balingan boling yang baik. Taklimat ini disampaikan oleh Pn Maisurah Samsudin. Beliau merupakan Atlet Boling yang telah mewakili UiTM cawangan Pulau Pinang pada Karnival Sukan Staf (KARISTA) 2022 yang lalu di Terengganu. Pertandingan boling pada edisi ini dirasmikan oleh Ts. Dr. Rozita Kadar- Ketua Jabatan Sains Komputer & Matematik UiTM cawangan Pulau Pinang. Setiap pertandingan pasti ada yang menang dan kalah. Bagi edisi kali ini, Juara Pertandingan boling pada kali ini dimenangi kumpulan Tomato yang terdiri daripada trio Mawardi, Syaziyanie dan Siti Mariam dengan jumlah 822 jatuhan pin. Tempat kedua dimenangi oleh trio dari kumpulan Brokoli dengan jumlah 809 jatuhan pin diikuti oleh kumpulan Saderi di tempat ketiga dengam jumlah 783 jatuhan pin. Tujuan pertandingan ini diadakan telah mencapai matlamatnya iaitu sebgai mengukuhkan ukhuwah antara warga jabatan. Selain itu, dengan pertandingan ini diaharapkan dapat mencungkil bakat dalam bermain boling dikalangan staf jabatan untuk diangkat sebagai atlet wakil JSKM di peringkat kampus dan seterusnya untuk mewakili UiTM Pulau Pinang untuk KARISTA pada edisi yang akan datang, InsyaAllah

    The Life and Music of Emahoy Tsege-Mariam Gebru

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    358 pagesSupplemental file(s) description: "Quo Vadis," by Emahoy Tsege-Mariam Gebru, performed by the author, 2024, "Quo Vadis," by Emahoy Tsege-Mariam Gebru, performed by the author, 2022, "Quo Vadis," by Emahoy Tsege-Mariam Gebru, performed by the author, 2021, "Grande Valzer Improvisata," by Emahoy Tsege-Mariam Gebru, performed by the author, 2023.Emahoy Tsege-Mariam Gebru (1923-2023) was an Ethiopian composer, pianist, and nun. Despite international acclaim, a devoted cult following, and widespread media influence and coverage, the absence of critical discourse about Emahoy Tsege-Mariam has maintained about her an aura of exotic mystery. In redress, this dissertation establishes a critical (and culturally contextualized) biography, stages a stylistic analysis, discusses challenges of musical interpretation, and catalogs her output. Drawing from a wide range of archival, historical, and music-theoretical sources, as well as interviews and practical fieldwork, this comprehensive study reconfigures Emahoy Tsege-Mariam as a cosmopolitan, modernist, and concretely historical figure, out of the realm of legend

    Supplemental Material - Overt and Subtle Discrimination and Psychological Well-Being: Examining the Mediating and Moderating Role of Ethnic-Racial Identity Among Emerging Adults

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    Supplemental Material for Overt and Subtle Discrimination and Psychological Well-Being: Examining the Mediating and Moderating Role of Ethnic-Racial Identity Among Emerging Adults by Tuğçe Aral, Chiara Ceccon, Elisabeth L. de Moor, Yixin Tang, Mariëlle Osinga, Mariam Fishere, and Moin Syed in Emerging Adulthood.</p

    Supplemental Material - Overt and Subtle Discrimination and Psychological Well-Being: Examining the Mediating and Moderating Role of Ethnic-Racial Identity Among Emerging Adults

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    Supplemental Material for Overt and Subtle Discrimination and Psychological Well-Being: Examining the Mediating and Moderating Role of Ethnic-Racial Identity Among Emerging Adults by Tuğçe Aral, Chiara Ceccon, Elisabeth L. de Moor, Yixin Tang, Mariëlle Osinga, Mariam Fishere, and Moin Syed in Emerging Adulthood.</p

    Performing 'The Tragedy of Mariam' and Constructing Stage History

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    Since the rediscovery of Elizabeth Cary’s drama, The Tragedy of Mariam, the play and its author have generated a veritable critical industry. Yet little has been written about performance, a lacuna explained by a reluctance to think about Mariam as a theatrical creation. This article challenges the current consensus by arguing for the play’s theatrical imprint and by analysing two 2013 performances – a site-specific production at Cary’s birthplace, and a production by the Lazarus Theatre Company. Throughout, Mariam is engaged with in terms of casting, costume, lighting, set and movement, issues that have mostly been bypassed in Cary studies. This article is 7084 words

