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Possible worlds : Rhett D'Costa, Robin Kingston.
No full textCatalogue essays by Martina Copley.
Catalogue of an exhibition held at Switchback Gallery, Churchill, Victoria, April 18 - May 11, 2007
Dancing made a man out of me : William Eicholtz, Rodney Forbes, David Frazer, Mark McDean, Geoffrey Ricardo, Rodney Scherer.
No full textCatalogue of an exhibition held at Switchback Gallery, Gippsland Centre for Art and Design, Faculty of Art and Design, Monash University Gippsland Campus, August 15 to September 7, 2000.The third sheet is an effusive handwritten letter from Rodney Forbes thanking Dr. Nelson for the grandiloquence of his thoughts.Essay by Robert Nelson
Aunty Eileen Harrison : Listening to the Old Ones in the Trees
No full textAunty Eileen Harrison: Listening to the Old Ones in the Trees, Switchback Gallery, Federation University Australian, 22nd April - 14th May 2015, Curatored by Dr. Laura Brearley and Neale Stratford. Featuring the work of Aunty Eileen Harrison, highly respected Gunai Kurnai artist and Elder with support by the members of the Koori Cohort at the Gippsland Centre for Art and Design
Bubbles on the Surface III
No full textBubbles on the Surface III is the culminating exhibition of a three year partnership between Indigenous artists and Monash University researchers focused on the Murray Darling Basin. Visitors to the exhibition experience a sensory journey through water story places from the Narran Lake in north western NSW down the Darling River to the Murray River in Victoria
Hyperborean Tales
No full text'Hyperborean Tales' Exhibition at Switchback Gallery, Federation University Australia, Gippsland Campus; 6th October - 5th November 2015. Jennifer Murray is a Masters candidate at Federation University’s Gippsland Centre for Art and Design and a painter of miniature images. Her Masters project explores the imagery of cold climates, focussing on places in the Arctic Circle. During her candidacy she undertook a residency at Skagestrond in Northwest Iceland, painting onsite out of an old converted fish warehouse and experiencing directly the visual and cultural effects of the cold climate. The result is an intriguing set of miniature paintings, which reveal the otherworldliness of our planet’s ultra-cold places. Murray is an admirer of Persian and Victorian miniature painting. The small scale meshes with the claustrophobic nature of cold climate living and these works illuminate what it is in cold places that adds new visual and cultural understandings about place. Image: Jennifer Murray, Hyperborean Tales, 8cm x 6cm (from Blue Series), 2011,acrylic on Lanaquarelle paper
Reality is an illusion, although a very persistent one
No full text4th-19th March 2015 Lorry Wedding-Marchioro is a Masters candidate at Federation University's Gippsland Centre for Art and Design and a public sculptor. Her sculptural and installation work explores connections between quantum physics and visual arts practice, drawing on quantum physics' idea that all solid things are composed of wave particles and are in reality as insubstantial as light. The result is an intriguing set of installations and sculptures, which challenge our ideas of what reality is. These works make us question what is real and substantial and what is not. Recent advances in physics bring us closer to the ancient Eastern idea that the world is actually an illusion and this is an idea that has always engaged artists. Switchback Gallery is at Gippsland Centre for Art and Design, Building 6S, Federation University Gippsland and is open 9 - 5 weekdays or by appointment Image: Image: Lorry Wedding-Marchioro, Metonymy, detail 2014 Perspex, Plexigravure, LEDs, mirror, wood. 101 x 101 x 10 cm photographer, Heath Britto
A Memory : The Jan Feder Memorial Ceramics Collection
No full textA collection of ceramics in honour of a former student will be exhibited at Federation University Australia’s Gippsland Campus. The Jan Feder Memorial Collection was chosen by former ceramics lecturer Dr Owen Rye and will be exhibited at the Switchback Gallery from 20 May until 9 July, 2015 Many of these pieces are works of national and international significance and would be highly sought after by museums and galleries in Australia and overseas. The exhibition will be opened by Dr Rye at 5.00 pm on Wednesday, 20 May, 2015 in the presence of Dr Harry Ballis, Campus Director, and Peter Pilven, well known ceramic artist and Head of the Arts Academy. In 1980 students at the then Gippsland Institute of Advanced Education raised a small sum of money to buy a few small ceramic pieces to form the basis of a study collection. They did this in memory of student Jan Feder, who died tragically that year. Beginning with a piece by the noted Australian potter Victor Greenaway, the collection grew over the next decade to become a collection of 63 major works by some of the world’s leading ceramic artists. The collection was packed away in a clay shed and forgotten altogether until director Tony Hanning, along with two technical assistants Russell Snelton and Neale Stratford, rediscovered the collection. When they unpacked the work they realised that it was a snapshot of world ceramics from the eighties and nineties, with major works by leading British, American and Japanese artists, as well as the cream of Australian ceramic artists. Image: Neale Stratford, The Jan Feder Memorial Ceramics Collectio
Courtney Hall : girl on fire
No full textCuration of solo exhibition, Switchback Gallery, Churchill, Australi
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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