6 research outputs found
ANALISIS ASPEK BAHASA DAN NILAI SOSIAL BUDAYA DALAM DRAMA OIDIPUS
No full textThis study describes intrinsic analysis of Drama text written by Sophocles, focusing on general and social aspects of analysis. Content analysis was used in this study to examine the text of the drama. The study concluded that the Legend of Thebes represented in Oidious the King inherently reflected valuable linguistic and social values. Written by a wellknown author, Sophocles, Oidious the King presented setting sensitive aspects of natural characters of human beings. Social values that involved democratic, religious, loyality, living harmoniously in the community were well described in this drama.</jats:p
ANALISIS ASPEK BAHASA DAN NILAI SOSIAL BUDAYA DALAM DRAMA OIDIPUS
Get PDFThis study describes intrinsic analysis of Drama text written by Sophocles, focusing on general and social aspects of analysis. Content analysis was used in this study to examine the text of the drama. The study concluded that the Legend of Thebes represented in Oidious the King inherently reflected valuable linguistic and social values. Written by a wellknown author, Sophocles, Oidious the King presented setting sensitive aspects of natural characters of human beings. Social values that involved democratic, religious, loyality, living harmoniously in the community were well described in this drama
Oedipus philosopher, innocent responsible
Get PDFSófocles apresenta em duas tragédias (Édipo Tirano e Édipo em Colono) o quadro complexo com que pensar responsabilidade, vontade e culpa em sentidos jurídico, filosófico e religioso. Este artigo contextualiza o documento trágico e a história do indivíduo e do direito ateniense, para então deter-se na análise do caso de Édipo, sobretudo na leitura e comentário de sua fala de defesas, publicada em Édipo em Colono. Ao final, explicitam-se tanto a condição piedosa do autor Sófocles como as ambivalências da condição humana ora mimetizadas.In his two Oedipian tragedies (Oedipus Tyrannus and Oedipus Colonneus) Sophocles presents a complex portrait of human and political condition where we can think responsibility, will and guilt in their legal, philosophical and religious meanings. This article first contextualizes the tragic document and the history of the individual and Athenian law, then it analyzes of the case of Oedipus, especially by commenting his defense, as published in Oedipus Colonneus. Finally, both the pious attitude of the author, Sophocles, as well as the ambivalences of the human condition mimetized in the dramas, are pointed out
Édipo filósofo, inocente responsável
Get PDFIn his two Oedipian tragedies (Oedipus Tyrannus and Oedipus Colonneus) Sophocles presents a complex portrait of human and political condition where we can think responsibility, will and guilt in their legal, philosophical and religious meanings. This article first contextualizes the tragic document and the history of the individual and Athenian law, then it analyzes of the case of Oedipus, especially by commenting his defense, as published in Oedipus Colonneus. Finally, both the pious attitude of the author, Sophocles, as well as the ambivalences of the human condition mimetized in the dramas, are pointed out. Key words: Oedipus, individual, responsibility, will, classical law.Sófocles apresenta em duas tragédias (Édipo Tirano e Édipo em Colono) o quadro complexo com que pensar responsabilidade, vontade e culpa em sentidos jurídico, filosófico e religioso. Este artigo contextualiza o documento trágico e a história do indivíduo e do direito ateniense, para então deter-se na análise do caso de Édipo, sobretudo na leitura e comentário de sua fala de defesas, publicada em Édipo em Colono. Ao final, explicitam-se tanto a condição piedosa do autor Sófocles como as ambivalências da condição humana ora mimetizadas. Palavras-chave: Édipo, indivíduo, responsabilidade, vontade, direito clássico
"Such sweet things out of such corruptions" : on pollution and ecopoetics
No full textUniversity of Technology, Sydney. Faculty of Arts and Social Sciences.NO FULL TEXT AVAILABLE. Access is restricted indefinitely. The hardcopy may be available for consultation at the UTS Library.NO FULL TEXT AVAILABLE. Access is restricted indefinitely. ----- This thesis is a work of rhetorical analysis in the field of poetic theory, specifically that associated with the newly emergent critical field of ‘ecopoetics’. It proposes a genealogical methodology for the interpretation of literary tropes of pollution, a critical reading of representations of pollution across a set of key literary texts, and the creative realisation of what will be defined as a “compost aesthetic” in a full-length volume of poetry by the author, blue grass. “Pollution” is described as a substance or category in which nature and culture are ineluctably synthesised, an exemplar of nature-culture hypotheses common in contemporary ecological, sociological and philosophical discourse (Chapter 1). Historical, anthropological and philosophical methodologies for analysing tropes of pollution are examined in the work of Robert Parker, Mary Douglas and Julia Kristeva (Chapter 2). Rhetorics of pollution are then studied in three primary sources—the Theban plays of the classical Greek author Sophocles (Chapter 3), Daniel Defoe’s early-modern A Journal of the Plague Year (Chapter 3), and Walt Whitman’s modern poem “This Compost” (Chapter 4)—each of which, it is argued, is representative of a discrete economy of waste: respectively the sacred, the secular and the scientific. These economies are aligned with a set of corresponding rhetorical functions—catharsis and purification, quarantine, synthesis and composting—the description of which furnishes ecopoetic theory with a genealogical methodology for the critical analysis of literary tropes of pollution and their aesthetic and ethical characteristics. As a contribution to contemporary ecocritical and ecopoetic discourse, this thesis proposes that a critical reading of the aesthetic function of tropes of pollution offers innovative conceptual frameworks for imagining ethically responsible modes of the human habitation of natural ecosystems. It argues against rhetorical economies of catharsis and quarantine, and critiques contemporary ecopoetic writing and theory that hinges upon the rhetorical demarcation of pollution from representations of purified nature and transcendent aesthetic subjectivity. It proposes instead an ethically motivated and materially situated “compost aesthetic” in which waste is troped as a synthetic category susceptible to theories of re-assimilation, recycling and regeneration. The thesis concludes with a study of the recent literary and theoretical emergence of a “compost aesthetic”, its application in innovative literary and poetic practices such as quotation and sampling, and the demonstration of them in a close reading of poems (Chapter 5) from the author’s recent volume blue grass (Chapter 6)
The rite and the divine: natural Law, the feminine, and customs in the tragedies of Sophocles - (441 b.c.e.)
