1,720,955 research outputs found

    Victor Hugo, Jean-Paul Sartre, and The Liability of Liberty

    No full text
    The arch-Romantic Victor Hugo (1802-85) and the Existentialist philosopher Jean-Paul Sartre (1905-80) are widely perceived to have little in common beyond their canonical status. However, responding to Sartre's often overlooked fascination with Hugo, Bradley Stephens cuts through generic divisions to argue that significant parallels between the two writers have been neglected. Stephens argues that both Hugo and Sartre engage with human being in distinctly non-ontological terms, thereby anticipating postmodernist approaches to human experience. From different origins but towards similar realisations, they expose the indeterminate human condition as at once release and restriction. These writers insist that liberty is not simply a political ideal, but an existential condition which engages human endeavour as a dynamic rather than definitive mode of being. This incisive new book affirms the ongoing relevance of the two most iconic French writers of the modern period to contemporary discourse on what it means to be free.The arch-Romantic Victor Hugo (1802-85) and the Existentialist philosopher Jean-Paul Sartre (1905-80) are widely perceived to have little in common beyond their canonical status. However, responding to Sartre's often overlooked fascination with Hugo, Bradley Stephens cuts through generic divisions to argue that significant parallels between the two writers have been neglected. Stephens argues that both Hugo and Sartre engage with human being in distinctly non-ontological terms, thereby anticipating postmodernist approaches to human experience. From different origins but towards similar realisations, they expose the indeterminate human condition as at once release and restriction. These writers insist that liberty is not simply a political ideal, but an existential condition which engages human endeavour as a dynamic rather than definitive mode of being. This incisive new book affirms the ongoing relevance of the two most iconic French writers of the modern period to contemporary discourse on what it means to be free

    Jean-Paul Sartre, John Steinbeck, and the Liability of Liberty in the Post-War Period

    No full text
    The polarities of the Cold War impelled many intellectuals on both sides of the Atlantic to take sides either with capitalism or communism. Both Jean-Paul Sartre and John Steinbeck famously attempted to respond to this ideological choice and would differ in their political leanings: Sartre was an outspoken critic of American capitalist hegemony, whereas Steinbeck became an avid opponent of the communist bloc. They nonetheless shared a dedication to engaging with the social issues of their time, becoming arguably the pre-eminent proletarian writers of the period and eventual Nobel Prize winners. Sartre believed Steinbeck to be `the most rebellious, perhaps' of American writers, whilst Steinbeck so admired the French intellectual scene typified by Sartre that he spent nearly a year in Paris writing for Le Figaro. Their pivotal promotion of individual freedom may have nudged them towards both ends of the political spectrum respectively; yet their emphasis on the changeability of human existence constantly destabilized any position they approached. In this article I argue for a productive return to their writing in order to underline the alternations both encounter when seeking to put the libertarian ideal of individuality into practice. In their novels L'Âge de raison (1945) and East of Eden (1952), as well as in their journals, we can observe how their mutual emphasis on man's indeterminism as an autonomous subject inevitably dissolves the foundation of any normative political ethos. As such, it is crucial to reiterate that their engagement with the post-war period in fact deeply complicates the drive for totalization and systemization implied in the strict allegiances of the Cold War political terrain.The polarities of the Cold War impelled many intellectuals on both sides of the Atlantic to take sides either with capitalism or communism. Both Jean-Paul Sartre and John Steinbeck famously attempted to respond to this ideological choice and would differ in their political leanings: Sartre was an outspoken critic of American capitalist hegemony, whereas Steinbeck became an avid opponent of the communist bloc. They nonetheless shared a dedication to engaging with the social issues of their time, becoming arguably the pre-eminent proletarian writers of the period and eventual Nobel Prize winners. Sartre believed Steinbeck to be `the most rebellious, perhaps' of American writers, whilst Steinbeck so admired the French intellectual scene typified by Sartre that he spent nearly a year in Paris writing for Le Figaro. Their pivotal promotion of individual freedom may have nudged them towards both ends of the political spectrum respectively; yet their emphasis on the changeability of human existence constantly destabilized any position they approached. In this article I argue for a productive return to their writing in order to underline the alternations both encounter when seeking to put the libertarian ideal of individuality into practice. In their novels L'Âge de raison (1945) and East of Eden (1952), as well as in their journals, we can observe how their mutual emphasis on man's indeterminism as an autonomous subject inevitably dissolves the foundation of any normative political ethos. As such, it is crucial to reiterate that their engagement with the post-war period in fact deeply complicates the drive for totalization and systemization implied in the strict allegiances of the Cold War political terrain

    Going Beyond Counting First Authors in Author Co-citation Analysis

    Full text link
    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

    Full text link
    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

    Full text link
    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

    Full text link
    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

    No full text
    Nao informado

    koamabayili/VECTRON-author-checklist: VECTRON author checklist

    No full text
    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
    corecore