24,006 research outputs found
On looking at looking : the art and politics of Ian Burn\ud
No full textIan Burn's origins as an Australian landscape painter were an unlikely springboard into metropolitan culture. His move to New York with his wife Avril led to help curate the first Conceptual Art exhibition in 1970. This book shows the relevancy and power of his work today. Ann Stephen is a curator at Sydney's Powerhouse Museum
From Cambridge to Brighton: Concrete poetry in Britain, an interview with Stephen Bann
No full textExtensive interview with art historian, curator and concrete poet Stephen Bann by Gustavo Grandal Montero, focusing particularly on his curatorial, critical and artistic work of the 1960s, closely involved with the development of Concrete poetry in the UK. Associated at an early stage with Ian Hamilton Finlay, he co-organized the First International Exhibition of Concrete and Kinetic Poetry (Cambridge, 1964) and was Director of the Concrete Poetry Exhibition for the inaugural Brighton Festival in 1967, edited Concrete poetry: an international anthology 1967 and published several influential critical texts, while developing his own Concrete poetry practice
WASTEWORK: Group Exhibition curated by Ian Dawson
No full textWASTEWORK, curated by Ian Dawson, The Winchester Gallery, Winchester School of Art, University of Southampton, 6th March –15th April 2023Participating Artists : John Walter, Donna Mitchell, Jasone Miranda Bilbao, Compound 13 Lab, Ian Dawson, Aqui Thami, Louisa Minkin, Sharmila Samant, Migueltzinta Solis,, Andrea Mason, Ben Parry, Amanda Jobson, Marie-Louise Jones, Erika Trotzig, Jefford Horrigan, Mario Rossi, Mia Taylor, Stephen Cornford, Ali Eales and the Trinity Art Group, Dave GibbonsWASTEWORK is the third and final iteration of an exhibition which began as The Waste Makers on Cornucopia Street at Newhaven ArtSpace in 2022 before travelling to The Lethaby Gallery at Central Saint Martins, London. All three exhibitions explore waste and how we might interpret, rework and re-examine it. How do we arrive at waste? Is it matter out of place? What is the difference between dirt and waste? And what might digital waste be? Focusing on restoration and rehabilitation the show presents diverse artworks from North America, India and the UK, representing the globalised nature of waste. The work from Compound 13 lab, for example, has been made inside the informal settlement of Dharavi, Mumbai, which recycles 80% of Mumbai's plastic. Curated by Ian Dawson, the exhibition continues to accrue new works and takes on new configurations in each space exploring how longstanding artistic practices such as collage and assemblage can glean new perspectives on waste-studies and the politics of disposability. WASTEWORK became a fulcrum for a series of events and workshops. The exhibition hosted a series of workshops by Ali Eales and The Trinity Art Group, who created works in response to the artists in the show; installing their own works in a set of weekly 'takeovers' of the show. Dr. Ben Parry and Professor Graham Jeffrey, founders of the Compound 13 Lab, and Marie-Louise Jones delivered talks to the Sustainability Forum which launched on the opening day of the exhibition. Winchester School of Art Student's led by Departmental Head Louise Siddens created a series of works which were also spliced into the exhibition during its tenure in the Gallery. The exhibition closed with a 3-Day 'Playing with Climate Crisis' Games event which launched Daybreak, a cooperative board game co-designed by Matt Leacock, the creator of Pandemic, and Matteo Menapace. With contributions by Paul Wake and Chloe Germaine (Carbon City Zero, Hacking ECO-games), Laurie Blake (Earth Rising), Sabine Harrer (Kyoto), Heiko Günther and Tobias Gohrbandt (Peak Oil, Peak Oil Profiteer), Hwa Young Jung (PTown Bay MMXXX) and Sam Levac-Levey (Solutions)The exhibition was hosted by Winchester School of Art's Materials Lab
Hillel Steiner and the Anatomy of Justice
No full textA collection of essays on the political and moral philosophy of Hillel Steiner and related themes.
