1,720,983 research outputs found
Re-thinking the victim: representations of gender violence in the narratives of Dacia Maraini
This thesis explores representations of gender violence in the works of Dacia Maraini, tracing a pathway from early novels in which her protagonists suffer predominantly non-physical oppression, to later works which foreground victims of more extreme bodily violence. Taking a chronological approach, it contextualises her work and situates individual texts in their broader cultural framework, highlighting the changes and continuities that these differing backgrounds have provoked. Maraini’s unique position as both author and social commentator is similarly established, with the interplay of her narrative and feminist commitment emerging as a central concern. Fundamental to the thesis is the figure of the female victim, through whom motifs that are recurrent in Maraini’s oeuvre are identified and analysed.
The thesis proposes two main lines of argument. Firstly, that there is a change in the way in which Maraini represents gender violence: from signifying one manifestation of women’s overall oppression under patriarchy, it becomes the dominant theme in a number of texts, presented as a specific phenomenon to be understood and exposed. Secondly, that whilst in many of her early texts her protagonists develop strategies for resisting their abusive situations, Maraini’s later female victims demonstrate little agency and, moreover, appear to submit to the violence they undergo
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Wellington 2013 – «Solo le storie sono capaci di colmare gli squarci del dolore. Solo le storie ci aiutano a sopravvivere»: Autobiographic Traces in the Narratives of Dacia Maraini
The publication of Dacia Maraini’s "Bagheria" in 1993 and "La nave per Kobe" in 2001 indicate a significant foray into life writing by the author, and the beginning of a more concerted move towards self-representation, which continues in texts such as "La grande festa" (2011) and "Chiara di Assisi – Elogio della disobbedienza" (2013). It is, however, a genre that Maraini had previously admitted to being challenging for her to confront. This article considers a number of ‘autobiographic traces’ in Maraini’s earlier works as examples of fictionalized articulations of traumatic events and, likewise, how Maraini’s perceived difficulty with the genre manifests itself in "La nave per Kobe" through a certain level of textual turbulence. It explores the trouble that Maraini has in constructing the autobiographic ‘I’ before arguing that the inclusion of her mother’s diaries in this particular work gives Maraini the confidence needed to do so.The publication of Dacia Maraini’s "Bagheria" in 1993 and "La nave per Kobe" in 2001 indicate a significant foray into life writing by the author, and the beginning of a more concerted move towards self-representation, which continues in texts such as "La grande festa" (2011) and "Chiara di Assisi – Elogio della disobbedienza" (2013). It is, however, a genre that Maraini had previously admitted to being challenging for her to confront. This article considers a number of ‘autobiographic traces’ in Maraini’s earlier works as examples of fictionalized articulations of traumatic events and, likewise, how Maraini’s perceived difficulty with the genre manifests itself in "La nave per Kobe" through a certain level of textual turbulence. It explores the trouble that Maraini has in constructing the autobiographic ‘I’ before arguing that the inclusion of her mother’s diaries in this particular work gives Maraini the confidence needed to do so.The publication of Dacia Maraini’s "Bagheria" in 1993 and "La nave per Kobe" in 2001 indicate a significant foray into life writing by the author, and the beginning of a more concerted move towards self-representation, which continues in texts such as "La grande festa" (2011) and "Chiara di Assisi – Elogio della disobbedienza" (2013). It is, however, a genre that Maraini had previously admitted to being challenging for her to confront. This article considers a number of ‘autobiographic traces’ in Maraini’s earlier works as examples of fictionalized articulations of traumatic events and, likewise, how Maraini’s perceived difficulty with the genre manifests itself in "La nave per Kobe" through a certain level of textual turbulence. It explores the trouble that Maraini has in constructing the autobiographic ‘I’ before arguing that the inclusion of her mother’s diaries in this particular work gives Maraini the confidence needed to do so.La pubblicazione di "Bagheria" nel 1993 e di "La nave per Kobe" nel 2001 rappresenta per Dacia Maraini un grande passo verso il genere dell’autobiografia, e l\u27inizio di un più meditato passaggio in direzione dell’autorappresentazione, processo che continuerà in “La grande festa” (2011) e “Chiara di Assisi – Elogio della disobbedienza” (2013). Si tratta comunque di un genere con cui per Maraini è arduo confrontarsi, come ha già ammesso in passato. Questo saggio considera alcune ‘tracce autobiografiche’ presenti nelle sue prime opere, considerandole esempi di come l’autrice articoli in forma romanzata degli eventi traumatici. Ipotizza poi che la difficoltà di Maraini verso questo genere letterario si manifesti tramite un certo grado di disordine narrativo in “La nave per Kobe”, ed esamina la difficoltà che Maraini incontra nel costruire l’‘io’ autobiografico, sostenendo che è l’inclusione dei diari della madre in quest’ultimo libro a darle la fiducia in sé stessa necessaria a farlo
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
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