1,721,262 research outputs found
Steve Davis kicking for an extra point, while Ken Stabler holds the football for him during a freshman game
Steve Davis is kicking for an extra point, while Ken Stabler holds the football for him during a freshman game in Denny Stadium in 1964. Caption on back: Steve Davis follows in the footsteps of his older brother Tim
Always Out of Sight, Just Below the Surface: Steve Davis and the Problems of Researching Jazz Musicians
This thesis has two goals, documenting the life of the jazz bassist Steve Davis, who is remembered for being the bassist in John Coltranes 1960 quartet and his appearances on the albums My Favorite Things, Coltrane Plays The Blues, and Coltranes Sound, as well as exploring the difficulties inherent in researching obscure jazz figures such as Steve Davis.
Using Davis life as a case study, this thesis will examine the difficulties in conducting genealogical research on an African-American figure; the coverage of jazz in the Philadelphia black press throughout the late 1940s and 1950s; the coverage of lesser known figures in jazz magazines such as Down Beat and Coda throughout the 1960s; and the challenges of researching the jazz scene in a smaller city such as Rochester, New York during the 1970s. This thesis will also provide new insights into the Coltrane Quartet from the perspective of Steve Davis
Interview with Leesa Wheelahan on 'Higher education in TAFE'
Technical and further education (TAFE) institutes offering higher education degrees is a relatively new development but is expected to grow as a consequence of government policies aimed at increasing the percentage of Australians holding a bachelor degree. This project considers the provision and different perspectives of higher education qualifications offered by TAFE institutes, focusing on degrees and associate degrees. In this interview, Steve Davis talks with researcher Leesa Wheelahan about her report \u27Higher Education in TAFE\u27
Interview with Michael Dockery on 'Cultural dimensions of Indigenous participation in education and training'
In this interview, Steve Davis talks with researcher Michael Dockery about his report, \u27Cultural dimensions of Indigenous participation in education and training\u27. This study provides an important innovation to the existing literature by explicitly attempting to measure \u27cultural attachment\u27 and its relationship with post-compulsory education and training
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A Comparison of the Improvisational Styles of Trombonists Conrad Herwig and Steve Davis
The purpose of this essay is to analyze the playing styles of jazz trombonists Conrad Herwig and Steve Davis, and compare them side-by-side. Five improvised solos by each player are transcribed. The transcriptions are selected from two albums that the trombonists recorded together, Conrad Herwig’s Osteology and A Jones for Bones Tones. The melodic, harmonic, rhythmic, and stylistic contents of the solos are compared, in order to determine in what ways the two subjects are similar, and in what ways they are different. Musical examples are cited throughout the analysis, and the full transcriptions are included in the appendix, as well as interviews with both Herwig and Davis.</p
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Real exchange rate in an inter-temporal n-country-model with incomplete markets
We develop an N-country model with stock markets in which closed-form solutions for the real exchange rate is derived. Our model allows for a given number of risky-assets, which form an incomplete market. Risky asset prices and allocations of risky assets among countries are determined endogenously. The risk-free rate is exogenous, so our model is an intermediate step toward a full general equilibrium. To work in such a framework allows an analysis of how fundamental parameters, such as the variance and covariance of the risky assets or demographic variables, affect the real exchange rate. We contrast the predictions of the model to the Balassa-Samuelson effect. We also suggest a new transmission channel of the real exchange rate for parameters such as income on net foreign assets, risk-aversion and risk-hedging opportunities. JEL Classification: F30, F31, F32, F41
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