3,135 research outputs found
Kondolenzschreiben bezüglich Max Plancks Tod von Hugo Spatz
No full textScan des Kondolenzschreibens an Marga Planck anlässlich des Todes von Max Planck am 4.10.1947. Mehr Informationen zu den Kondolenzen sind in Band 2 der Reihe Kieler Beiträge zu Max Planck zu finden. Eine Kurzdarstellung zu Max Planck und weitere Referenzen finden sich in Band 1
A Hallervorden–Spatz-eponímától a molekuláris nevezéktanig | From the Hallervorden-Spatz eponym to the molecular terminology
No full textAbsztrakt:
Bevezetés és célkitűzés: A Niemann–Pick- és a
Hallervorden–Spatz-betegség kombinációja vezetett 1994-ben egy 17 éves fiú
halálához. 2017-ben a genetikai tanácsadás további vizsgálatokat igényelt. Mivel
időközben a Hallervorden–Spatz-betegség neve megváltozott, érdemesnek látszott
ennek okait elemezni. Módszer: A szerző bemutatja a betegség
leíróinak, Julius Hallervordennek és Hugo Spatznak a szakmai tevékenységét a
náci éra alatt, és foglalkozik azokkal a törekvésekkel, amelyek a betegség
genetikai hátterének felderítéséhez és a betegség nevének megváltozásához
vezettek. Eredmények: A náci érában számos fogyatékos beteget
öltek meg, a gyermekagyak nagy részét a berlini, Hugo Spatz vezette „Kaiser
Wilhelm Institut für Hirnforschung”-ba juttatták el,
Hallervorden „gyűjteményébe”. A múltban történtek feltárása
az 1980-as években kezdődött és vezetett a betegség nevének megváltoztatásához a
névadók náci kötődése miatt. Ezt a törekvést segítette, hogy az 1990-es évektől
kezdtek ismertté válni azok a genetikai eltérések, amelyek az agyi
vaslerakódáshoz társuló neurodegenerációt (neurodegeneration with brain
iron accumulation – NBIA) okozzák, és a molekuláris alapú
nevezéktan egységes kialakítását sugallták. Több altípus ismert már, közülük az
első a Hallervorden és Spatz által leírt kórforma, jelenlegi nevén
pantothenate kinase-associated neurodegeneration (PKAN). A
szerző által vizsgált eset a harmadik altípusba – mitochondrial
protein-associated neurodegeneration (MPAN) – volt besorolható.
Következtetés: Julius Hallervorden és Hugo Spatz, két
ismert neuropatológus munkássága és élete intő jele annak, hogy a kutatók nem
léphetik át az etikai határokat. Erre figyelmeztet a „Hallervorden-gyűjtemény”
eltemetése a müncheni Waldfriedhof temetőben és az ott felállított emlékoszlop
felirata is. A következmény a névadók nevének eltűnése lett a betegségnévből és
helyettesítése molekuláris alapú új névvel. Orv Hetil. 2017; 158(43):
1723–1727.
|
Abstract:
Introduction and aim: A combination of Niemann-Pick- and
Hallervorden-Spatz diseases led to the death of a 17-year-old boy in 1994.
Genetic counseling necessitated further investigations in 2017. Meanwhile, the
nomenclature of Hallervorden-Spatz disease has been abandoned. The author
analyze the reasons for this change. Method: Professional
activities of Hallervorden and Spatz during and after the Nazi euthanasia
program are presented. Also, the scientific efforts that led to the discovery of
the genetic background of the disease and ultimately to its new name are
highlighted. Results: In nazi Germany, a large number of
mentally disabled were killed. The majority of pediatric-brains were transferred
to the “Kaiser Wilhelm Institut für Hirnforschung”, led by Hugo Spatz, and was
included in the “Hallervorden collection”. Investigations exploring the
connections between eponyms and nazi-activites started in the mid-1980s. This
process was accelerated by the discovery of genetic alterations underlying
disease entities, including neurodegeneration with brain iron
accumulation (NBIA). NBIA has several subtypes, with the first
being the disease described by Hallervorden and Spatz, and recently renamed to
pantothenate kinase-associated neurodegeneration (PKAN).
The case examined by the authors belongs to the third subtype, to the
mitochondrial protein-associated neurodegeneration (MPAN).
