165 research outputs found

    Improving the radical cure of vivax malaria (IMPROV): a study protocol for a multicentre randomised, placebo-controlled comparison of short and long course primaquine regimens.

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    BACKGROUND: Plasmodium vivax malaria is a major cause of morbidity and recognised as an important contributor to mortality in some endemic areas. The current recommended treatment regimen for the radical cure of P. vivax includes a schizontocidal antimalarial, usually chloroquine, combined with a 14 day regimen of primaquine. The long treatment course frequently results in poor adherence and effectiveness. Shorter courses of higher daily doses of primaquine have the potential to improve adherence and thus effectiveness without compromising safety. The proposed multicentre randomised clinical trial aims to provide evidence across a variety of endemic settings on the safety and efficacy of high dose short course primaquine in glucose-6-phosphate-dehydrogenase (G6PD) normal patients. DESIGN: This study is designed as a placebo controlled, double blinded, randomized trial in four countries: Indonesia, Vietnam, Afghanistan and Ethiopia. G6PD normal patients diagnosed with vivax malaria are randomized to receive either 7 or 14 days high dose primaquine or placebo. G6PD deficient (G6PDd) patients are allocated to weekly primaquine doses for 8weeks. All treatment is directly observed and recurrent episodes are treated with the same treatment than allocated at the enrolment episode. Patients are followed daily until completion of treatment, weekly until 8 weeks and then monthly until 1 year after initiation of the treatment. The primary endpoint is the incidence rate (per person year) of symptomatic recurrent P. vivax parasitaemia over 12 months of follow-up, for all individuals, controlling for site, comparing the 7 versus 14-day primaquine treatment arms. Secondary endpoints are other efficacy measures such as incidence risk at different time points. Further endpoints are risks of haemolysis and severe adverse events. DISCUSSION: This study has been approved by relevant institutional ethics committees in the UK and Australia, and all participating countries. Results will be disseminated to inform P. vivax malaria treatment policy through peer-reviewed publications and academic presentations. Findings will contribute to a better understanding of the risks and benefits of primaquine which is crucial in persuading policy makers as well as clinicians of the importance of radical cure of vivax malaria, contributing to decreased transmission and a reduce parasite reservoir. TRIAL REGISTRATION: ClinicalTrials.gov Identifier: NCT01814683 . Registered March 18, 2013

    Improv to improve

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    In this study we contribute to a scientific investigation of improvisational theatre on various variables that measure creativity, acceptance and psychological well-being. In a controlled trail, 30 participants in the intervention group and 28 in the waiting control group completed 6 different tests and questionnaires prior and post to a 6-week improv intervention or waiting time respectively. The study is now published as "Improv to Improve: The Impact of Improvisational Theater on Creativity, Acceptance, and Psychological Well-Being", Journal of Creativity and Mental Health, (2021), https://doi.org/10.1080/15401383.2020.175498

    Effects of Improv Comedy on College Students

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    This exploratory qualitative study investigated the degree to which participation in college improv comedy affects student development. The study reviews the experiences of students from three different campuses who are involved in improv comedy. Grounded in theories from figured worlds, creativity, student development, memory, cognitive development, identity development, and imagination, this research draws on twelve semi-structured interviews, three group interviews, and three observations of performances. This study answers the following questions: How do college students make meaning of their experience within an improv comedy troupe in relation to academic, social skill, and identity development? What potential does improv comedy have for influencing student growth and development on college campuses? The study provides a historical account of improvisational comedy leading up to the first established improv comedy organizations on college campuses. Qualitative data analysis revealed themes and subthemes that support student development, including the following: academic, social, identity development and exploration, dropping knowledge, out of thin air, building bridges to new worlds, creating from scratch, teamwork makes the dreamwork, a way with words, hand in hand, fearlessly true to self, widening the gaze, and way of life. The study provides recommendations for integrating improv comedy into curriculum and student affairs practice

    Writers Talk 3rd Annual Halloween Special

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    The third annual Writers Talk Halloween special, featuring the short story "Hello, Slocum," written by OSU creative writing alumnus Juliet Williams and performed by Fort Hayes theatre students. Also featuring contributions from the OSU student group 8th Floor Improv, and other writing guaranteed to bring a chill to your spine.The media can be accessed here: http://streaming.osu.edu/knowledgebank/cstw12/WT_WCRS_10-24-11_HalloweenSpecial_FortHayes_JulietWilliams_8thFloor.mp3Ohio State University. Center for the Study and Teaching of Writin

    The effects of improvisational theatre (improv) vs. group television watching on cognitive ability and mood in people with age-related memory complaints

