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    Contemporary Street Photography on a Photographic Film

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    Namen magistrskega dela je opisati in raziskati sodobno ulično fotografijo, kakšne so smernice v njej, vprašanja, ki jih zastavlja, kako jo dojemamo danes in kako se ta izraža na fotografskem filmu. Avtorica se v teoretičnem delu najprej dotakne značilnosti klasične ulične fotografije. Nadaljuje z novostmi v sodobni ulični fotografiji, ki se izražajo skozi kompozicijo, sporočilo, motiv in izbiro fotografske opreme. Novitete podpre z deli najuspešnejših fotografov, ki delujejo v tej umetnosti. To so člani največjega fotografskega združenja Magnum Photos (Martin Parr, Richard Kalvar in Bruce Gilden), Gus Powell in Maciej Dakowicz (člana združenja In-Public) ter Michael Wolf kot samostojni umetnik. Nadaljuje z raziskovanjem analogne fotografije ter opisuje kako deluje fotografski film. Našteva novosti na področju analogne fotografije in razloži, zakaj je ta ponovno zaživela med mladimi. V eksperimentalnem delu opisuje testiranje treh različnih barvnih negativnih 35 milimetrskih fotografskih filmov. Na podlagi testov se odloči za film, ki je najbolj ustrezen za fotografiranje sodobne ulične fotografije. Tretji del magistrskega dela vsebuje 15 avtorskih fotografij posnetih na izbrani fotografski film v dveh različnih evropskih mestih. Avtorica se vživi v vlogo sodobnega uličnega fotografa in skuša ujeti najbolj zanimive trenutke urbanega vsakdana. Fotografije so podrobneje opisane z vsemi tehničnimi podatki, likovno analizirane in podprte s kompozicijskimi shemami. Magistrsko delo zaključi z dognanimi ugotovitvami in zaključki.The purpose of the thesis is to describe and explore contemporary street photography: what are its guidelines, which questions does it address, how we perceive it today and how it is expressed in a photographic film. In the theoretical part the author discusses the characteristics of the classical street photography. She continues with novelties in the contemporary street photography, expressed through composition, message, motif and choice of the photographic equipment. The author supports these novelties with the works of the most successful photographers. They are members of the largest photography association Magnum Photo (Martin Parr, Richard Kalvar and Bruce Gilden), Gus Powell and Maciej Dakowicz (members of In-Public) as well as Michael Wolf as an independent artist. In the following chapter she researches analogue photography and describes how a photographic film works. She lists the novelties of analogue photography and explains why it has once again fascinated the young generation. The analysis describes the examination of three different colour negatives of 35mm photographic films. Based on the results, the author then decides which film is best suited for the use in the contemporary street photography. The third part of the master\u27s thesis contains 15 copyrighted photographs taken in two different European cities with the selected photographic film. The author embraced the role of a street photographer and tried to capture the most exciting moments of the urban everyday life. In addition, these photos are precisely described with the technical dataanalysed in an artistic manner and supported with some illustrative sketches of the photos. Her findings and conclusions are summarized in the final chapter

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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