1,355,071 research outputs found
Zürich, Stift an Zürich, Stift (Fond) - 10.Jh.
No full textzu 03:>10. Jh.º; zu 12:UB Zürich Nr.37, 139, 140, 189-193, 195, 197-200, 204, 209, 212, 213, 219; Org.-Rodel, bestehend aus 3 mit Perg.-Streifen zusammengeflochtenen Perg.-Bll., beidseitig beschrieben, Bl.1 durch Schmutz stark gedunkelt und fleckig, a. d. Rs. Schriftverlust; Inhalt: 18 versch. Aufz., die nach Schrift (9 versch. Hde.) und Datierung in das 10. Jh. weisen, s. UB Zürich 1 Nr.37 S. 8ff.; Archivsignatur: C II 1, Propstei Nr.1{'name': 'DFG', 'uri': 'dfg.png'
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Quedlinburg, Stift, Äbtissin Agnes an Quedlinburg, Stift - 0.0.1199
No full textArchivsignatur: Rep. U 9 St. Qu. A V 2{'name': 'DFG', 'uri': 'dfg.png'
Dorstadt, Stift, Propst Walter an Heiningen, Stift - 0.0.1240
No full textzu03: 1240 an der Brücke von Kissenbrück; zu09: an ursprl. wohl rot und weißen, jetzt ausgebleichten Seidenfäden Rest eines hellen W-Sgls.; Art d. Kopie: 5N + 1Ind. + 5Sgl. + 3Pos.; zu13: Propst Walter; zu16: Perg. durch Wasser gedunkelt und transparent geworden, unten rechts und links im Bereich der Plica Einschnitte, offenbar für weitere Siegel. Bleiliniierung. Z.6: a von ipsa v. gl. T. aus i korr. Z. 7 v. u.: nivon communiri über d. Z. v. gl. T. nachgetragen, ausgelaufen. Ebd.: pontis aus ursprl. pont mit us-Kürzel korr.;{'name': 'DFG', 'uri': 'dfg.png'
Pläne und Ansichten / 19 Christiansands stift : afdeelt udi amter
No full textog efter kongelig befaling forfattet ved Christopher Hammer kongl. may.sts cancellieraad og general conducteur over Aggershus stift ... ; C.F. Müller sc.Erläuterungen und Legende unten rechtsNullmeridian: Ferr
Quedlinburg, Stift, Äbtissin Agnes an Quedlinburg, Stift - 0.0.1200
No full textzu 09: Sgl. 2 Fragment; Archivsignatur: Rep. U 9 St. Qu. A IX 4{'name': 'DFG', 'uri': 'dfg.png'
Still and still moving
No full textThis concerto for violin, string orchestra, clarinet, electric guitar and piano was commissioned by the Stift Festival for violinist Daniel Rowland (leader of the Brodsky Quartet), and premiered there 30 August 2014. It is a meditation on mindfulness, and explores the ways that musical sounds can facilitate a focus on presence and timelessness
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Erfurt, Stift Liebfrauen, Dekan A (identisch), Erfurt, Stift Liebfrauen, Dekan A (päpstlicher "conservator") an Germerode, Stift - 1262-03-01
No full textzu 03: >1262.3.1º; zu 09: ab, ehem. abhängend, Sglr. nicht genannt.{'name': 'DFG', 'uri': 'dfg.png'
Neuchatel, Stift, Propst A. u. Kapitel an Neuchatel, Stift, Kanoniker Raimund (Fond) - 0.9.1232
No full textzu09: beide Sgl. ehem. abhängend, ab.; Art d. Kopie: 3N + 2Rs. + 2Pos.; Perg. leicht gebräunt, keine Liniierung. Unten "VIII" des 15.Jh.;{'name': 'DFG', 'uri': 'dfg.png'
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