28,083 research outputs found
Song wen xuan
No full textShang ce wei bei song bu fen ; xia ce wei nan song bu fen. mei pian wen zhang you zuo zhe jian jie ji ti jie he zhu sh
Nan Song Lin'an wen hua
No full textBen shu shi "Nan Song shi yan jiu cong shu" zhi "Nan Song yu Hangzhou" zhi yi, yi Lin'an san zhi wei ji chu, yi xiang shi de shi liao, jie shao le nan Song du cheng Lin'an de ge lei wen hua qing kuang ji qi cheng jiu. Quan shu fen chao ting de wen hua ji guan--Mi shu sheng, nan Song chao ting de tu shu guan, chao ting de tian wen, yi yao ji gou, Guo zi jian yu san xue, chao ting de xiu shi ji gou, chao ting de jia ge dang an, chao ting yue wu ji gou, Lin'an ji de ke ji wen hua ming jia, Lin'an de can yin wen hua, Lin'an de Xi Hu yu you le, Lin'an de wen hua yu le, Lin'an de ti yu yu za ji, Lin'an de dao jiao, Lin'an de fo si, Lin'an de ci miao, Lin'an di fang wen xian deng pian zhan
Song Yunbin wen ji
No full text" 'Song Yunbin wen ji' wu juan ben di 1 juan wei shi, lun shi lun, di 2 juan wei za wen, di 3 juan wei jiao yu lun wen, xu ba, shu xin, zhuan ti zhu shu, di 4, di 5 juan wei ri ji." --zheng li shuo ming (page 1
Luling Song cheng xiang Xinguo gong Wen Zhonglie xian sheng quan ji: shi liu juan. v.1
No full text文有煥[...et al.]編輯重梓.綫裝, 3函.框22.4x15.4公分, 10行20字. 白口, 四周雙邊, 單黑魚尾. 版心上鐫"廬陵文丞相全集", 中鐫卷次, 下鐫葉次.見《香港中文大學圖書館中國古籍目錄》(2004)(p.394)鈐"南海馮貽嘉堂所藏印", "馮巨飛先生贈聯合書院典藏"印.Wen Youhuan [...et al.] bian ji chong zi.Xian zhuang, 3 han.Kuang 22.4 x 15.4 gong fen, 10 hang 20 zi. Bai kou, si zhou shuang bian, dan hei yu wei. Ban xin shang juan "Luling Wen cheng xiang quan ji", zhong juan juan ci, xia juan ye ci.Jian "Xianggang Zhong wen da xue tu shu guan Zhongguo gu ji mu lu" (2004)(p.394)Qian "Nanhai Feng Yijia tang suo cang yin", "Feng Jufei xian sheng zeng Lian he shu yuan dian cang" yin
Wen xuan kao yi
No full textV.1-14. 文選 : 六十卷 -- v.15-16. 文選考異 : 十卷.梁昭明太子撰 ; 李善注. 文選考異 : 十卷 / 胡克家撰.綫裝, 2函.據鄱陽胡氏校刊宋淳熙本影印.《文選》內封背頁印有"宋淳熙本重雕, 鄱陽胡氏藏版" ; "上海會文堂新記書局精印". 《文選考異》內封背頁印有"鄱陽胡氏"卷一卷端題下載有"鄱陽胡氏果泉手校"印, "廣圻審定"印, 及"彭兆蓀讀"印.Liang Zhaoming tai zi zhuan ; Li Shan zhu. Wen xuan kao yi : shi juan / Hu Kejia zhuan.Xian zhuang, 2 han.Ju Poyang Hu shi jiao kan Song Chunxi ben ying yin."Wen xuan" nei feng bei ye yin you "Song Chunxi ben chong diao, Poyang Hu shi cang ban" ; "Shanghai Hui wen tang xin ji shu ju jing yin". "Wen xuan kao yi" nei feng bei ye yin you "Poyang Hu shi"Juan yi juan duan ti xia zai you "Poyang Hu shi guo quan shou jiao" yin, "guang qi shen ding"yin, ji"peng zhao sun du"yin.V.1-14. Wen xuan : liu shi juan -- v.15-16. Wen xuan kao yi : shi juan
When Chinese Sounds Meet Western Instruments, Yü Ko: Ensemble for Violin, Winds, Piano and Percussion by Chou Wen-Chung
No full textabstract: ABSTRACT
As a composer, Chou Wen-Chung (1923-2019) was a learner and inheritor of Chinese traditional music culture and was committed to carrying it forward. As a native of China who had his primary musical training in the West, Chou Wen-Chung was one of the first Chinese composers to make his mark on Western music. He successfully combined Western elements and Chinese tradition in his music. Chou Wen-Chung was one of the few prominent East Asian composers known in the Western musical world, and his music therefore has had a strong influence on other Chinese composers.
