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Elementi di acustica tecnica - IV Edizione
No full textVengono trattate in questo libro le problematiche dell'acustica applicata a livello introduttivo, riducendo al minimo i formalismi matematici, ma senza rinunciare a fornire degli strumenti di carattere quantitativo con cui realizzare delle valutazioni.
Dopo aver presentato le definizioni delle grandezze rilevanti nell'acustica ed analizzato la percezione di suoni e rumori da parte dell'orecchio umano, si prendono in considerazioni i temi applicativi dell'acustica architettonica, dell'isolamento acustico, del controllo del rumore negli impianti e nell'industria fino ad accennare anche alle tecniche di misura. Chiude il libro un'ampia appendice molto aggiornata sull'abbondante produzione legislativa emanata a partire dalla legge quadro sull'inquinamento acustico
Acoustic program in the competition for the reconstruction of the "La Fenice" opera house after the fire of 29 January 1996
No full textThis paper describes the acoustic program of the competition opened by the Town Council of Venice for the reconstruction of the `La Fenice' opera house after the fire which destroyed the threatre on 29 January 1996. The experience of the authors in the preparation of this document suggests the need of guidelines which establish a general agreement on the objective parameters and on the procedures to be introduced in the acoustic program of an architecture competition for the construction of a threatre
Elementi di acustica tecnica - 3^ edizione
No full textPresentazione dei concetti base dell'acustica tecnica con riferimento in particolare all'acustica architettonica e all'isolamento acustico. Un'attenzione speciale viene data alla riduzione del rumore negli impianti e al rumore nell'ambiente industriale
Il recupero dei beni storici e monumentali: un caso di studio
No full textNel presente lavoro sarà presentato l’adeguamento normativo e funzionale del Padiglione dei Servizi Amministrativi del Policlinico di Bari, un edificio monumentale che rappresenta l’ingresso al nosocomio barese. L’occasione è lo spunto per una riflessione sul recupero degli edifici storici e monumentali alla luce dei problemi derivanti dall’applicazione delle nuove normative tecniche con particolare riferimento al campo sismico ed energetico.This paper presents the normative and functional upgrading of the pavilion for the Administrative Departments of the Policlinico di Bari, a monumental building, which serves as the main entrance to the hospital in Bari. This opportunity is the starting point for a thorough discussion on the recovery of historical and monumental buildings in the light of problems arising from new technical regulations with particular reference to the seismic and energy fields
L’impianto di trigenerazione del Policlinico di Bari: analisi energetico-ambientale di 5 anni di conduzione e gestione
No full text
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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