    Experiencing the armed struggle : the Soweto generation and after

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    Includes bibliographical references (p. 354-369).This study explores the experiences of the rank-and-file soldiers of Umkhonto we Sizwe and the Azanian People's Liberation Anny. Extensive interviews by the author and other researchers reveal the voices of the soldiers themselves. The African National Congress and Pan African Congress archives at the University of the Western Cape and the University of Fort Hare supplement and verify these oral testimonies, as do some published sources. Most previously published materials about the armed struggle against apartheid have already focused on diplomacy, strategy and tactics, operations, leadership, and human rights abuses to the neglect of the soldiers' actual experiences. This study complements these with significant new oral history materials from the Soweto generation of soldiers and their successors. When dealing with MK, many authors have documented issues of the camp structure in Angola, and operations inside South Africa, so much of this detail is only addressed briefly, leaving space to explore the soldiers' experiences. In the case of APLA, very little has been written on its history, and more detail is provided on these subjects. This study therefore deals with the soldiers' politicisation and motivation for joining the armed struggle, their experiences in leaving South Africa and training in exile, the crises in exile which limited their effectiveness for a time, their return to fight in South Africa, and their difficulties in the "new" South Africa. These materials reveal that vast problems remain facing these veterans of the struggle against apartheid, and that they have the potential, if properly supported and employed, to contribute substantially to the development of present day South Africa. Conversely, if their neglect continues, they also have the potential to bring vast harm to the country. Further use of the investigative tools of oral history, especially if extended to the former soldiers' vernacular languages, is necessary to augment the history of South Africa, and these soldiers' contributions

    Early Modern Women Theatre Makers. Performing The Tragedy of Mariam and Constructing Stage History

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    Since the rediscovery of Elizabeth Cary’s drama, The Tragedy of Mariam, the play and its author have generated a veritable critical industry. Yet little has been written about performance, a lacuna explained by a reluctance to think about Mariam as a theatrical creation. This article challenges the current consensus by arguing for the play’s theatrical imprint and by analysing two 2013 perform­ances — a site-specific production at Cary’s birthplace, and a production by the Lazarus Theatre Company. Throughout, Mariam engages with casting, costume, lighting, set, and movement, issues that have mostly been bypassed in Cary studies

    Reflections of ibadah camp 2025

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    The KENMS Ibadah Camp 2025 represents a vital spiritual platform that strengthens ukhuwwah, nurtures resilience, and reinforces collective identity within the Kulliyyah. Yet, participant feedback reveals the need for systematic improvements to sustain its transformative impact. This report argues that the upcoming KENMS Ibadah Camp 2026 must adopt a more focused programme design, enriched spiritual content, greater inclusivity, stronger logistical coordination, and clearer committee accountability. Feedback indicates that excessively packed schedules, night sessions, and physically strenuous activities compromised participant comfort and diluted the spiritual essence of the camp. Therefore, streamlining activities within office hours and extending the camp over 2.5 to 3 days would balance physical well-being with spiritual intensity. Enhancing core spiritual elements—such as qiyamullail, solat berjamaah, Qur’an recitation, and tazkirah—remains essential for achieving the camp’s objectives. Inclusivity must also be prioritized by selecting accessible venues, minimizing physical strain, and offering optional accommodation for qiyamullail. Furthermore, Islamic ethical considerations, particularly the prohibition of tabarruj, underscore the need to refine award categories and ensure that all practices align with Shariah values. Collectively, these improvements will strengthen the spiritual, social, and organizational outcomes of future Ibadah Camps, ensuring that the programme continues to inspire, unite, and elevate the KENMS community

    The tragedy of Mariam, the fair queen of Jewry

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    The Tragedy of Mariam (1613) is the first original play by a woman to be published in England, and its author is the first English woman writer to be memorialized in a biography, which is included with this edition of the play. Mariam is a distinctive example of Renaissance drama that serves the desire of today's readers and scholars to know not merely how women were represented in the early modern period but also how they themselves perceived their own condition.With this textually emended and fully annotated edition, the play will now be accessible to all readers. The accompanying biography of Cary further enriches our knowledge of both domestic and religious conflicts in the seventeenth century
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