In order to understand more clearly his music, I analyzed his chamber work: Yü Ko. This piece was composed in 1965 for 9 instruments: Violin, Alto Flute, English Horn, Bass Clarinet, 2 Trombones, 2 Percussion and Piano. Inspired by the ancient Chinese musical instrument the Qin (also called guqin, or “ancient qin”), which is a plucked seven-string instrument, Chou Wen-Chung composed Yü Ko. Literally meaning “fisherman’s song,” this work was composed originally for the Qin, based on a melody composed by Mao Min-Zhong who was a very noted scholar and Qin player of the late Southern Song dynasty (C.E.1127-1276).
This paper provides Chou Wen-Chung’s biography, compositional styles and developments. It lists and explains the most common Chinese traditional cultural elements which he used in his compositions. In particular, it introduces the Qin in detail from the external structure, performance techniques, sound characteristics, the tablature notation, and compositional methods.
This document also includes a detailed analysis of Yü Ko in terms of the orchestration, pitch, tonal material, structure and tempo, dynamic and musical materials, and explains Chou Wen-Chung’s imitation of the Qin as well as the influence of Western music shown in this piece.Dissertation/ThesisDoctoral Dissertation Music 202
Global conservative and multipeakon conservative solutions for the modified camassa-holm system with coupling effects
No full textThis paper investigates the continuation of solutions to the modified coupled two-component Camassa-Holm system after wave breaking. The underlying problem is rather challenging due to the mutual coupling effect between two components in the system. By introducing a novel transformation that makes use of a skillfully defined characteristic and a set of newly defined variables, the original system is converted into a Lagrangian equivalent system, from which the global conservative solution is obtained, which further allows for the establishment of the multipeakon conservative solution of the system. The results obtained herein are deemed useful for understanding the inevitable phenomenon near wave breaking. © 2014 Huabin Wen et al
Nan Song Shuzhou gong du yi jian zheng li yu yan jiu Zheng li yu yan jiu
No full textBen shu shi dui wo she yu 1990 nian chu ban de ying yin ben "Song ren yi jian" de zheng li yu yan jiu. Gai shu shi liao feng fu, she ji zheng zhi, jing ji, jun shi yi ji Song dai gong wen ge shi he shu yi, shi zhen gui de shi wu wen xian. "Song ren yi jian" fan ying le bu shao nan Song shi qi di fang guan fu ji gou she zhi he xing zheng guan li zhi du, bu chong le xu duo Song dai cai zheng, shui shou zheng ce de xin cai liao, bao liu le nan Song chu nian Jiang Huai di qu zhan bei zhuang kuang de xi jie cai liao, hai shi Song dai wen shu zhi du de zhong yao cai liao, you zhu yu Song shi yan jiu de shen ru. Zheng li ben yan jin gui fan, ge shi ming xi, ji ben huan yuan le Song jian tu ban de ben lai mian mao, ju you jiao qiang de can kao jia zh
The tale of Lady Tan: negotiating place between Central and local in Song-Yuan-Ming China
No full textThis paper explores the story of Lady Tan across genres from biographical record to temple inscription and marvellous tale, highlighting different representations of ‘the local’ in these stories: the loss of local belonging for some, inscribing the morals of a local community for others. Focusing on this tale, this essay argues that locality and belonging were contested constructs, especially during the Song-Yuan-Ming transitional period. Ex-ploring how literati understood themselves in relation to their localities contributes to our understanding of literati identities and the meaning of ‘the local’, in a period with ‘weak central government’, or as a repeating pattern of centralisation and localisation. It reveals the complexities in-volved in giving meaning to locality and negotiating belonging. In Ji'an prefecture, the centralising policies of the Hongwu and Yongle emperors were felt locally and affected how literati positioned themselves between central government and local community. This focus on literati writings from a single prefecture suggests that a close reading of the negotiations that form part of constructing locality and belonging in Ji'an can reveal the potential for a complex interplay between central government and local communities throughout China
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