1,720,953 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Response to Rizkallah’s review of the book ‘Integrative health through music therapy: Accompanying the journey from illness to wellness’
I am writing this letter as a response to Marianne Rizkallah’s recent book review published in Approaches (Rizkallah, 2020). The book reviewed is titled ‘Integrative Health Through Music Therapy: Accompanying the Journey From Illness to Wellness’, written by Suzanne Hanser.
Integrative health must be viewed as a set of person-centred principles and approaches to enhance patient care and reduce suffering. It goes “beyond simply combining different forms of medicine and allows for an individualistic approach to patient care that incorporates the mind, spirituality, and sense of community as well as the body” (Gannotta et al., 2018, p. 1). It is intended as a practice that draws from a suite of interventions that meet the holistic needs of the patient. Integrative medicine practitioners do not view the field of integrative health from a dichotomous perspective of eastern versus western medicine but instead as a complementary and synergistic range of solutions that can help alleviate one or more presenting problems or concerns expressed by patients (Bell et al., 2002). A study conducted among resident physicians in the United States revealed that ideological differences and lack of knowledge were the primary barriers to the adoption of integrative medicine, not a lack of evidence (Ziodeen & Misra, 2018). The researchers recommend formal integrative medicine training to be incorporated within the medical education curriculum to overcome these barriers. The National Institute for Complementary and Integrative Health (2020) also advises health providers on how to access the body of evidence-based medicine, including mind-body practices such as music therapy. These conclusions suggest that attitudes and mindset also influence the adoption of integrative medicine, not necessarily the lack of evidence, as suggested by Rizkallah (2020). Further, the building of a robust evidence base is necessary across all integrative medicine practices worldwide.
Integrative medicine also views the patient and the practitioner as partners within the therapeutic process (Maizes et al., 2009). Approaches to the therapeutic relationship can therefore vary depending on the clinical context or length of treatment plans. It is true that there is a power differential between therapist and client, and maintaining a professional relationship requires strict parameters. However, Hanser urges the music therapist to “empower” the client to identify their own inner strength and resources as they enter into the therapeutic relationship. Those who face difficult diagnoses, traumatic treatments, ongoing pain and suffering, and limited lifespans may not always require a deeply psychoanalytic approach. In these individuals, the idea of a “companion” and “muse” as proposed by Hanser would be appropriate, as such an approach is more likely to elicit the intended therapeutic outcome of empowering the individual seeking treatment. Therefore, the terminology of companion does not deny the power dynamic that is inherently present in any therapy, as highlighted in Rizkallah’s book review.
Finally, the emphasis of the book is indeed on the relationship with music. Throughout the book, Hanser explores the relationship between the individual and music therapist as an empowering, open, and more balanced flow throughout the journey to wellness. This may not be the traditional client-therapist relationship, but this approach is what makes the book intriguing. In Chapter Six, Hanser specifically addresses the music therapist’s own journey at many levels of being, including “musical preparation.”
Hanser’s contribution brings focus and depth to understanding the use of music therapeutically within an integrative medicine context. The evidence base assembled in the book and the strategies suggested by Hanser are an excellent resource for global music therapy practitioners of all experience levels who may want to engage more rigorously with this rich field. Drawing on my own expertise in the field of medicine and music therapy, I would recommend Hanser’s textbook for music therapists and health professionals from all fields to help promote and advance the use of music in integrative medicine.
As Hanser models for us, the field of music therapy should be open to expanding our collective ability as a professional community to use music therapeutically more effectively. Hanser is to be lauded for departing from a narrower view of music therapy in favour of an innovative integrative healing model. I would invite the global music therapy community to undertake a more open and deeper reflection on the principles of integrative medicine with consideration for a range of needs presented by diverse communities worldwide.
References
Bell, I. R., Caspi, O., Schwartz, G. E., Grant, K. L., Gaudet, T. W., Rychener, D., Maizes, V., & Weil, A. (2002). Integrative medicine and systemic outcomes research. Archives of Internal Medicine, 162(2), 133. https://doi.org/10.1001/archinte.162.2.133
Gannotta, R., Malik, S., Chan, A. Y., Urgun, K., Hsu, F., & Vadera, S. (2018). Integrative medicine as a vital component of patient care. Cureus, 10(8), 1-5. https://doi.org/10.7759/cureus.3098
Maizes, V., Rakel, D., & Niemiec, C. (2009). Integrative medicine and patient-centered care. Explore, 5(5), 277-289. https://doi.org/10.1016/j.explore.2009.06.008
National Institute for Complementary and Integrative Health (2020). Resources for health care providers. Retrieved from https://www.nccih.nih.gov/health/providers
Rizkallah, M. (2020). Book review “Integrative health through music therapy: Accompanying the journey from illness to wellness” (Hanser). Approaches: An Interdisciplinary Journal of Music Therapy. Advance online publication. Retrieved from https://approaches.gr/rizkallah-br20200203
Ziodeen, K. A., & Misra, S. M. (2018). Complementary and integrative medicine attitudes and perceived knowledge in a large pediatric residency program. Complementary Therapies in Medicine, 37, 133-135. https://doi.org/10.1016/j.ctim.2018.02.00
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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