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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    ЗНАЧЕННЯ ТВОРІВ САКРАЛЬНОГО ЖИВОПИСУ В РОЗВИТКУ ХУДОЖНЬОГО МИСЛЕННЯ ПЕДАГОГА

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    The article considers the necessity to use works of sacred art in the training system for future teachers, which is extremely acute in this era of deformation cultural values. The relevance of the chosen topic is justified by the fact that higher education institutions should give future teachers not only a certain amount of knowledge, but also they should form valuable attitude to the works of Christian sacred art. The language of sacred art is multifunctional and universal and by breaking language barriers it allows you to delve into the essence of things, events and the phenomena of the surrounding reality. It isimportant that the content and meaning, embedded in the works of sacred art, in the process of their influence on students will contribute to the formation of their system of values and the development of their sense of the sensual beauty in worldly reality. The aim of the article is to study the influence of art in general and the peculiarities of the influence of works of sacred art in particular, in the context of professional training of future teachers. The possible ways of introducing of sacred art works into the educational and communicative space are outlined. The methodological basis of the study is the main feature of cognitive theory; culturological approach to art consideration and art-therapeutic practices in working with students. Basing on our own art-therapeutic experience of working with children, we focus on the individualization of the creative experience, which vividly reflected in the drawings of primary and secondary school students. The practical significance of the obtained results in working with students allows us to draw the following conclusion, which will be the quintessence of the outlined issues of our study. A future teacher needs to understand that the works of Christian sacred art have a great artistic and pedagogical influence on the formation of students’ system of life values, fulfilling an aesthetic and harmonizing function.У статті проаналізовано роль та значення творів сакрального живопису в процесі розвитку художнього мислення майбутнього педагога. Вперше в наукових розвідках досліджуються значення творів сакрального живопису в розвитку художнього мислення майбутнього педагога. Закцентовано увагу на значенні естетичного переживання в розвитку духовного потенціалу учнів. Необхідність використання творів сакрального живопису в системі підготовки майбутніх педагогів постає надзвичайно гостро в умовах деформації культурних цінностей та десакралізації мистецтва. Варто підкреслити, що неодмінною складовою розвитку художньо-творчого потенціалу майбутнього педагога є залучення останнього до впровадженнятворів сакрального живопису в освітньо-комунікативний простір. Останній є поліфункціональною реальністю, яка вимагає впровадження якісних методик викладання мистецтва, для всіх спеціальностей у вищих навчальних закладах України. Тому мистецтво необхідно вивчати незалежно від спеціальності та напрямку професійної діяльності. Проаналізовано ефективність упровадження творів сакрального живопису в освітньо комунікативний простір, що у свою чергу дозволяє розглядати професійну підготовку майбутніх педагогів як синергію освіти, філософії,мистецтвознавства в площині сучасного арт-простору

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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