1,721,706 research outputs found
Stephen Jones & Colleen Hill in Conversation
Stephen Jones (milliner) and Colleen Hill (associate curator of accessories) in conversation at The Museum at FIT's 15th fashion symposium, Fashion Underground: The World of Susanne Bartsch, held October 22 & 23, 2015.Stephen Jones is a milliner whose exquisitely crafted, quixotic hats attract a celebrity clientele that includes Rihanna, Mick Jagger, and Dita Von Teese. Colleen Hill is associate curator of accessories at The Museum at FIT. Her exhibition "Fairy Tale Fashion" (2016) was one of the most popular shows ever organized by MFIT.The fifteenth annual fashion symposium, Fashion Underground: The World of Susanne Bartsch, explores the creative links between Bartsch's 30 years of sartorial self-expression and its influence on the global fashion scen
PVC Beret as part of Hats: An Anthology exhibition
Dip moulded plastic PVC beret. One of series starting from Jelly Beret 1997. This was made with the design company Inflate. This 2009 iteration of the PVC beret chosen for Stephen Jones Hat Anthology V&A, the first millinery exhibition of millinery design held at V&A. Whereas traditional millinery is known for its rather staid and bourgoise Stephen Jones selected chose this hat for its edgy sub cultural capital. This is reflected in the choices of materials and beret style with a reference to the Bohemien Parisienne avant garde revisited in 1960s London and made new for 21st century NY. "Jelly Beret" the very first prototype of a plastic millinery, reviewed in Elle 2000. This travelling exhibition went from London, New York, Sydney and exists at the V&A as a touring show. An accompanying catalogue by Oriole Cullen and Stephen Jones discusses the significance of innovative and original millinery design international design culture today.. " “House of Flora is noted for its sculptural and architecturally inspired hats made from technologically innovative materials such as latex,PVC and Perspex” Oriole Culle
Stephen Jones : from Georgiana to Boy George
An exhibition at The Bowes Museum featuring a selection of hats designed by internationally acclaimed milliner Stephen Jones that reference the The Georgian era, which is a period he returns to again and again, especially the Regency. Jones is entranced by the elegance of neo-classical architecture, the romantic poets, fluttering plumes, bonnets and turbans. The hats were shown on early 20th Century wax mannequins by Pierre Imans loaned from the collection of Fashion Museum, Bath. The mannequins were displayed among objects selected from The Bowes Museum's extensive collection - information labels embroidered on antique table linen. The exhibit was displayed in the state of the art fashion gallery
Stephen Jones : from Georgiana to Boy Boy George
An exhibition at The Holburne Museum, Bath. The exhibit featured a selection of hats designed by internationally acclaimed milliner Stephen Jones that reference the The Georgian era, which is a period he returns to again and again, especially the Regency. Jones is entranced by the elegance of neo-classical architecture, the romantic poets, fluttering plumes, bonnets and turbans. The hats were shown on early 20th Century wax mannequins by Pierre Imans loaned from the collection of Fashion Museum, Bath. The mannequins were displayed among artefacts from The Holburne Museum collection on an original Regency dining table setting - information labels embroidered on antique table linen
Stephen Jones, Plucking the Winds. Lives of village musicians in old and new China, Living Instrumental Traditions, 2004
Picard François. Stephen Jones, Plucking the Winds. Lives of village musicians in old and new China, Living Instrumental Traditions, 2004. In: Études chinoises, n°24, 2005. pp. 610-611
Stephen Jones : Plucking the Winds. Lives of village musicians in old and new China
Dans son ouvrage « Cueillir les vents », formule consacrée en chinois pour signifier « collecter les traditions » ou, en jargon d’ethnologue, « faire du terrain », Stephen Jones nous propose une importante monographie de Gaoluo, un village de la province du Hebei sis à moins de cent kilomètres au sud de Pékin. L’auteur opte pour une construction assez traditionnelle avec une première partie intitulée « Making History » dans laquelle, en près de 160 pages, il nous présente l’histoire du villag..
Stephen Jones : Plucking the Winds. Lives of village musicians in old and new China
Dans son ouvrage « Cueillir les vents », formule consacrée en chinois pour signifier « collecter les traditions » ou, en jargon d’ethnologue, « faire du terrain », Stephen Jones nous propose une importante monographie de Gaoluo, un village de la province du Hebei sis à moins de cent kilomètres au sud de Pékin. L’auteur opte pour une construction assez traditionnelle avec une première partie intitulée « Making History » dans laquelle, en près de 160 pages, il nous présente l’histoire du villag..
‘Seize the time’: an interview with Stephen Jones
There is a long and substantial history of prisoners’ rights movements in the US, particularly in the 1960s and 1970s, which was spearheaded by Black prisoners, notably figures such as George Jackson, subsequently murdered by prison guards. They were forging a new politics and understanding of the role of incarceration in a capitalist state, a politics echoed in prisons around the world. On the fortieth anniversary of the Attica uprising, in which prisoners seized control of the prison and issued a series of political demands, and which was subsequently crushed with overwhelming force, leaving thirty-nine dead, this article reflects on that history. The lineage of radical Black politics, forged in the increasingly harsh and increasingly generalised conditions of the prison industrial complex, continues not only through the writings of prisoners like Mumia Abu Jamal, but also through the work and teaching of formerly incarcerated Black activists like Stephen Jones, whose insights, analysis and history are presented through his interview here. </jats:p
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
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