1,721,156 research outputs found
Waters, Mrs. Susanah
Photograph from the C.R. Savage Portrait Studio. Name associated with the photograph: Mrs. Susanah Water
Waters, Mrs. Susanah
Photograph from the C.R. Savage Portrait Studio. Name associated with the photograph: Mrs. Susanah Water
Waters, Mrs. Susanah
Photograph from the C.R. Savage Portrait Studio. Name associated with the photograph: Mrs. Susanah Water
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
My Amiable Uncle: Recollections about Booth Tarkington
He was twice winner of the Pulitzer Prize in fiction: in 1919 for The Magnificent Ambersons and in 1922 for Alice Adams. His play, Clarence, launched Alfred Lunt on his distinguished career and provided Helen Hays with an early successful role. His Penrod books continued the American boy story tradition that started with the works of Mark Twain. In the early 1900s, through his novel The Turmoil, he warned of sacrificing the environment to industrial growth. Yet, since his death in 1946, Booth Tarkington—this writer from the Midwest who accomplished so much—has faded from the memory of the reading public, and many of his works are out of print.
But his memory is fresh and vivid in the mind of his grandniece Susanah Mayberry, and her recollections of him leap from the pages. She recalls that as a small child, before she was aware of her uncle’s fame as a writer, he emerged as the one figure whose outline was clear among the blur of forms that made up her large family.
The author of My Amiable Uncle draws primarily upon personal experiences, family lore, and letters (some never before published) to portray her uncle. She tells of the pleasure it gave him to entertain his young nephews and nieces at his Tudor-style winter home in Indianapolis—where they played a spirited form of charades. She recalls vacations, as a college student, spent at his light-filled summer home in Kennebunkport, Maine—where she met his famous neighbors. During all of those times, Uncle Booth was a keen observer of youth. He created Penrod and friends from his observations, and as a teacher of youth, transmitted his own love of art to his young relations.
The book will appeal to the general reader and the scholar. The former will be charmed by the reminiscences, and the latter will be interested in the new information about this writer of distinction. All readers will appreciate the substantial introduction to the volume by James Woodress, who places Tarkington within his literary milieu while reviewing his major works.
Indiana residents will feel “at home” with the frequent references to the state and its people. Indianapolis influenced Tarkington and his work—the city was his birthplace. He spent a year at Purdue University where he met such “brilliancies” as George Ade and John McCutcheon. Other famous and not-so-famous Hoosiers became a part of Tarkington’s life, and they—along with international literary, theatrical, and political luminaries—reappear in Mayberry’s recollections of her amiable uncle.https://docs.lib.purdue.edu/purduepress_ebooks/1050/thumbnail.jp
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