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    As people age, there is a high chance their cognitive abilities will decline. The Baby Boomer population will soon reach an age where this is a major problem. As cognitive ability declines, so does quality of life. Everyday, 10,000 baby boomers turn 65 and this trend will continue for the next 15 years. With potential millions in need of a solution, cost is a major issue as well. Different forms of stimulation, like music and puzzles, have been shown to improve cognitive ability. Improvisational theatre is a form of stimulation that has not been thoroughly researched in older adults. This is a randomized control pilot study for utility and preliminary efficacy of improvisational theatre on cognitive ability and mood in older adults with age-related memory complaints. 11 elderly participants with age-related memory complaints from an assisted living center were randomized into an improv class (n=5) or a television watching control group (n=6). The improv group participated in an improv class once a week, for 8 weeks, lasting one hour per session. The passive stimulation group watched television or a movie for one hour a week at the same time as the improv class, for 8 weeks. The participants were given the following surveys one week prior to the start of the study and again the day of the last session: Montreal Cognitive Assessment, Verbal Fluency Test, Letter-Number Sequencing Test, Geriatric Depression Scale, Memory Functioning Questionnaire and the Functional Activities Questionnaire. The improv group demonstrated an average improvement in executive function, memory self-appraisal, phonemic cognition, and a decrease in mild cognitive impairment. The verbal fluency test, which measures phonemic cognition showed significant improvement with a p-value of 0.037. In the television watching group, there was an average improvement in executive function, phonemic cognition and some aspects of memory self-appraisal. None of which were significant. No adverse events occurred during the study. This study shows that improv has the potential to improve phonemic cognition because there was a significant increase in the study. Though the other areas that were tested (depression, executive function, working memory, memory self-appraisal or mild cognitive impairment) did not improve significantly, all either improved more than the control group or regressed less than the control group. Since this was the first study of its kind, more researchers should explore the effects of improv on cognition in elderly persons. Subjectively, the improv participants improved greatly in their ability to follow and remain active during the various games.</jats:p

    Developing an online improv comedy course: an action research study

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    I explored the development of a 4-week online introduction to improv course, to verify the fit of the games and exercises used in this short course. I employed practitioner action research to develop an understanding of autistic learning needs. A socio-constructivist framework was used in the teaching, and focus groups were conducted after each class to obtain data. I recruited a total of 17 autistic participants for the Zoom-based improv classes, with groups of three to five autistic adults per course. Five courses were completed, and focus groups were run after each class to discuss the trialled improv training. The data collected identified improvements that participants felt would better support their learning. I found that autistic adults were comfortable learning with other autistic learners, and the gradual, informative teaching approach addressed their needs. An autistic teaching assistant was also found to be necessary. However, there were both desired and unwanted content, as well as contradictions about using online versus offline mode of study, and the necessary group size. The findings suggest that these considerations should be taken into account for adult education programmes aimed at autistic learners

    Zoom Improv is accessible and enhances medical student empathy

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    Abstract Background Empathy declines during medical training, despite its importance. Methodology In this randomized controlled trial, we assessed the impact of Zoom improv on medical student empathy using a concurrent mixed-methods approach. Quantitative assessment with three survey tools and qualitative assessment by content analysis of Zoom session field notes were conducted. Results Zoom improv participants had higher empathy scores in perspective-taking and fantasy and lower scores in personal distress compared with the control group. Medical students who participated in Zoom improv exercised emotional expression, active listening, and giving “gifts,” which apply to healthcare settings in which affirming team members with empathic concern can advance communication, patient rapport, and teamwork. Discussion This pilot study highlights promising findings for the incorporation of Zoom improv in medical education, including enhanced empathy, self-reflection, and understanding how these skills impact work in healthcare. Future studies may expand on the optimal timing to teach improv. Future studies conducted on virtual platforms may also further investigate our finding that the fantasy domain of empathy increases after Zoom improv sessions, whereas this increase in fantasy was absent from previous in-person studies. Given the increase in telehealth and virtual medical visits, exercising empathy skills through a screen during training may be an important addition to medical curricula

    Development of an empathy and clarity rating scale to measure the effect of medical improv on end-of-first-year OCSE performance: a pilot study

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    Patients want empathetic physicians who listen and understand. How do you teach and measure empathy? Medical educators, including those inspired by Alan Alda, have turned to theater to teach skills in empathetic communication. Improvisation-informedcurriculum (medical improv) draws upon foundational actors training: deep listening, emotional understanding, connections, authenticity. Arating scale to measure the impact of medical improv on empathetic and clear communication does not exist. Objective: To develop aframework and instrument, the Empathy and Clarity Rating Scale (ECRS), for measuring communication elements used by actors and physicians, and pilot ECRS to test effectiveness of medical improv on first-yearstudents’ communication skills. Design: Four medical schools collaborated. USMLE Step 2 Communication and Interpersonal Skills (CIS) domains were used as framework for discussion among three focus groups, each with clinicians, actors, communication experts, and community members with patient experience. Audiotaped discussions were transcribed; open coding procedures located emerging themes. The initial coding scheme was compared with the Consultation and Relational Empathy (CARE) measure. ECRS content was aligned with CARE, CIS and focus group themes. Modified nominal processes were conducted to finalize the scale. We implemented procedures to establish content validity and interrater reliability. Final ECRS was used to study student performance across three levels of experience with medical improv. Results: The final ECRS was comprised of seven five-pointscale items. Narrative comments precede behaviorally anchored ratings: 5=desired, 1=ineffective, 2–4=developing based upon adjustment needed. Rater agreement across all items was 84%. There was asmall correlation between the ECRS and another measure interviewing (r=0.262, p=0.003). Students with advanced medical improv training outperformed those without (F=3.51, p=.042). Conclusion: Acommunication scale enlightened by experiences of actors, clinicians, scholars and patients has been developed. The ECRS has potential to detect the impact of medical improv on development of empathetic and clear communication. © 2019, © 2019 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group