Conclusion: The works of the two noted neuropathologists
strongly conflict with current ethical principles of human research studies. The
buried “Hallervorden collection” in the Munich Waldfriedhof cemetery, and the
memorial column erected there will remain a sad reminder of a time when a
political system profoundly distorted the judgement of even academic physicians.
Orv Hetil. 2017; 158(43): 1723–1727
Renaming of Hallervorden–Spatz disease: the second man behind the name of the disease
No full textHallervorden-Spatz disease (HSD) has been recently renamed to pantothenate kinase-associated neurodegeneration (PKAN) and neurodegeneration with brain iron accumulation (NBIA), mainly due to the unethical behavior of Julius Hallervorden in the National Socialist (NS) euthanasia program of the Nazi Third Reich. The role of the second name giver in the NS euthanasia program is less clear. Hugo Spatz was the director of the Kaiser Wilhelm Institute for Brain Research in Berlin-Buch during World War II (WWII), renamed to Max Planck Institute after 1945. After the war, he headed the Max Planck Institute for Brain Research in Frankfurt am Main. The present study investigates the potential involvement of Hugo Spatz in the NS euthanasia program. In the present study, we compared a list of euthanasia victims from the German Federal Archive Berlin (30.146 cases published after the reunification of Germany, BArch R179) with the files of the collection of specimens from 1940 until 1945 of Hugo Spatz as listed in the Archive of the Max Planck Society Berlin-Dahlem (n = 305). Furthermore, the old term HSD and the new terms PKAN and NBIA were systematically searched in PubMed from 1946, through January 2019 to evaluate the renaming process from HSD to PKAN/NBIA. Following Hugo Spatz's death in 1969 growing evidence indicated that he may have taken part in the NS euthanasia program. This study identifies 4 euthanized victims in the patient files of Hugo Spatz from 1940 to 1945, suggesting involvement of Hugo Spatz in the NS euthanasia program. This further strengthens the argument that the former HSD should be exclusively referred to as PKAN or NBIA
Music of Hugo Weisgall
No full textRecorded during a live performance at Oakland Recital Hall, Western Michigan University, Kalamazoo, Michigan on October 21, 1981, 8:00 p.m., program no. 34 of the School of Music's 1981-1982 season.1st work: Marilyn Rose Nicholson, soprano ; Robert Byrens, piano. 2nd work: Joyce Zastrow, soprano ; Robert Byrens, piano. 3rd work: Elizabeth Patches, mezzo-soprano ; Phyllis Rappeport, piano. 4th work: Gail Smith, stepdaughter ; Corinne O'Heran, mother ; Rick Knapp, son ; Mark Cummings, father ; Rick Krzeczkowski, the director ; Monica Whitaker, the prompter ; Nadine Vorenkamp, the coloratura ; Mary Rempalski, the mezzo ; Matthew Elliott, the basso cantante ; Tom Manguem, the tenore buffo ; Sarah Coley, the wardrobe mistress ; Jennifer Little, the understudy.Reel 1: Introductory remarks by the composer -- Two madrigals. Nuptual song ; No more I will thy love importune -- Translations. Song ; Poem ; The rebelReel 2: Di goldene pave. Di Goldene Pave ; Undzer Rebenyu ; Der Rebe Elimeylekh ; Mayn Harts Veynt in Mir ; Baleboste Zisinke ; Shlof Mayn Kind, Sholf Keyseyder ; Lomir Zikh Bafrayen -- Six characters in search of an author. Act I / libretto by Dennis Johnston, based on the play by Luigi Pirandell
<i>No se sabe</i>: entrevista a Hugo Luis López
No full textEntrevista al Dr. Hugo Luis López, ictiólogo y responsable de la División Zoología Vertebrados del Museo de Ciencias Naturales de la Universidad Nacional de La Plata. Autor de numerosos trabajos sobre zoología e ictiología, además de difusor y propulsor de estos estudios en nuestro país. Director y editor de la publicación ProBiota, dedicada a la ictiología, limnología, zoología, herpetología y otras disciplinas conexas.Al hacer clic en el enlace que figura en "Documentos relacionados", pueden accederse a todos los trabajos de Hugo Luis López presentes en el repositorio.Radio Universidad Nacional de La Plat
[Soliloquium de arrha animae]
No full text[(Pseudo-)Augustinus Aurelius]Impressum: Datum in der Vorlage genannt, Ort und Drucker nach ISTCThe true author is Hugo de S. Victore: R. Goy, Die Überlieferung der Werke Hugos von St. Viktor, 1976, p.328Digitalisierung=Digitization=Numérisation Juli 2024 TIF
