1,721,015 research outputs found
Le Musée de l'organiste 100 Morceaux d'orgue classiques et modernes... 1er Livre
No full textTitre uniforme : Stradella, Alessandro (1639-1682). Compositeur. [Pietà, Signore, di me dolente. GM 11 27]Titre uniforme : Mendelssohn Bartholdy, Felix (1809-1847). Compositeur. [Paulus. Op. 36]. ExtraitTitre uniforme : Mendelssohn Bartholdy, Felix (1809-1847). Compositeur. [Paulus. Op. 36]. Extrai
Recueil de duos italiens de différents auteurs
No full textTitre uniforme : Melani, Alessandro (1639-1703). Compositeur. [Che volete da me]Titre uniforme : Bononcini, Giovanni (1670-1747). Compositeur. [Chi d'amor trà le catene. Op. 8, no 1]Titre uniforme : Stradella, Alessandro (1639-1682). Compositeur. [Chi dirà che nel veleno. GM 1.2 3]Titre uniforme : Stradella, Alessandro (1639-1682). Compositeur. [Quel tuo petto di diamante. GM 1.2 9]. ExtraitTitre uniforme : Biffi, Antonio (1666-1733). Compositeur. [Ad un cor che vive in duolo]Titre uniforme : Steffani, Agostino (1654-1728). Compositeur. [Navicella che t'en vai]Titre uniforme : [Disperarsi non conviene]Titre uniforme : Torri, Pietro (1650?-1737). Compositeur. [In amar languisco ognora]Titre uniforme : [Aita o mia bella, pietade o mio bene]Titre uniforme : Torri, Pietro (1650?-1737). Compositeur. [L'incostanza capricciosa del mio bene]Titre uniforme : Steffani, Agostino (1654-1728). Compositeur. [Non so chi mi piagò. Tim C I 43]Titre uniforme : Steffani, Agostino (1654-1728). Compositeur. [Dir che giovi al dio d'amore]Titre uniforme : Torri, Pietro (1650?-1737). Compositeur. [Se lontano languisco e peno]Titre uniforme : Mancia, Luigi (1665?-170.?). Compositeur. [Perché mai sì crude siete]Titre uniforme : Steffani, Agostino (1654-1728). Compositeur. [Libertà, gioisci o core]Titre uniforme : Scarlatti, Alessandro (1660-1725). Compositeur. [O come bello con onde chiare. H 485]Titre d'une main récente au verso du f. de garde ; à la suite, table, de la même main. - Titre au dos de la rel. : "Canzon // a 3 // di Melani". - Ms. incomplet de la fin. - Rel. maroquin rouge estampée à chaud aux armes royales de FrancePrésentation musicale : [Partition]Appartient à l’ensemble documentaire : RISM2Appartient à l’ensemble documentaire : RISMMssAppartient à l’ensemble documentaire : Brossard1Duos vocaux acc. de basse continue -- +* 1600......- 1699......+:17e siècle:Trios vocaux acc. de basse continue -- +* 1600......- 1699......+:17e siècle
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Recueil des morceaux de musique ancienne exécutés aux concerts de la Société de musique vocale religieuse et classique, fondée à Paris en 1843..., sous la direction de Mr. le Prince de la Moskowa. Vol. 3 (nos 21-32)
No full textTitre uniforme : Stradella, Alessandro (1639-1682). Compositeur. [Pietà, Signore, di me dolente. GM 11 27]Titre uniforme : Clari, Giovanni Carlo Maria (1677-1754). Compositeur. [Cantando un di sedea]Titre uniforme : Clari, Giovanni Carlo Maria (1677-1754). Compositeur. [Non ti sdegnar]Titre uniforme : Clari, Giovanni Carlo Maria (1677-1754). Compositeur. [Addio campagne amene]Titre uniforme : Händel, Georg Friedrich (1685-1759). Compositeur. [Alcina. HWV 34]Titre uniforme : Händel, Georg Friedrich (1685-1759). Compositeur. [Messiah. HWV 56]Comprend : Air d'Eglise ; Cantando un di sedea ; Non ti sdegnar, vezzosa pastorella ; Addio, campagne amene ; Donde cotanto fremito ; I cieli immensi narrano ; Lascia ch'io pianga ; Alcina ; Tutta raccolta ancor ; Che vai cercando folle pensier ; Le Messie ; Orphée Scène et choeu
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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