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Tarawangsa Padepokan Pusaka Lembur: Upaya Pengembangan Dalam Mempertahankan Seni Tarawangsa di Cangkuang Kabupaten Bandung
Get PDFTarawangsa is a type of art that lives in an agrarian cultural
ecosystem. Its existence cannot be separated from the lifestyle of
the Sundanese people known as the people of the fields. One form
of cultural expression between agrarian society and art, for
example, can be found in the seren taun ceremony, ngalaksa.
These ceremonies in particular have values related to the
expression of people\u27s gratitude for the produce of the earth, the
harvest that nature has given to people\u27s lives. In the
Rancakalong Sumedang community, for example, some of these
processes can still be found, especially in the ngalaksa ceremony
procession. Apart from ceremonial activities related to an
agrarian lifestyle, Tarawangsa also attends activities such as; the
celebration of the birth of a baby and the ritual of treating the sick.
This is because the agrarian lifestyle in some places tends to
disappear, Tarawangsa is difficult to find in the context of
agrarian rituals. One of these conditions can be found in
Tarawangsa Cangkuang in Bandung Regency where its existence
has further reduced the decline in the agrarian contextual
function. Tarawangsa Cangkuang is not found in the ngalaksa
ceremony, because in the people of Bandung Regency, it can
hardly be found in the ngalaksa ceremony. Tarawangsa
Cangkuang to a certain extent can only be found at the time of
entertainment, and thanksgiving ceremonies for the birth of a
baby. For this reason, development efforts are needed to maintain
the existence of Tarawangsa Cangkuang. This paper is a record of
participatory observation in recording the existence of
Tarawangsa Cangkuang, as well as being involved in efforts to
develop the sho
PASINDEN: AWAL KEHADIRANNYA DALAM PERTUNJUKAN WAYANG GOLEK
Get PDFIn 1930 Sinden became part of the Wayang Golek show. This phenomenon is the creativity of the puppeteer Baraja who was not satisfied with the conventional wayang gol~k performance. Finally Sinden presented songs that was entertainment in Wayang Golek show performances. Furthermore, the other puppeteers imitated him and in the end the sind~n and the puppeteers became a unity called the "Dwi Tunggal" who complemented and worked together in the performance. In the beginning, the presence of sind~n in the Waang Golek show gave the famous sind~n in the community. They have the name code (popular name) and the song that characterizes them. This phenomenon shows the dynamism of a traditional form ofperformance in the supporting community
Estetika Lagu Rincik-rincik dalam Pertunjukan Ronggeng Tayub
Get PDFAbstrakTujuan dari penelitian ini menjelaskan estetika musikal dalam pertunjukan Ronggeng Tayub, khususnya lagu Rincik-rincik yang dalam sajiannya terdapat perpaduan garap musikal karawitan Sunda dan karawitan Jawa (Banyumasan). Ronggeng Tayub merupakan salah satu bentuk kesenian rakyat di Kabupaten Ciamis dan sekitarnya. Penelaahan dilakukan melalui kajian teknik tabuhan, repertoar lagu, syair lagu, serta menelaah relasi masyarakat dengan seni karawitan dalam kaitannya dengan pertunjukan Ronggeng Tayub di wilayah perbatasan Ciamis-Cilacap. Metode yang digunakan dalam penelitian ini, yaitu metode deskriptif analisis kualitatif. Teknik mengumpulkan data dilakukan melalui observasi lapangan yang didukung dengan wawancara dan perekaman kejadian guna mendapatkan validitas data yang lebih utuh dan menyeluruh. Sajian gending dalam lagu ini menghadirkan kesan kesedarhanaan yang mencerminkan konsep hidup masyarakat pendukungnya. Ronggeng Tayub memiliki bentuk pertunjukan yang sangat merakyat, menyatu, dan komunikatif dengan penontonnya. Lagu Rincik-rincik termasuk pada lagu “pesanan” dari penonton, sajian gendingnya khas, unik, dan dinamis dengan iringan instrumen gamelan salendro yang relatif sederhana.Kata Kunci: estetika musikal, rincik-rincik, ronggeng tayub, kesenian rakyat AbstractThe purpose of this study is to explain the musical aesthetic of the Ronggeng Tayub performance, especially the Rincik-rincik song, which combines Sundanese and Java musical instruments (Banyumasan). Ronggeng Tayub is folk art in District Ciamis and surrounding. The study of Rincik-rincik song includes percussion techniques, song repertoire, song poetry, and the relationship between the community and the Ronggeng Tayub. This study uses a qualitative descriptive-analytical method. The techniques used in this study are observation, interview, and recording in order to obtain a more complete and comprehensive data validity. The performance of gending in Ronggeng Tayub presents the impression of simplicity, reflecting the concept of the life of the people. Ronggeng Tayub has a simple form of performance, blending, and communicative with the audience. Rincik-rincik is one of “special request” song from its audience, by which its gending is unique and dynamic, accompanied by a simple gamelan slendro.Keywords: aesthetic, rincik-rincik, ronggeng tayub, artfolks
STRUKTUR SAJIAN KIDUNG DALANG RUWAT ABAH EDO DALAM RUWATAN LEMBUR DI TAMBAKSARI CIAMIS
Get PDFArtikel ini memaparkan penyajian Kidung dalam tradisi Ruwatan Lembur yang dilakukan dalang ruwat
Abah Edo di Tambaksari Ciamis Jawa Barat. Sampai saat ini tradisi ruatan/ruwatan masih dilakukan
masyarakat sebagai ritual penolak bala. Penelitian menggunakan metode kualitatif. Teknik pengumpulan
data terdiri dari: Studi pustaka, studi lapangan (observasi, wawancara, studi dokumentasi) dan analisis data.
Berdasarkan pembahasan dapat disimpulkan bahwa kidung dalang ruwat Abah Edo merupakan doa untuk
memohon keselamatan agar terhindar dari marabahaya. Syair kidung menggunakan Bahasa Jawa dan
termasuk kategori tradisi lisan. Dalang ruwat Abah Edo menyajikan Kidung pada tiga adegan ritual
ruwatan, yaitu: pada adegan pertemuan anak dengan ibunya (Dewi Tandana), pertemuan anak dengan
bapaknya(Otipati), dan di akhir ruwatan sebagai doa permohonan untuk mendapatkan keselamatan,
ketenangan, dan ketentraman.
Kata Kunci: dalang ruwat, kidung, ruwatan lembur, struktu
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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