1,720,962 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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The Ark of the Covenant and Divine Rage in the Hebrew Bible
The subject of my study is the Ark of the Covenant as portrayed within the Deuteronomistic History of the Hebrew Bible, particularly the tales featuring the Ark in Joshua and 1–2 Samuel. In these narratives, the God of Israel performs astonishing works through the Ark; from the Israelites’ perspective, these deeds are sometimes miraculous and other times horrifying. I argue that the behavior of Yhwh’s Ark may best be compared to that of a partially domesticated wild animal such as a horse. Like the raging energy of a horse, the violent supernatural power mediated through the Ark is an invaluable resource for human society; nonetheless, it is also unpredictable and extremely dangerous.
I take a comparative approach in interpreting the narratives of Joshua and 1–2 Samuel. I first discuss the Ark as Yhwh’s throne in light of the Mesopotamian myth of Nergal and Ereshkigal, which also features a divine throne. I suggest that the chair of Nergal in the Neo-Assyrian version of this tale acts as a violent border-crosser that enables Nergal to pass through the normally impenetrable borders of the Netherworld and dominate Queen Ereshkigal. Likewise, in the book of Joshua, the Ark (or throne) of Yhwh permits the Israelites to pass through barriers in a miraculous fashion and conquer the land of Canaan.
I go on to analyze the behavior of Yhwh’s Ark as presented in the Ark Narrative of 1–2 Samuel. I compare the destructive rampage of the Ark to that of the god Erra as depicted in the Babylonian poem Erra and Ishum and conclude that the narrative of 1–2 Samuel does not attempt to justify the violence perpetrated through Yhwh’s Ark. I examine David’s heroism in settling the Ark in Jerusalem, which appears to effect a sort of taming, since afterward the Ark is never again explicitly described as a destructive force. I propose that, like Erra and Ishum, which was widely used as an amulet, the Ark Narrative may be understood as a textual means of protecting against the chaotic forces described therein.
Finally, I turn to consider the characterization of females in the Ark Narrative, drawing on Greek tragedy to illuminate the nature of divine wrath. I discuss Yhwh’s angry outbursts through the Ark alongside the portrayal of the raging goddess Artemis in Aeschylus’s Oresteia trilogy. In particular, I trace the image of the bit in Oresteia—the small metal object connecting the horse to its human rider. Instead of being placed in the mouth of a horse in the trilogy, however, the bit is figuratively applied to three subjugated females: a pregnant rabbit representing Troy, Iphigeneia, and Cassandra. In juxtaposing this tragic image with three scenes of afflicted females in the Ark Narrative—the wife of Phinehas, the lowing milch cows, and Michal—I seek to draw out an interpretation of the biblical narrative that is attentive to the emotional complexity of divine and human personalities.Near Eastern Languages and CivilizationsArk of the Covenant; Oresteia; Ark Narrative; Joshua; 1-2 Samuel; Nergal and Ereshkigal; Erra and Ishu
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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