99,998 research outputs found
Una Stella Amica Polka Mazurka di F. Pezzini Trascritta per Pianoforte
No full textUNA STELLA AMICA POLKA MAZURKA DI F. PEZZINI TRASCRITTA PER PIANOFORTE
Una Stella Amica Polka Mazurka di F. Pezzini Trascritta per Pianoforte ( - )
Cover ( - )
Titelseite mit Stempel: Liszt-Museum: P [2] [b] ([1])
Una Stella Amica (1
Some consequences of categorification
No full textSeveral conjectures on acyclic skew-symmetrizable cluster algebras are proven
as direct consequences of their categorification via valued quivers. These include conjectures
of Fomin–Zelevinsky, Reading–Speyer, and Reading–Stella related to d-vectors, g-vectors,
and F -polynomials
Recommended from our members
Stella F. Simon
No full textStella F. Simon and Miklos Bandy’s 1927–28 16mm film, Hands: The Life and Love of a Gentle Sex, is a short, experimental, feminist film whose aesthetic is drawn from American and European modernist photography movements and early avant-garde film traditions. The film’s underlying melodramatic narrative formula is complicated by the use of hands as both protagonists and as the central aspect of its modernist mise-en-scène. However, as with so many of the women who collaborated with men in the silent era, official credit did not go to Simon but to Bandy. The titles on all of the extant film prints credit Bandy as the film’s director, but attribute the idea to Simon. When it published four frame enlargements from the film, the British art film journal Close-Up equally attributed the film to him “after an idea by Stella F. Simon.” However, a review published the following month praised “Miss Simon’s” experiment with abstract, constructivist “scenery” (Blakeston 137). This August 1929 article, therefore, becomes the first source in new research that supports Simon as the film’s principle director (Richter 1971, 44; Barr 21; Horak 1995, 43-44; Wild 93-105). Little is known about Bandy, who was the author of one of the first articles in France to discuss Swedish abstract experimentalist Viking Eggeling’s short film Symphonie Diagonale (1924) in Germaine Dulac’s journal, Schémas. Modernist composer Marc Blitzstein wrote and performed the film’s original four-hand mechanical piano score and made a composite recording of it in March 1936 at the behest of RCA and the Museum of Modern Art (Lehrman 35)
CORPUS RHYTHMORUM MUSICUM SAEC. IV-IX vol. I Songs in non-liturgical sources / Canti di tradizione non liturgica 1 Lyrics/Canzoni
No full textBook with cd-rom. First critical edition, both in paper and digital format, of the earliest medieval non -liturgical poems set to music. The musics have been edited by Sam Barrett of the Cambridge University. The texts have been recostructed on the basis of the extant manuscript tradition (80 mss.) according to Lachmannnian criteria: all of them have been transcribed and reproducted in the enclosed cd-rom, that includes also archives of linguistical, metrical and musical phenomena of the "songs" and audio records of the relative modern transcriptions. F. Stella, coordinator od the European project that has promoted the edition, is author of the introduction, general editor of the textual edition and of the digital edition and editor of many single texts, here attached in pdf format. A web version (without mss. reproductions) is to be consulted at www.corimu.unisi.it
Blanca Stella Parra, violín (Colombia)
No full textConcierto realizado por Blanca Stella Parra. Inició sus estudios mlusicales con su padre Argemiro Parra, en la ciudad de Cartago. En 1977 se trasladó a Bogotá donde continuó sus estudios de violín con la profesora Isabel O'Byrne. Así mismo, ingresó como violinista a la Orquesta Sinfónica Juvenil de Colombia e inició sus estudios con la profesora Ruth Lamprea.
En este concierto interpretó obras de G. F. Haendel, J. Brahms, N. Paganini, L. v. Beethoven
Ave Maris Stella : Hymne für eine Alt-Stimme (Und Frauenchor, Ad libitum) / von F. Liszt.
No full textAVE MARIS STELLA : HYMNE FÜR EINE ALT-STIMME (UND FRAUENCHOR, AD LIBITUM) / VON F. LISZT.
Ave Maris Stella : Hymne für eine Alt-Stimme (Und Frauenchor, Ad libitum) / von F. Liszt. (1)
Titelblatt (1)
Ave maris stella. (3
S. Dilaria, F. Stella Mosimann, L’APPROCCIO ANALITICO ALLO STUDIO DELLA PITTURA PARIETALE ANTICA. METODOLOGIE SCIENTIFICHE E APPLICAZIONI PRATICHE, Tect 3: ricerche e metodologie innovative per lo studio della pittura romana.
No full textrecensione della collana "Piccole monografie della Puglia, sezione Capitanata", a cura di Maria Stella Calò Mariani
No full textRecensione dei volumi che compongono la serie "Piccole monografie della Puglia, sezione Capitanata", a cura di Maria Stella Calò Mariani. I volumi sono i seguenti: Maria Stella Calò Mariani, Nicola Cicerale, "San Leonardo di
Siponto iuxta stratam peregrinorum”; Maria Stella Calò Mariani, Adriana Pepe, "Luoghi di culto lungo la via francigena. In cammino verso la grotta dell’Arcangelo"; Maria Stella Calò Mariani, "Monte Sant’Angelo. Il complesso monumentale di San Pietro, di Santa Maria Maggiore e del battistero di San Giovanni"; Maria Stella Calò Mariani, Natalia D’Amico, "Santa Maria di Ripalta sul Fortore (Lesina). Dalla fondazione cistercense alla rinascita celestina"; Maria Stella Calò Mariani, "La pittura medievale in Capitanata", editi da Congedo Editore nel 2013
RELIGION AS LAW: MEANING AND CONTEXT OF LAW IN AL-FARABI'S PHILOSOPHY
No full textAccording to the medieval Islamic philosophers, both law (nāmūs, sharī‘a) and tradition (sunna) are words closely related to other three words: religion (milla, dīn) and community (umma).
The aim of this article is to show what al-Farabi means with law, why he chooses to use nāmūs or sharī‘a and how he relates these words with religion. Understanding the meaning of law in al-Farabi’s philosophy will allow us to shed more light on the meaning of religion in a pre-modern historico-philosophical context
- …
