3,662 research outputs found
El rol del sector privado en la conformación de un campo del diseño en Uruguay, a través de un archivo de empresa
No full textEl rol del sector privado en la conformación de un campo del diseño en Uruguay, a través de un archivo de empresa
No full textCollective Improvisation: The Practice and Vision of Ingemar Lindh
No full textIngemar Lindh's research on the principles of collective improvisation and performance conceived as process announce an important development in the 20th-century tradition of the actor's work. After early studies with Étienne Decroux and working collaborations with Jerzy Grotowski, Eugenio Barba, and Yves Lebreton, Lindh founded the first laboratory theatre in Sweden in 1971, the Institutet för Scenkonst. His practice of collective improvisation is viewed in light of postdramatic concerns such as its resistance to fixed scores, directorial montage, and choreography as an organizing principle
From electrophilic to stereospecific SN2 alpha-functionalization reactions of acyclic carboxylic acid derivatives
No full textAuthor Magdalena Piringer, BScMasterarbeit Universität Linz 202
Conversion and Artistic Creation of Magdalena V.
No full textThis Bachelor thesis Conversion and Artistic Creation of Magdalena V. deals with the change of artistic expression of the Czech graphic artist Magdalena V., in a close connection to her religious conversion to the Catholic faith. The first part summarizes the theoretical knowledge of the psychology of religion. It introduces basic definitions and concepts of religion in relation to a religious conversion. In the second part, the author deals with the psychological analysis of Magdalena V.'s typical work through her life, which is supported by numerous photographs. Using the approach of rožnovská school, the author attempts to interpret this artwork on a hypothetical level, focusing on the M.V.'s life and artistic paralel before and after her conversion. The author draws on Magdalena V.'s testimonies about her life which bring light on the intention and context in her art. Related to the author's identification with Magdalena V.'s work, which later became apparent, this paper evolved further into identifying these moments and thus the potential risks inherent in author's own therapeutic work
From electrophilic to stereospecific SN2 alpha-functionalization reactions of acyclic carboxylic acid derivatives
No full textAuthor Magdalena Piringer, BScMasterarbeit Universität Linz 202
The Development of Sculpture in the Quito School
No full textMagdalena Gallegos de Donoso, Ecuadorian anthropologist and art historian, author of over fifty exhibition catalogues, Director of the Central Bank of Ecuador Museums
First person – Magdalena Woloszynska
No full textABSTRACT
First Person is a series of interviews with the first authors of a selection of papers published in Journal of Cell Science, helping early-career researchers promote themselves alongside their papers. Magdalena Woloszynska is the first author on ‘The Elongator complex regulates hypocotyl growth in darkness and during photomorphogenesis’, published in Journal of Cell Science. While completing this work, Magdalena was a postdoctoral fellow in the Chromatin and Growth Control group at the VIB-UGent Center for Plant Systems Biology at Ghent University, Belgium. Her research interests include plant molecular biology, epigenetics, transcriptomics, plant physiology and plant mitochondria.</jats:p
Archive revealed, iconosphere, new visuality: Posters of the National Tourism Commission of Uruguay (1933-1960)
No full textEsta investigación se centra en la producción de los afiches de turismo producidos por el Estado uruguayo entre 1933 y 1960. Los mismos fueron realizados por la llamada Comisión Nacional de Turismo (CNdT), fundada en 1933. Esta entidad, a pesar de ser pequeña, implementó una estrategia de comunicación en la que se articularon afiches, una revista, algunos folletos, fotografías e incluso algunas producciones cinematográficas. Aunque algunos dispositivos eran enviados a todo el mundo, el material estaba fundamentalmente orientado al público argentino, pero también al turismo interno. Actualmente no existe la CNdT, persistiendo solamente algunos archivos fragmentarios de parte de su actuación, no identificándose colecciones o acervos, públicos o privados, con su producción gráfica de conjunto. Esta investigación tiene como objetivo general recuperar los afiches turísticos y recreativos de la CNdT, analizando la representación de las diferentes escenas turísticas y recreativas del Uruguay. Sus objetivos particulares fueron visibilizar tales productos gráficos, identificar sus diseñadores y estudiar la iconósfera que le da sentido, profundizando en la construcción de una visualidad turística moderna en el país. La metodología pulsó entre \"inventariar-preguntar-interpretar\". El análisis gráfico, inscripto en los estudios de memoria gráfica, se realizó bajo una perspectiva semántica de la tipografía y de la imagen. Objetivos, estrategia de investigación y productos se relacionan fuertemente al ensamblarse en 16 un \"archivo develado\". Este, al cierre de esta disertación, comprende 19 afiches originales de turismo y ocio, editados por la CNdT; 49 esbozos de carteles inéditos y 15 reproducciones en publicaciones de época. Esta recuperación visibiliza la obra de tres artistas locales de afiches: Luis Alberto Fayol, Julio Bonelli y Guillermo Bazzoni, sólo el primero reconocido como creador en la historiografía local. El aporte de la CNdT trascendió la promoción del turismo. Esta agencia contribuyó a construir un imaginario turístico nacional y moderno asociado a la geografía turística dominante como las costas y playas, los bosques cercanos al mar, y las ciudades y localidades costeras como Montevideo y Punta del Este, y sus eventos como el carnaval. Visualidad moderna materializada en obras públicas y en su representación gráfica se condensan. Tal producción gráfica estudiada, como otros productos complementarios, evidencian una discreción que varios autores reconocen como un pattern de la geografía física y humana de este pequeño país.This research focuses on the production of tourism posters created by the Uruguayan State between 1933 and 1960. These were produced by the National Tourism Commission (CNdT), founded in 1933. Despite being small, this entity implemented a communication strategy that included posters, a magazine, some brochures, photographs, and even some film productions. Although some materials were sent worldwide, the material was primarily aimed at the Argentine public, but also at domestic tourism. The CNdT no longer exists, and only fragmentary archives of its activity remain. No public or private collections or archives with its complete graphic production have been identified. The general objective of this research is to recover the CNdT\'s tourism and recreational posters, analyzing the representation of different tourist and recreational scenes in Uruguay. Its specific objectives were to make these graphic products visible, identify their designers, and study the iconosphere that gives them meaning, delving into the construction of a modern tourism visuality in the country. The methodology combined \"inventorying-questioning-interpreting.\" The graphic analysis, framed within graphic memory studies, was conducted under a semantic perspective of typography and image. Objectives, research strategy, and products are strongly related as they come together in a \"revealed archive.\" At the close of this dissertation, this archive comprises 19 original tourism and leisure posters published by the CNdT; 49 unpublished poster sketches; and 15 reproductions in period publications. This recovery highlights the work of three local poster artists: Luis Alberto Fayol, Julio Bonelli, and Guillermo Bazzoni, with only the first recognized as a creator in local historiography. The CNdT\'s contribution went beyond tourism promotion. This agency helped construct a national and modern tourism imaginary associated with the dominant tourist geography, such as coasts and beaches, forests near the sea, and coastal cities and towns like Montevideo and Punta del Este, and their events like Carnival. Modern visuality materialized in public works and its graphic representation are condensed. This studied graphic production, like other complementary products, reveals a discretion that several authors recognize as a pattern of the physical and human geography of this small country
AC-Verlustcharakterisierung und thermische Modellierung moderner Wicklungstopologien in elektrischen Maschinen
No full textAuthor Magdalena SchaberAbweichender Titel laut Übersetzung der Verfasserin/des VerfassersMasterarbeit Johannes Kepler Universität Linz 2025Arbeit gesperr
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