Hugo Brehme. Los prototipos mexicanistas. Num. 16 Año 6 (2002-2003) invierno. Alquimia. Sistema Nacional de Fototecas
No full text- Hugp Brehme o la construcción nacional - Hugo Brehme: un gigante de la fotografía mexicana, por Dennis Brehme - Hugo Brehme y Sergei Eisenstein: una convergencia, por Aurelio de los Reyes - El imagunario de Hugo Brehme / Arno Brehme, un acto olvidado - La exportación de lo mexicano: Hugo Brehme en casa y en el extranjero, por Jesse Lerner - El artista fotógrafo Hugo Brehme / Nada se salvó en la conocida casa artísitica - La colección Hugo Brehme, por Mayra Mendoza Avilés - El horizonte técnico en Hugo Brehme, por Heladio Vera Trejo
The Political Communication of Hugo Chávez: The Evolution of Aló Presidente
No full textAló Presidente was a weekly television programme anchored and produced by Hugo Chávez during his presidency in Venezuela. The show, a version of a phone-in, was broadcast live on national television at 11am on Sundays and lasted on average six hours. It followed the presidential agenda to a new location every week, where Hugo Chávez would inaugurate factories, read Latin American poetry, interview Fidel Castro, and sing llanero songs. This thesis investigates the role that Aló Presidente played in the making of the “Bolivarian Revolution”, Hugo Chávez’s political project. Through a critical reading of the transcripts of the show, it explores the 378 episodes, or 1656 hours, that aired between 1999 and 2012. Aló Presidente was the cornerstone of Chávez’s political communication, replacing press conferences and interviews. Chávez was known for his continuous presence on radio and television and his daily presidential addresses. However, only on the Sunday show could the audience phone the president and share their ideas, emotions and everyday life concerns. This thesis reviews the narratives that underlined the relationship between the audience/electorate and the host/president on Aló Presidente. It is argued that Aló Presidente played a fundamental role in articulating the identity of a public that shared the values and ideas of Chávez’s hegemonic project. Moreover, it is argued that the show Aló Presidente and the ideological process called the “Bolivarian Revolution” can be read as two co-related arms of a same project, and that they informed and defined each other throughout Chávez’s presidency. In this context, this thesis assesses the evolution of the programme in light of the political events taking place in Venezuela during that time. Aló Presidente is thus seen as a repository, or “black box”, of the discourses that articulated the Bolivarian identity and constructed the legitimacy of Hugo Chávez as the leader of a populist movement in Venezuela. Finally, the core of this thesis is that the co-relation between the show and the hegemonic project evolved over time to strengthen the authoritarian tendencies of Hugo Chávez’s regime. Following the activities of Aló Presidente over 13 years, the investigation charts that evolution in three different stages: 1) participation, 2) education, and 3) obedience, arguing that what started as a seemingly participatory space, progressively became a platform that presented Hugo Chávez’s figure as the ideologue of a populist movement, and ultimately secured his position as the indisputable leader and sole authority of Venezuela’s “Bolivarian Revolution”
Interview with Armando Hugo Ortiz Guerrero
No full textCathy Ragland interviews music historian and author, Armando Hugo Ortiz Guerrero.https://scholarworks.utrgv.edu/cathyraglandrec/1003/thumbnail.jp
Regimen conscientie vel parvum bonum
No full text[Bonaventura]. [Daran: Revelationes] / [Pseudo-Methodius]. [De praeparatione ad missam] / [Bonaventura]Keine Titelseite; Bl. 1a Textbeginn: Jncipit libellus qui appellatur regimen conscientie vel parvum bonum editus a fratre Bonaventure cardinalis ...De triplici via with title Regimen conscientie vel parvum bonum. The true author is Hugo de Balma (Verfasserlexikon 4 col. 225). On the text of (Pseudo-) Methodius see M. Kmosko in Byzantion 6 (1931) pp.273-96 (Sack(Freiburg) 2441)Polain dates about 147
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