Table of Contents:
Preface ix
Introduction xi
IAN CARTER
PART I
Justice and Equality
1 “Fairness and Legitimacy in Justice, And: Does Option Luck
Ever Preserve Justice?” 3
G.A. COHEN
2 “On the Value of Distributional Equality” 22
JOSEPH RAZ
3 “Global Justice and Norms of Co-operation: The ‘Layers of
Justice’ View” 34
JONATHAN WOLFF
PART I I
Rights
4 “Preconception Rights” 53
CÉCILE FABRE
5 “Choice, Circumstance, and the Costs of Children” 70
SERENA OLSARETTI
6 “Responsibility and Compensation Rights” 85
PETER VALLENTYNE
de Wijze, Kramer, and Carter 2nd pages.indd vii 3/24/2009 4:03:41 PM
T&F Proofs: Not For Distribution
PART III
Left -Libertarianism
7 “What is Left in Left-Libertarianism?” 101
ERIC MACK
8 “Owning Persons, Places, and Things” 132
MICHAEL OTSUKA
9 “Egalitarian Justice, Left-Libertarianism and the Market” 145
PHILIPPE VAN PARIJS
PART IV
Methodology
10 “Respect for Persons and the Interest in Freedom” 167
IAN CARTER
11 “Games and Meanings” 185
NORMAN GERAS
12 “Consistency is Hardly Ever Enough: Refl ections on Hillel
Steiner’s Methodology” 201
MATTHEW H. KRAMER
13 “Recalibrating Steiner on Evil” 214
STEPHEN DE WIJZE
PART V
Reply by Hillel Steiner
14 “Responses” 235
HILLEL STEINER
Contributors 259
Index 26
The Oneiric Re-combobulator
No full textArtists Oliver Wallace, Hattie Worboys, Stephen Whitehead, Jude Haste, Ian Dawson, Ben Zeng and Robin Clyfan collaborated with the House of Fairy Tales to create The Oneiric Re-combobulator, a surreal adventure about dream recycling, that bound creative practice into narratives of social and environmental change. Commissioned by Hauser & Wirth Gallery, for its Somerset space, this interactive social artwork was performed over two days
Henri and Henrietta
No full textThe Work was produced for a solo show at Gallerie Xippas Paris. A total of seven works were exhibited. Gallerie Xippas has an international programme of modern and contemporary exhibitions including Ian Davenport, Vic Muniz, Peter Halley and Stephen Dean. The Piece was next exhibited at "Nice to Meet You" a Group exhibition at Mark Moore Gallery Los Angeles. The Exhibition had 14 Artists including Marta Marce and L. Stefanelli. Mark Moore gallery exhibits contemporary artists including Stefanelli and Gregor Schneide
Author interview: Q and A with Dr Ian Sanjay Patel on we’re here because you were there: immigration and the end of empire
No full textIn this author interview, we speak to Dr Ian Sanjay Patel about his new book, We’re Here Because You Were There: Immigration and the End of Empire, which explores post-war immigration laws, the afterlives of British imperial citizenship and related attempts to reimagine and rejuvenate British imperialism after 1945. Contributing to transnational histories of decolonisation, the book also explores the interconnections between human rights, post-war migration and international diplomacy. Author Interview with Dr Ian Sanjay Patel, author of We’re Here Because You Were There: Immigration and the End of Empire. Verso. 2021
Space Oddity by David Bowie [Arranger Ian Gardiner]
No full textOrchestral arrangement of song by David Bowie, for voices, synthesiser ensemble and orchestra, for BBC Proms 2019, Royal Albert Hall. First performance sung by Vanessa Haynes & Tony Momrelle, Will Gregory Moog Ensemble, BBC Concert Orchestra, cond. by Stephen Bell, July 26 2019
Maximum recovery after knee replacement - the MARKER study rationale and protocol
No full textChung-Wei Christine Lin, Lyn March, Jack Crosbie, Ross Crawford, Stephen Graves, Justine Naylor, Alison Harmer, Stephen Jan, Kim Bennell, Ian Harris, David Parker, Helene Moffet and Marlene Franse
Providence College Faculty Author Series 2017-2018: Ian Levy
No full textIn this installment of the Faculty Authors Series, Ian Levy (Theology, Providence College) discusses his newest book, Introducing Medieval Biblical Interpretation: The Senses of Scripture in Premodern Exegesis
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