8,284 research outputs found
Letter from Cy Donner to Michi Weglyn, June 2, 1967
No full textA letter from Cy Donner to Michi Weglyn encouraging her to come out to California to talk to producers about two shows called "Youthquake" and "Pretty Talk".These materials are from box 73 and 74 of the Frank Chin Papers. The Frank Chin Papers contain personal and professional correspondence between Frank Chin and Michi Weglyn relating to particular projects on which either author was working as well as files related to the Day of Remembrance Tribute to Michi Weglyn
The characteristics and provenance of earthquake triggered submarine landslide deposits in the southern Okinawa Trough
No full textEarthquake triggered submarine landslide deposits in the southern Okinawa Trough: Their grain size distribution and possible provenance
No full textUrbanicity-related Variation in Help-seeking and Services Utilization among Preschool-age Children with Autism in Taiwan
No full textFactors associated with the diagnosis of neurodevelopmental disorders: a population-based longitudinal study
No full textOutcome of medium-dose VP-16/CY/TBI superior to CY/TBI as a conditioning regimen for allogeneic stem cell transplantation in adult patients with acute lymphoblastic leukemia
Full text linkThe choice of conditioning regimen before allogeneic stem cell transplantation (SCT) in patients with acute lymphoblastic leukemia (ALL) is important. We retrospectively compared outcomes of medium-dose VP-16/cyclophosphamide/total body irradiation (VP/CY/TBI) regimen and CY/TBI. Five hundred and twenty-nine patients (VP/CY/TBI: n = 35, CY/TBI: n = 494) who met all of the following criteria were compared: first time for SCT, aged 15-59 years; first or second complete remission at SCT; bone marrow or peripheral blood as stem cell source; and HLA phenotypically matched donor. Median age of the patients was 34 years, and patients who received VP/CY/TBI were younger (28 years vs. 34 years, P = 0.02). Cumulative incidences of relapse and non-relapse mortality (NRM) were higher for patients who received CY/TBI (P = 0.01 for relapse, P < 0.01 for NRM). After a median follow-up period of 36.9 months, 5-year overall survival (OS) rates were 82.2% in the VP/CY/TBI group and 55.2% in the CY/TBI group. OS, and disease-free survival (DFS) in the VP/CY/TBI group were shown to be significantly better by multivariate analysis [hazard ratio: 0.21 (95% confidence interval: 0.06-0.49) for DFS, hazard ratio: 0.25 (95% confidence interval: 0.08-0.59) for OS]. VP/CY/TBI was associated with a lower relapse rate and no increase in NRM, resulting in better survival than that in CY/TBI for adult ALL patients
Structural characterization and transcriptional pattern of two types of carp rhodopsin gene.
No full textA Recessive Lethal Gene, l-Cy, concealed in the Second Chromosome Balancer of Drosophila Melanogaster
Full text linkThe second chromosome balancer, SM 5[In(2(LR)SM 5)]Cy, has been used as a most useful tool to study the genetic variations in natural populations of Drosophila. melanogaster. The balancer suppresses recombination in almost whole region of the second chromosome since it has complicated inversions both in the right and left arms. It is lethal in the homozygous condition and it also has a dominant mutant, Cy, and several recessive mutations.Homozygous lethality has been explained by the presence of In(2 LR) or Cy itself. However, the cause of lethality is not necessarily clear. Recently, the author has found a recessive lethal gene in a natural population, which is allelic to these balancer chromosomes. In this short communication the author reports that the lethality of SM 5 chromosome in the homozygous condition is due to a recessive lethal gene, l-Cy (lethal Cy)
Cy Twombly’s photographic work
Full text link[ES] La fotografía se encuentra en un estado de masificación incontrolado. Todo el mundo es fotógrafo. En el terreno de las artes plásticas,
todo creador (ya sea pintor, escultor, grabador...) es paralelamente fotógrafo. Históricamente, encontramos precedentes de estas
relaciones entre las diferentes disciplinas de las artes plásticas hasta crear un todo inseparable y, en la praxis del pintor, su relación
con la fotografía se presenta de una manera directa y hermanada. En el caso de Cy Twombly, tanto su estética como su
multidisciplinaria producción, muestran un camino en que la fotografía se adopta como posible vía de exploración o nervio de
producción. Todo ello nos lleva a necesitar, como observadores, un móvil; el espectador necesita saber por qué el modus operandi de
un artesano de la materia pintura, intercede e interactúa con tal máquina, es decir, qué utiliza, qué extrae, cuál es el drenaje obtenido
de tal acción. En esta comunicación se presentan y analizan los principios básicos del trabajo fotográfico de Cy Twombly.[EN] Photography is in a state of uncontrolled massification; everyone is a photographer. In the field of plastic arts, nowadays every creator
(be it a painter, sculptor, engraver...) is, at the same time, a photographer. Historically, we find precedents of these relationships
between the different disciplines of the plastic arts to create an inseparable whole and, in the praxis of the painter, this relationship
with photography is presented in a direct and twinned way. In the case of Cy Twombly, both its aesthetics and its multidisciplinary
production, show a path in which photography is adopted as a possible route of exploration or production nerve. This leads us to
need, as observers, a motive; the viewer needs to know why the modus operandi of an artisan of the pictorial matter intercedes and
interacts with the photographic machine; what he uses, what he extracts, what is the drainage obtained from such action. This
communication analyzes and presents the basic principles of Cy Twombly's photographic work.Peris Muñoz, CM. (2019). El Trabajo Fotográfico de Cy Twombly. En IV Congreso Internacional de investigación en artes visuales: ANIAV 2019 Imagen [N] visible. Editorial Universitat Politècnica de València. 587-596. https://doi.org/10.4995/ANIAV.2019.2019.9202OCS58759
A Poetics of becoming: the mythography of Cy Twombly
No full textA Poetics of Becoming: The Mythography of Cy Twombly, centres upon Proteus, a painting made by the artist Cy Twombly in 1984. The chapter uses this particular work as a means of unpacking the artist's complex and manifold relationship with mythology. With regards to both the facture and the matiere of Proteus, the author argues that the visual poetics of the artist's work results from what is claimed to be the painting's "becoming
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