201 research outputs found
Lene Schneider-Kainer Collection 1921-1968
No full textThe collection contains biographical notes on Lene Schneider-Kainer; photographs of her and signed photographs of the German author Bernhard Kellermann; and an album with newspaper clippings, magazine articles, and photographs. The album covers the years 1929-1951, and includes clippings pertaining to Schneider-Kainer, her work, and exhibits of her work; magazine articles concerning her trip through Asia with Kellermann, some written by him, illustrated with photographs of her related paintings; and photographs of Kellermann, Schneider-Kainer, and her paintings.Lene Schneider was born May 16, 1885, in Vienna, Austria. She studied painting in Vienna and in Munich. From 1926 to 1928, she participated in an expedition to Asia, which brought her and the author Bernhard Kellermann to Iran, Ladakh (Klein-Tibet), India, Thailand, and China. She then moved to Berlin, where she was sustained by the Prussian Academy of Fine Arts and the Villa Masimo in Rome. After a sojourn in Spain in the 1930s, she settled in New York, and in 1954 she moved on to Cochabamba, Bolivia, where she was known under the name Elena Eleska. She died in 1971.The original German-language inventory is available in the folderProcessed for digitizationdigitize
Horizons of enchantment: essays in the American imaginary
No full textAbout the Book
(from upne.com) Lene M. Johannessen\u27s Horizons of Enchantment is about the peculiar power and exceptional pull of the imaginary in American culture. Johannessen\u27s subject here is the almost mystical American belief in the promise and potential of the individual, or the reliance on a kind of modern magic that can loosely be characterized as a fundamental and unwavering faith in the secular sanctity of the American project of modernity. Among the diverse topics and cultural artifacts she examines are the Norwegian American novel A Saloonkeeper\u27s Daughter by Drude Krog Janson, Walt Whitman\u27s Song of Myself, Rodolfo Gonzales\u27s I Am Joaquín, Richard Ford\u27s The Sportwriter, Ana Menéndez\u27s In Cuba I Was a German Shepherd, essays by Samuel Huntington and Richard Rodriquez, and the 2009 film Sugar, about a Dominican baseball player trying to make it in the big leagues. In both her subject matter and perspective, Johannessen reconfigures and enriches questions of the transnational and exceptional in American studies. (from upne.com).
About the Author
Lene M. Johannessen is a professor of American literature and culture in the Department of Foreign Languages at the University of Bergen, Norway. She is the author of Threshold Time: Passage of Crisis in Chicano Literature and has edited several books on American Studies. (from upne.com).
About the Electronic Publication
This electronic publication of Horizons of Enchantment was made possible with the permission of the author. The University Press of New England created EPUB, MOBI, and PDF files from a scanned copy of the book. The Dartmouth College Library Digital Production Unit created the HTML file and performed quality assurance.
Rights Information
Creative Commons Attribution-NonCommercial License © Trustees of Dartmouth Collegehttps://digitalcommons.dartmouth.edu/dartmouth_press/1007/thumbnail.jp
"To portray is to meet" : the performativity of Lene Marie Fossen's photographic self-portraits
No full textArtykuł dotyczy twórczości norweskiej fotografki Lene Marie Fossen (1986-2019) i poświęconego jej filmu dokumentalnego Autoportret (2020, reż. Margareth Olin, Katja Høgset i Espen Wallin). W próbie współmyślenia z fotograficznymi autoportretamiartystki, która chorowała na anoreksję o ciężkim przebiegu, autor sięga po metodologie performatyczne, przede wszystkim teorie performatywności indeksu (Margaret Olin) i reprezentacji (Peggy Phelan). Inspirację zaproponowanego
w artykule opisu praktyki artystycznej Fossen stanowią kategorie imaginariów autologicznych, obejmujących dyskursy wolności indywidualnej, i genealogicznych, obejmujących dyskursy społecznych ograniczeń (Elizabeth A. Povinelli). Autor interpretuje zdjęcia norweskiej fotografki jako efekty jej eksperymentów z własną cielesnością w punkcie przecięcia i wzajemnego podważania się tych imaginariów. Fotograficzne (re)prezentacje nie odpowiadają na pytanie, kim jest bądź nie jest rzeczywista Fossen, lecz są wypróbowywaniem siły wyobraźni artystki i odbiorców jej sztuki. Autor stawia tezę, że medium fotografii dało Fossen możliwość balansowania na granicy oznaczoności i nieoznaczoności, i dostrzega w tym emancypacyjny potencjał jej fotograficznych autoportretów.This article discusses the work of the Norwegian photographer Lene Marie Fossen (1986-2019) and a documentary film about her: Self-Portrait (2020, dir. Margareth Olin, Katja Høgset, and Espen Wallin). In an attempt to co-think with photographic self-portraits of the artist, who suffered from severe anorexia, the author draws on methodologies of performance studies, especially the theories of performative index (Margaret Olin) and representation (Peggy Phelan). The proposed description of Fossen’s artistic practice has been inspired by categories of autological imaginaries, encompassing discourses of individual freedom, and genealogical imaginaries, encompassing discourses of social constraints (Elizabeth A. Povinelli). The author interprets Fossen’s photographs as results of her experiments with her own corporeality at a point where these imaginaries intersect and undermine each other. The photographic (re)presentations do not answer the question of who the real Fossen is or is not, but rather test the power of the artist’s and her audiences’ imagination. Arguing that the medium of photography gave Fossen the ability to balance the border between the marked and the umarked, the author sees this as the source of the emancipatory potential of her photographic self-portraits
