3,300 research outputs found
Calvert Johnson and Susan Fletcher
No full text1 B&W Image.Calvert Johnson, 71', and Susan Fletcher, 73' are seen being applauded following a Bach Festival performance. Dr. Russell Hammar stands watching in the foreground on the left of the photo, and Assistant Professor Barry Ross can be seen seated immediately to the left of Johnson
The functional imaging of recall
No full textAn associative theory of implicit and explicit memory, G.H. Bower; encoding and retrieval processes - similarities and differences, F.I.M. Craik, M. Naveh-Benjamin, N.D. Anderson; memory imagery - a visual trace is not a mental image, C. Cornoldi, R. de Beni, F. Giusberti, M. Massironi; imaginary memories, E.F. Loftus; the rise and fall of semantic memory, J.M. Mandler; stories, selves and schemata - a review of ecological findings, U. Neisser; associative processes in false recall and false recognition, H.L. Roediger III, K.B. McDermott, K.J. Robinson; the functional imaging of recall, T. Shallice, P. Fletcher, R. Dolan; three dimensions of spatial cognition, B. Tversky. Part contents.
Autobiography of Mrs. Fletcher of Edinburgh
No full textEliza Fletcher (born Eliza Dawson) (1770–1858) was an English writer, literary patron and supporter of parliamentary reform and liberal politics. Fletcher became a patron of the poets Ann Yearsley and Hannah More, and later in life formed friendships with prominent writers Elizabeth Gaskell and Harriet Martineau. After her marriage to politician and electoral reformer Archibald Fletcher in 1791, she became more radical in her political views. This volume, first published in 1874, contains Fletcher's autobiography, edited by her daughter, Lady Mary Richardson. Fletcher describes her life chronologically, providing fascinating detail on her childhood and adolescence, and citing correspondence illustrating her relationships with her friends. She provides sharp observations on political issues and describes the social and literary circles in which she moved, giving valuable information on literary society and politics during the early nineteenth century. For more information on this author, see http://orlando.cambridge.org/public/svPeople?person_id=fletel
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Alice Fletcher
No full textAfter nursing the ill Alice Fletcher, an ethnologist and advocate of the Omaha people, Susan La Flesche realized her desire to help her people as a doctor. She would eventually become the first Native American female physician
Book review: Contemporary Scottish plays, edited by Trish Reid
No full textBook review: Contemporary Scottish plays, edited by Trish Reid. London:
Bloomsbury, 2014; ISBN: 9781472574435 (£17.99)Publisher PD
'Pilings of Thought Under Spoken': The Poetry of Susan Howe, 1974-1993.
No full textPhDThis thesis discusses the poetry published by contemporary American poet Susan
Howe over a period of almost two decades. The dissertation is chiefly concerned with
articulating the relationship between poetic form, history, and authority in this body
of' work. Howe's poetry dredges the past for the linguistic effects of patriarchy,
colonialism and war. My reading of the work is an exploration of the ways in which a
disjunctive poetics can address such historical trauma. The poems, rather than
attempting to reinstate voices lifted from what Howe has called "the dark side of
history", are a means of reflecting the resistance that the past offers to contemporary
investigation. It is the effacement, and not the recovery, of history's victims, that is
discernible in the contours of these highly opaque texts. Notions of authority are most
often addressed in the poetry through the figure of paternal absence, which has a
threefold function in the work, serving to represent social authority, an aporetic
conception of divinity and an autobiographical narrative. Alongside the antiauthoritarian
currents in the writing - critiques, for example, of the doctrine of
Manifest Destiny or of scapegoating versions of femininity - my thesis stresses Howe's
engagement with negative theology and with a strain of American Protestant
enthusiasm that has its roots in 17th century New England. The dissertation explores
the dissonance caused by the co-existence in the poetry of elements of political dissent
and religious mysticism. Finally, I consider Howe's engagement with literary history
and authors such as Shakespeare, Swift, Thoreau and Melville. The manner in which
Howe deploys the words of others in her work, I argue, allows for a mixture of textual
polyphony and a more conventional notion of authorial 'voice'
Session E: Dorothy Sayers
No full textSayers and the Responsibilities of a Christian Writer - Christine Fletcher
Charles Williams: Priest of the Co-Inherence - Susan Wendling
Dorothy Sayers and the Wiles of the Wicked One in \u27The Devil to Pay\u27 - Paul Fetter
Implementing Regional Ocean Governance
No full textImplementing Regional Ocean Governance (moderated by Mike Orbach): *Laura Cantral - The Joint Ocean Commission Initiative *Susan Hanna - Implementing Effective Regional Ocean Governance: Perspectives from Economics *Kristen Fletcher - Regional Ocean Governance: The Role of Public Trust Doctrine
Susan Fletcher, 1976 Bach Festival
No full text1 B&W Image.Susan Fletcher graduated from Kalamazoo College in 1973, and during her time there performed in the operas "Dido and Aeneas," "The Telephone," and "The Boor." She was the 1971 Bach Young Artists winner. She is seen here singing at the 1976 Bach Festival. This photo was originally published in the April 1976 edition of the Kalamazoo College Magazine
Charlie May Simon Fletcher
No full textFletcher seated behind desk and in front of stained glass window."(On verso: LL.D. 1960 as Simon, Charley Mae [sic]. Mrs. John Gould Fletcher.)Charlie May Simon Fletcher (1897-1977) was an Arkansas author and former creative writing professor at the University of Arkansas. She was married to John Gould Fletcher, an Arkansas poet
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