2,784 research outputs found

    Spectacular Developments: Guy Debord's Parapolitical Turn

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    Following the attacks of September 11th, 2001, Guy Debord’s concept of ‘the spectacle’ re-emerged in the work of a variety of theorists as a critical prism through which the attacks and subsequent ‘War on Terror’ could be approached. Debord’s first book on the spectacle (1967) was written in the context of France’s post-war boom; his later reflections, contained in a series of minor works written throughout the seventies and eighties, are heavily influenced by Italy’s ‘Years of Lead’ and a broader geopolitical climate of armed struggle, terrorism, counter-insurgency and espionage. Nearly all post-9/11 invocations of Debord’s concept draw on the version elucidated in Debord’s 1967 book, with its emphasis on commodity fetishism, ideology, and alienation, and fail to engage his later work and its focus on terrorism, secrecy, and conspiracy. Among those that do in fact reference Debord’s later work are several writers whose work could pejoratively be labelled ‘conspiracy theory’. Looking at Debord’s oeuvre as whole, and investigating how it combines a critique of late capitalism in its totality with parapolitcal concerns of ‘systemic clandestinity’, Spectacular Developments: Guy Debord’s Parapolitical Turn provides a bolstered conception of the spectacle that aims to reconfigure the conceptual foundations of this debate. This conception of the spectacle allows one to approach the 9/11 attacks and all that followed in their wake with both a precision and a breadth lacking in these other works, demonstrating the superficiality of readings that make the concept synonymous with the mass media or that attempt to unravel nefarious conspiracies of power. Simultaneously, this approach foregrounds the epistemological and strategic challenges faced by researchers, politicians and activists working in and on the society of the spectacle

    Maupassant contista traduzido em analogias brasileiras: paratextos

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    Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2014O presente trabalho tem como objetivo principal analisar os elementos paratextuais presentes em doze antologias, dos séculos XX e XXI, traduzidas no Brasil, de Guy de Maupassant, autor francês do século XIX, pretendendo revelar como o autor e sua obra são apresentados ao leitor brasileiro, através dos paratextos. Foram analisadas somente as antologias traduzidas com contos do autor francês, não considerando as publicações mistas. O principal referencial teórico abordado foi fundamentado nas reflexões de Gérard Genette (2009) e Marie-Hèléne C. Torres (2011).Abstract: The main objective of this work is to examine the paratextual elements in twelve anthologies of the French author Guy de Maupassant's short stories, translated and published in the 20th and 21st centuries in Brazil, in order to disclose how the writer and his oeuvre are presented to the Brazilian reader, through the use of paratexts. I analysed only the translated anthologies with short stories from the author himself; anthologies that had other authors as well were not considered. The main theoretical framework was based on the reflections of Gérard Genette (2009) and Marie-Hèléne C. Torres (2011)

    Notice from Guy Robertson, Project Director, to the residents of Heart Mountain, October 1943

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    Notice from Guy Robertson to incarcerees regarding labor shortage, recruitment, and operations for agricultural laborers at Heart Mountain incarceration camp.The Japanese American Archival Collection documents the people, places, and daily life of Japanese Americans, primarily those who lived in the once thriving community of pre-war Florin in the Sacramento region, as well as the conditions in American incarceration camps during World War II. The approximately 7,000 original items include personal and official letters, photographs, diaries, arts and crafts, newsletters, textiles, camps artifacts, yearbooks and other publications

    Memo from Guy Robertson, Heart Mountain Project Director, to Committee of Delegates Cooperative, January 14, 1943

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    Memorandum of understanding from Guy Robertson, Project Director at Heart Mountain incarceration camp, to Committee of Delegates Cooperative regarding the rules and regulations for consumer enterprises at the camp.The Japanese American Archival Collection documents the people, places, and daily life of Japanese Americans, primarily those who lived in the once thriving community of pre-war Florin in the Sacramento region, as well as the conditions in American incarceration camps during World War II. The approximately 7,000 original items include personal and official letters, photographs, diaries, arts and crafts, newsletters, textiles, camps artifacts, yearbooks and other publications

    Correspondance Parisienne, Jeudi 1 Septembre 1892

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    Page of the French periodical "Correspondance Parisienne" with a column titled "Bulletin Aeronautique" by Guy De Roope.For more information about this item, visit https://archivesspace.mit.edu/repositories/2/digital_objects/82

    Guy Kawasaki: The Art of Enchantment

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    Guy Kawasaki is the chief evangelist of Canva, an online graphic design tool. Formerly, he was an adviser to the Motorola business unit of Google and chief evangelist of Apple. His in-depth knowledge of the high-tech industry combined with his years of management experience enables him to address a wide range of audiences. His particular strength is the ability to quickly understand diverse industries and incorporate his pre-existing knowledge into a highly relevant and customized speech. He is also the author of Enchantment: The Art of Changing Hearts, Minds, and Actions, APE, What the Plus! and ten other books. His two latest books are The Art of the Start 2.0 and The Art of Social Media. Guy routinely gets rave reviews from clients including trade associations, packaged goods companies, service providers, insurance companies, educational institutions, and technology companies. He has spoken for organizations including Google, Nike, Audi, TEDx, Wal-Mart, Sprint, Hewlett-Packard, IBM, Saturn, Stanford University, TIE, Calgary Flames, The Body Shop, MIT, Forbes and Aveda

    Memo from Guy Robertson, Project Director, Heart Mountain Relocation Center, to all division heads, January 5, 1943

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    Memorandum of understanding from Guy Robertson, Project Director, to All Division Heads regarding job responsibility and reporting for divisions at Heart Mountain incarceration camp. Includes organizational chart for Heart Mountain incarceration camp with a list of divisions, sections, units, and personnel.The Japanese American Archival Collection documents the people, places, and daily life of Japanese Americans, primarily those who lived in the once thriving community of pre-war Florin in the Sacramento region, as well as the conditions in American incarceration camps during World War II. The approximately 7,000 original items include personal and official letters, photographs, diaries, arts and crafts, newsletters, textiles, camps artifacts, yearbooks and other publications

    Memo from Guy Robertson, Project Director, Heart Mountain Relocation Project, to block chairmen and block managers, January 22, 1943

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    Memorandum of understanding from Guy Robertson, Project Director at Heart Mountain incarceration camp, to Block Chairmen and Block Managers regarding the unauthorized use of fire hydrants and fire hoses at the camp and outlining proper procedures for obtaining permission and using equipment.The Japanese American Archival Collection documents the people, places, and daily life of Japanese Americans, primarily those who lived in the once thriving community of pre-war Florin in the Sacramento region, as well as the conditions in American incarceration camps during World War II. The approximately 7,000 original items include personal and official letters, photographs, diaries, arts and crafts, newsletters, textiles, camps artifacts, yearbooks and other publications

    Memo from Guy Robertson, Project Director, Heart Mountain Relocation Center to all division heads, January 1, 1943

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    Memorandum of understanding from Guy Robertson, Project Director at Heart Mountain incarceration camp, to All Division Heads regarding "coordination of physical operation for the project."The Japanese American Archival Collection documents the people, places, and daily life of Japanese Americans, primarily those who lived in the once thriving community of pre-war Florin in the Sacramento region, as well as the conditions in American incarceration camps during World War II. The approximately 7,000 original items include personal and official letters, photographs, diaries, arts and crafts, newsletters, textiles, camps artifacts, yearbooks and other publications
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