FOCALIZATION IN LENE ASK’S GRAPHIC NOVEL HITLER, JESUS AND GRANDFATHER
No full textThe article reviews the graphic novel “Hitler, Jesus and Grandfather” (2006) by the
Norwegian artist and writer Lene Ask. The book has got several awards including the
Sproing Prize 2006 for best Norwegian comic book of the year. In 2011 the novel was
reprinted with an edition of five thousand copies. That’s a record edition for a Norwegian
graphic novel. This is an autobiographical story about Ask’s protagonist establishing
herself as an artist and finding her self-identity. This article compares focalization in
the novel’s visual and textual component and shows how word-image combinations
collaborate to create new levels in the narrative. One distinguishes four types of such
collaboration in the narrative and concludes: the images in the novel show the narrator’s
sensory experience: things that are happening in her life and her interaction with the
other persons. Where the narrator lacks such an experience, the gaps are filled with the
narrator’s visualization of the facts based on the media sources. The text presents the
narrator’s internal monologue and helps the person to comprehend and come to grips
with her sensory experience. The narrator verbalizes what is happening in her life and
what has happened in the history of her family, asks some questions and looks for the
answers trying to find the right place in her life. The panels where the text component
is absent, describe usually the situations where the person experiences frustration or
loss. Her emotions are too overwhelming, so that she can’t rationalize her experience
through speech. In these situations the reader should fill the gaps with the help of one’s
own life experience and take the role as a co-author of the story
Correction to: Clinical management of ageing people living with HIV in Europe: the view of the care providers (Infection, (2020), 48, 4, (497-506), 10.1007/s15010-020-01406-7)
No full textThe original version of this article unfortunately contained a mistake. The name Lene Ryom was incorrect. The corrected author list is given above. The original article has been corrected. © 2020, The Author(s)
ISLAMISERINGEN AF DEN NYE GENERATION: Rapport fra en islamisk skole i Kairo
No full textLene Kofoed Rasmussen: Islamization of
the New Generation. Report from an
Islamic School in Cairo
The article takes as its starting point the
attitudes towards education among female
Islamists who are active in an Islamic school
in Cairo. It is a private school that aims to be
more Islamic than the ordinary governmental
school. The women whose positions
are quoted in the article are all engaged in
Islamism and carry out da'wa, missionary
activities, as teachers and/or mothers. These
women argue for a moderation of Islamic
precepts such as the assertion of the absolute
authority of elders, the demand for
obedience, the requirement of the veil, and
the segregation of genders. Through their
work of Islamizing the new generation, the
women themselves undergo a process of
subjectification; they represent the Muslim
woman as an active and responsible subject
worthy of imitation. The author argues that a
potential effect of the process of subjectification
is a new image of the Muslim woman,
challenging other potent images prevalent in
the Egyptian public, such as the Muslim
woman as a temptress and disturber of the
public order, and the Muslim woman as a
passive victim
Synthesis and characterization of liquid crystalline block copolyamides, 1983
No full textThe synthesis and characterization of aliphatic polyamides, aromatic poly�amides and block copolyamides are discussed. The following aliphatic polyamides were synthesized: poly(trans l,4 cyclo hexylene trans l,4 cyclohexanedicarboxamide), poly(trans 1, 4 cyclohexy lene cis,trans l,4 cyclohexanedicarboxamide), and poly(trans 1, 2 cyclohexy lene tr ans 1,4 cyclohexanedicarboxamide). The following aromatic polyamides were synthe�sized: poly(1, 4 phenyleneterephthalamide) and poly(2 methyl l,3 phenylenetere phthalamide). The following block copolyamides were synthesized: poly(trans l,4 cyclohexylene trans 1,4 cyclohexanedicarboxamide b 1,4 phenyleneterephthalam ide), poly(trans l,4 cyclohexy lene cis,trans l,4 cyclohexanedicarboxamide b l,4 phenyleneterephthalamide), poly(trans 1, 4 cyclohexy lene trans 1,4 cyclohexanedi carboxamide b 2 methyl l,3 