    The impact of a medical improv curriculum on wellbeing and professional development among pre-clinical medical students

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    Medical students experience rising rates of burnout throughout their training. Efforts have been made to not only mitigate its negative effects, but also prevent its development. Medical improv takes the basic ideas of improvisational theatre and applies them to clinical situations. Given improv’s focus on self-awareness and reflection, in addition to its spontaneous nature, we hypothesized it had the potential to serve as a creative outlet, a way to prevent and/or mitigate the negative effects of stress, burnout, and fatigue, and provide a learning environment to develop skills necessary to succeed as a physician. University of California (UC) San Diego School of Medicine developed a medical improv elective for pre-clinical students and assessed its effects on student development and wellbeing. Students enrolled in the elective between Fall 2019 and Fall 2020 at UC San Diego School of Medicine were surveyed pre- and post- course completion using both qualitative and quantitative methods. Students noted significant improvement in domains related to proactivity in their professional career (3.15 to 4.00, p = 0.02), wellbeing (3.0 to 4.4, p < 0.001), engagement with their studies (3.85 to 4.52, p = 0.02), and communication (3.75 to 4.3, p = 0.04) after completion of the medical improv elective. We describe a pilot-study demonstrating the positive effects of improv on medical student wellbeing and professional development, laying the groundwork for both future study of improv on student wellness and its implementation in the pre-clinical curriculum

    Το Improv ως αυτόνομη μορφή παράστασης. Η παρουσία κι η πρακτική του στην Ελλάδα

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    Η παρούσα έρευνα αποτελεί μια μελέτη για την παρουσία, την πρακτική και την εφαρμογή του αυτοσχεδιαστικού θεάτρου improv στην Ελλάδα. Με αφετηρία την παράδοση και τις τεχνικές του θεατρικού αυτοσχεδιασμού, το improv εδράζεται και τροφοδοτείται από τις αρχές της επικοινωνίας, την απελευθέρωση του αυθορμητισμού και την καλλιέργεια του ομαδικού πνεύματος. Ως μεθοδολογία, τεχνική κι είδος παράστασης, παρουσιάζει ένα ευρύ και πολυποίκιλο πεδίο εφαρμογών, τόσο εντός όσο κι εκτός σκηνής. Η έρευνα ξεκινάει από μια βιβλιογραφική προσέγγιση, παρουσιάζοντας το είδος μέσα από τους σύγχρονους διαμορφωτές κι εκπροσώπους, αναλύοντας τις μορφές, τα είδη και τις αρχές του improv, για να περάσει στις συνεντεύξεις των δέκα συνολικά Ελλήνων και ξένων αυτοσχεδιαστών καλλιτεχνών, μέσα από τις οποίες αποτυπώνεται η λειτουργία των σχολών, η προσέγγιση κι η μεθοδολογία που ακολουθούν οι εκπαιδευτές στον ελληνικό χώρο. Ταυτόχρονα, οι συνεντεύξεις ανατροφοδοτούν κι εμπλουτίζουν την αρχική βιβλιογραφική μελέτη, μέσα από την καταγραφή κι αλληλεπίδραση της διεθνούς με την ελληνική εμπειρία. Τέλος, μια έρευνα σε σπουδαστές/στριες σχολής improv, μέλος της οποίας αποτέλεσε κι η ερευνήτρια από τον Σεπτέμβρη του 2021, συμπληρώνει τη μελέτη της πρακτικής του αυτοσχεδιαστικού θεάτρου improv στην Ελλάδα.The present research is a study on the presence, practice, and application of improvisational theater (improv) in Greece. With its roots in tradition and the techniques of theatrical improvisation, improv is guided and nourished by the principles of communication, the liberation of spontaneity, and the cultivation of group spirit. As a methodology, technique, and form of performance, it presents a wide and multi-faceted field of applications, both within and outside the stage. The research starts with a literature review, presenting the genre through contemporary shapers and representatives, analyzing the forms, types, and principles of improv. I then pass on to the interviews of ten Greek and foreign improv artists, through which the functioning of the improv schools, the approach and methodology followed by the trainers in the Greek context, the presence and evolution of the improv scene in Greece are illustrated, as well as the perspectives and prospects of the genre in our country. The interviews nourish and enrich the initial literature review, through the recording and interaction of the international with the Greek experience. Finally, survey research on students/members of an improv school, of which the researcher was also a member since September 2021, completes the study of the practice of improvisational theater in Greece
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