1,721,094 research outputs found
Totally Positive Matrices and Cyclic Polytopes
No full textSturmfels, B.. (1987). Totally Positive Matrices and Cyclic Polytopes. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/4685
Grobner Bases and Invariant Theory
No full textSturmfels, B.; White, N.. (1987). Grobner Bases and Invariant Theory. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/4695
Algorithms for the Quillen-Suslin theorem
No full textAbstractWe give an algorithm for computing a free basis of a projective C[x1,…xn,-module which is presented as the image, kernel, or cokernel of a polynomial matrix. Our method can be implemented using Gröbner bases, and it provides an elementary, constructive proof of the Quillen-Suslin theorem
Real rank geometry of ternary forms
Full text linkWe study real ternary forms whose real rank equals the generic complex rank, and we characterize the semialgebraic set of sums of powers representations with that rank. Complete results are obtained for quadrics and cubics. For quintics, we determine the real rank boundary: It is a hypersurface of degree 168. For quartics, sextics and septics, we identify some of the components of the real rank boundary. The real varieties of sums of powers are stratified by discriminants that are derived from hyperdeterminants
The geometry of Gaussoids
Full text linkA gaussoid is a combinatorial structure that encodes independence in probability and statistics, just like matroids encode independence in linear algebra. The gaussoid axioms of Lněnička and Matúš are equivalent to compatibility with certain quadratic relations among principal and almost-principal minors of a symmetric matrix. We develop the geometric theory of gaussoids, based on the Lagrangian Grassmannian and its symmetries. We introduce oriented gaussoids and valuated gaussoids, thus connecting to real and tropical geometry. We classify small realizable and non-realizable gaussoids. Positive gaussoids are as nice as positroids: They are all realizable via graphical models
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Wasserstein distance to independence models
Full text linkAn independence model for discrete random variables is a Segre Veronese variety in a probability simplex. Any metric on the set of joint states of the random variables induces a Wasserstein metric on the probability simplex. The unit ball of this polyhedral norm is dual to the Lipschitz polytope. Given any data distribution, we seek to minimize its Wasserstein distance to a fixed independence model. The solution to this optimization problem is a piecewise algebraic function of the data. We compute this function explicitly in small instances, we study its combinatorial structure and algebraic degrees in general, and we present some experimental casestudies. (C) 2020 Elsevier Ltd. All rights reserved
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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