1,354,564 research outputs found
Mercedes Guillén y Mollkie Steimer: Anarquismo y feminismo: Epistolario inédito en torno a Mujeres Libres
En el artículo se presenta un epistolario inédito entre Mercedes Comaposada, posteriormente conocida como Mercedes Guillén, y Mollie Steimer, mujeres anarquistas y feministas que realizaron interesantes aportaciones en la agrupación cenetista Mujeres Libres. Se saca a la luz, se traduce y se contextualiza una correspondencia que pone en valor la labor que desempeñó la citada agrupación feminista, e incorpora nuevas perspectivas a los estudios anarcosindicalistas. Tanto Guillén como Steimer sufrieron las consecuencias de la inestabilidad política de la Guerra Civil y la Segunda Guerra Mundial, por lo que ambas se vieron avocadas al exilio. Para la rusa judía, México sería el país de acogida, mientras que, para la periodista catalana, sería Francia. El exilio fragmentó ese proyecto feminista que terminó siendo silenciado por el franquismo, al igual que fue borrado de la memoria el nombre de sus integrantes
Tara Steimer-Herbert, Indonesian Megaliths. A forgotten cultural heritage, Oxford, Archaeopress (Laboratoire d’archéologie préhistorique, Université de Genève), 2018.
Degroot Véronique. Tara Steimer-Herbert, Indonesian Megaliths. A forgotten cultural heritage, Oxford, Archaeopress (Laboratoire d’archéologie préhistorique, Université de Genève), 2018.. In: Bulletin de l'Ecole française d'Extrême-Orient. Tome 106, 2020. pp. 525-526
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Malleability of self/others perception of own/theirs agency vs. communion
1. There is an interaction effect of trait valence and self-rating on this trait on the perception of trait malleability. Positive traits are seen as more stable than negative ones but only if people believe they posses these traits. If they believe they do not posses presented traits the effect is reversed – positive traits are perceived as more malleable than positive ones, and negative traits as more stable than positive ones. This analysis serves as a replication of Steimer & Mata (2016).
2. Own agentic traits are seen as more malleable than own communal traits. This analysis serves as a replication of Bialobrzeska & Parzuchowski’s pilot study
Mollie Steimer con el rostro ligeramente inclinado a la izquierda, retrato
I.O. En el reverso: "Senya'S Molke". Nota: Mollie Steimer. Nació en Dunaevtsky, Rusia, el 21 de Nov. de 1897. A la edad de 15 años emigró junto con su familia a EUA estableciéndose en Nueva York en 1917, se unió al grupo judío de anarquistas; años después debido a una ley fue deportada a Rusia, llegando el 15 de diciembre de 1921, siendo arrestada el 1 de noviembre de 1922 junto con su compañero Simon Flechine. Posteriormente en compañía de Simón Flechine abrió un estudio fotográfico en Berlín, sin embargo debido al ascenso de Hitler se vió forzada a refugiarse en París; al ser invadida esta ciudad por los alemanes, tuvo que mudarse en compañía de su esposo se a México, donde también dirigió un estudio fotográfico. Murió en Curnavaca el 23 de julio de 1980. Referencia: http://es.wikipedia.org/wiki/Mollie_Steimer, (última consulta 14/04/2011)
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
Author, publisher and bookseller : a tripartite synergy in Nigerian book industry
This work is about the roles of Author, Publisher and Bookseller in Book development in
Nigeria. The paper started by delving into the history of Book Publishing in Nigeria after
which it proceeded by defining who an author, a publisher, and a bookseller is and
expatiated on the indispensable roles of these key actors in Nigerian Book Industry and in
the emerging Information Society. Furthermore, the various constraints to book
development were identified while the paper advised on how the Book Industry can be
further promoted in Nigeria. However, the paper concluded and made recommendations
on how the Book sector can help in enhancing scholarship in the country
The Thursday Murder Club: Launching a megabrand author - a publishing case study
In 2020, the Christmas book charts in the UK made headlines: Barack Obama’s eagerly awaited autobiography, The Promised Land, was beaten to the top spot by The Thursday Murder Club by Richard Osman, a debut cosy crime novel set in a retirement village. Not only did Osman’s book beat the former US president’s expected bestseller, it also broke records, becoming the fastest-selling debut crime novel of all time. Although Osman has a certain level of fame in the UK from his TV appearances on shows such as Pointless, his celebrity status does not entirely explain the novel’s huge sales. This article tracks the acquisition, publication, and promotion journey of The Thursday Murder Club in order to understand the industry and cultural context of its success and to interrogate the role of celebrity in the creation of author brands. The findings suggest that the unexpected scale of the success of the book owed to a number of factors, including in-depth editing by the novel’s agent, editor, and author to tighten up the plot, an extensive and strategic promotional campaign, the pandemic (which drove interest in the book’s genre and themes), and the quality of the writing. We find that the book’s success was accentuated by Osman’s celebrity status rather than being entirely reliant on it. This research adds to the growing scholarship on celebrity authorship by means of an in-depth case study and provides insight into the processes behind publishing a ‘celebrity’ book and launching a megabrand author
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