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Educação e representações de mulheres por meio de Vida Doméstica : a revista do lar e da mulher, que de mão em mão, percorre o Brasil de ponta a ponta (1930 a 1945).
No full textPrograma de Pós-Graduação em Educação. Departamento de Educação, Instituto de Ciências Humanas e Sociais, Universidade Federal de Ouro Preto.A fim de desvendar mais sobre as questões da transmissão de conhecimento, entendido aqui como educação, apresentaremos nesta dissertação uma gama de mensagens de cunho educacional direcionadas à moral, à escolarização formal e científica publicadas pela revista Vida Doméstica, que alcançou milhares de leitoras entre os anos 1930 e 1945. O conteúdo veiculado nas páginas da revista em destaque considerava que somente mulheres com adequada educação intelectual, profissional, cívica, moral e doméstica seriam capazes de cumprir a missão de proteger a saúde e formar o caráter dos futuros cidadãos do Brasil. Vida Doméstica, circulou mensalmente entre 1920 e 1962 e iniciou-se pelas mãos do empresário espanhol Jesus Gonçalves Fidalgo. A publicação era mensal, no Rio de Janeiro, e a distribuição da revista era feita em todo o Brasil, incluindo capitais e diversas cidades do interior do país, tais como em Minas Gerais, Amazonas, Pará, Santa Catarina, Maranhão, Rio Grande do Sul, São Paulo, entre outros. Seu alcance não parava por aí. A publicação chegou a outros países das américas como Estados Unidos, Argentina e Uruguai, bem como circulou na Europa entre Portugal, Alemanha e Espanha. Ao que se refere à circulação e vendagem temos informação, da própria revista, que sua tiragem chegou em 1941 a mais de 50.000 exemplares. O recorte cronológico escolhido para ser revistado compreende alguns anos que antecedem o sufrágio feminino no Brasil e avança até os anos 1945, quando teremos o fim da Era Vargas. Por outro lado, o recorte também abrange os anos que antecederam a Segunda Grande Guerra, quando vamos nos deparar com mudanças significativas na organização social e na posição da mulher frente à família, à sociedade e ao mercado de trabalho. A partir do fim da década de 1930, no decorrer dos investimentos industriais sob a égide do Governo Vargas, percebe-se um impulso no consumo de revistas e outros periódicos. Neste momento os meios de comunicação passam a desenvolver um papel importante de (in)formação dessa nova sociedade que está se consolidando, trazendo informações em seu corpus sobre o modo de vida e aspirações das personagens que moldam essa sociedade. Atrelamos as mensagens veiculadas na revista Vida Doméstica aos estudos históricos culturais, que nos revelam que os discursos nunca são neutros: ao serem escritos nas páginas dos impressos, produzem práticas e estratégias (sociais, escolares, políticas) por um grupo que se impõe, ou tenta impor, a sua concepção do mundo social, os seus próprios valores e o seu domínio.For the purpose of unveil further about the questions of knowledge transmission, understood in this research as education, we will present in this dissertation a range of educational messages aimed at moral, formal and scientific schooling published by the magazine Vida Doméstica which reached thousands of female readers between years 1930 and 1945. The content published on the pages of this featured magazine considered that only women with adequate intellectual, professional, civic, moral and domestic education would be able to fulfill the mission of shaping the ethos and protecting the health of the future citizens of Brazil. Vida Doméstica circulated monthly between 1920 and 1962 and was created by Jesus Gonçalves Fidalgo a Spanish businessman. The publication was Monthly, based in Rio de Janeiro, and the magazine was distributed throughout Brazil including capitals and several cities in the interior, such as Minas Gerais, Amazonas, Pará, Santa Catarina, Maranhão, Rio Grande do South, São Paulo among others. The magazine's reach did not stop in Brasil. The publication reached other countries in the Americas, such as the United States, Argentina and Uruguay, as well as being circulated in Europe between Portugal, Germany and Spain. With regard to circulation and sales we have information from the magazine itself that their circulation reached more than 50,000 copies in 1941. The chronological cut chosen to be searched embrace a few years that precede women's suffrage in Brazil and advances to the 1945's, when we will deal the end of the Vargas Era. On the other hand, the clipping also covers the years that preceded the Second World War, when we will be faced with significant changes in the social organization and in the position of women concerning to the family, to society and to the labor market. From the end of the 1930’s, in the course of industrial investments under the aegis of Vargas Government, there was a boost in the acquired of magazines and other periodicals by the public. At this point, the media begin to play an important role in the (in)formation of this new consolidating society, bringing information in its corpus about the way of life and aspirations of the characters that frame brazilian society. We link the messages published in the Vida Doméstica magazine to the cultural history studies, which reveals that discourses are never neutral: when they are written on the pages of printed matter they produce practices and strategies (social, school, political) by a group that imposes themselves (or tries to impose) they conception of social world, their own values and dominion
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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