phenyleneterephthalamide), poly(trans l,4 cyclohexy lene cis,trans l,4 cyclohexanedicarboxamide b 2 methyl l,3 phenyleneterephthal amide), poly(trans l,2 cyclohexylene trans l,4 cyclohexanedicarboxamide b l,4 phenyleneterephthalamide) and poly(2 methyl l,3 phenyleneterephthalamide b l,4 phenyieneterephthalamide). The polymers were prepared by low temperature solution polycondensation, ambient temperature interfacial polycondensation and combinations of solution and interfacial polycondensations. Aliphatic oligomers were prepared from trans l,4 cyclohexanediamine,trans 1,2 cyclohexanediamine, trans l,4 cyclohexanedicarbonyl chloride, and cis,trans 1,4 cyclohexanedicarbony 1 chloride using a 10 percent excess of diamine. Aromatic oligomers were prepared from 1,4 phenylenediamine, 2,6 diaminotoluene and terephthaloyl chloride using a 10 percent excess of acid chloride. Block copolymers were prepared by reacting the aliphatic blocks having amino end groups with the aromatic blocks having acid chloride end groups. Characterization of the aliphatic and aromatic blocks and the block copolymers was accomplished by spectroscopic analysis (infrared, proton and carbon 13 nuclear magnetic resonance) and solution viscosity
On the monks table:the Cistercian food and eating culture in medieval Denmark
No full textThe Cistercians arose as a spiritual reform of the European monasticism around 1100 AD. A group of French monks wanted to change the monastic life and return to the Rule of Saint Benedict. The Cistercians were known for their severity and harshness in all matters of Monastic life, including their daily consumption of food. The monks were supposed to refrain from gluttony. Food was considered as fuel for the body and not to be consumed with pleasure. Meat from four-legged animals was prohibited; since meat was regarded as too stimulate the carnal desire, so abstinence from meat-eating was an important tool to curb the sexual drive.This study describes the Cistercians in Denmark and their relationship towards food based on an interdisciplinary approach using historical, archaeological, archaeobotanical and bioarchaeological sources. The aim is to identify the diet of the Danish Cistercians and to investigate if it is possible to detect changes in the Cistercian food intake through time.ON THE MONKS TABLE – THE CISTERCIAN FOOD AND EATING CULTURE IN MEDIEVAL DENMARKAbstract author(s): Mollerup, Lene (Museum Skanderborg)Abstract format: OralThe Cistercians arose as a spiritual reform of the European monasticism around 1100 AD. A group of French monkswanted to change the monastic life and return to the Rule of Saint Benedict. The Cistercians were known for theirseverity and harshness in all matters of Monastic life, including their daily consumption of food.The monks were supposed to refrain from gluttony. Food was considered as fuel for the body and not to be con-sumed with pleasure. Meat from four-legged animals was prohibited; since meat was regarded as too stimulate thecarnal desire, so abstinence from meat-eating was an important tool to curb the sexual drive.This study describes the Cistercians in Denmark and their relationship towards food based on an interdisciplinaryapproach using historical, archaeological, archaeobotanical and bioarchaeological sources. The aim is to identifythe diet of the Danish Cistercians and to investigate if it is possible to detect changes in the Cistercian food intakethrough time
How to bring your daughter up to be a feminist killjoy:Shame, accountability and the necessity of paranoid reading in Lene Kaaberbøl’s The Shamer Chronicles
No full textThis article takes The Shamer Chronicles, the teenage fantasy series by the Danish author Lene Kaaberbol, as an example of a queer feminist affect theoretical thought experiment. It shows how Kaaberbol's tetralogy allows us to link shame and paranoid/reparative reading with the figure of the feminist killjoy. The Chronicles can be read as a meditation on shame as a form of accountability and the shaming killjoy as a heroic figure who insists on paranoid vision as the precondition for reparative imagination. The article elaborates postcolonial criticisms of shame theories, showing how racialisation makes a difference in which forms of shame are marked as (un)acceptable. Rather than dismiss shame theories altogether, the article explores how such criticisms can be integrated into, and thus further qualify, a critical shame reading of The Chronicles
The synthesis and characterization of aryl oxiranes, 1984
No full textEpoxides of indene, 1 phenyl indene, l phenyl l,2,3,4 tetrahydronaphtha lene, 2 methyl l,2,3,4 tetrahydronaphthalene, 1 methyl 1,2,3,4 tetrahydronaph thalene, and l,2 dimethyl l,2,3,4 tetrahydronaphthalene were synthesized using m chloroperoxybenzoic acid in a two phase system. The ethylenic precursors, except indene, were prepared in a series of articulated steps beginning with a Grignard synthesis of the phenyl or methyl derivative of the parent ketonic compound. Characterizations of ail intermediates and epoxides were established by I.R., lH NMR and T.L.C
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