No full textO texto desta dissertação de mestrado tem o objetivo de abordar a relevância do discurso incutido na tragédia de Antígona, obra do autor grego Sófocles, em que, a personagem opondo-se a uma ordem autoritária do rei Creonte, percorre uma jornada de luta e subversão, para poder exercer seu direito natural de dar honras fúnebres ao irmão morto, mesmo que isto lhe custe a vida, posto que está inserida em uma sociedade pretensamente baseada no patriarcado. Cabe destacar, que é possível desconstruir a ideia comum de que havia uma homogeneidade entre as mulheres, ficando clara a diferenciação entre os grupos, bem como a ideia fixa de uma superioridade absoluta dos homens em detrimento das mulheres, uma vez que a própria tragédia de Antígona demonstra que essa ideia era questionada. Desta forma, foi feita uma análise do surgimento e popularização dos concursos trágicos gregos, palco em que tais tragédias eram apresentadas, no contexto das comemorações e adorações ao deus Dionísio. Posteriormente o foco é o ritual, em específico o rito fúnebre retratado nas tragédias e sua importância para os gregos deste período, bem como a figura do feminino na obra sofocliana será analisada para um levantamento da ótica dada a mulher. Como suporte ao apresentado, será utilizado obras de importantes autores gregos, como Eurípedes e Homero, para serem fonte de análise tangencial de como o papel social feminino e o rito fúnebre tem ocorrências em diversos períodos gregos. A metodologia utilizada para tal pesquisa é o estudo bibliográfico pautado na análise literária em busca de problematização do tema. Verifica-se que é necessária uma revisão da historiografia relacionada às problemáticas sobre o papel social da mulher na Grécia Clássica, estando este sempre voltado para o lado masculino dos fenômenos. Essa perspectiva é incomum na abordagem da historiografia brasileira com relação à Antiguidade, apresentando-se a conjuntura desse projeto como um novo frescor necessário. A metodologia utilizada é a análise do discurso crítico, ADC.The text of this master's thesis aims to address the relevance of the discourse instilled in the tragedy of Antigone, a work by the Greek author Sophocles, in which the character, opposing an authoritarian order from King Creon, goes through a journey of struggle and subversion , to be able to exercise her natural right to give funeral honors to her dead brother, even if it costs her her life, since she is inserted in a society allegedly based on patriarchy. It is worth noting that it is possible to deconstruct the common idea that there was homogeneity among women, making the differentiation between the groups clear, as well as the fixed idea of an absolute superiority of men to the detriment of women, since the tragedy of Antigone itself demonstrates that this idea was questioned. In this way, an analysis was made of the emergence and popularization of Greek tragic contests, the stage on which such tragedies were presented, in the context of celebrations and worship of the god Dionysus. Subsequently, the focus is on ritual, specifically the funeral rite portrayed in the tragedies and its importance for the Greeks of this period, as well as the figure of the feminine in Sophoclean work will be analyzed to survey the perspective given to women.To support the presentation, works by important Greek authors, such as Euripides and Homer, will be used to be a source of tangential analysis serve as a source of analysis of how the female social role and the funeral rite occurred in different Greek periods. The methodology used for this research is bibliographical study based on literary analysis in search of problematization of the theme. It appears that a review of the historiography related to the issues surrounding the social role of women in Classical Greece is necessary, which is always focused on the male side of the phenomena. This perspective is unusual in the approach of Brazilian historiography in relation to Antiquity, presenting the situation of this project as a necessary new freshness. The methodology used is critical discourse analysis, ADC.Pró-Reitoria de Pós-Graduação (PROPG UNESP)
