9,571 research outputs found
REPRESENTASI KELAS SOSIAL PADA LIRIK LAGU YANG DINYANYIKAN OLEH TULUS DAN AYU TING TING: KAJIAN BUDAYA
Get PDFPenelitian ini bertujuan untuk memperoleh informasi tentang representasi kelas sosial dari lirik lagu yang dinyanyikan oleh Tulus dan Ayu Ting Ting. Penelitian ini difokuskan pada pemaknaan representasi kelas sosial Pierre Bourdieu yaitu legitimate taste dan popular taste dalam lirik lagu bertema cinta yang dinyanyikan oleh Tulus dan Ayu Ting Ting. Objek penelitian ini adalah delapan lirik lagu yang dinyanyikan oleh Tulus dan delapan lirik lagu yang dinyanyikan oleh Ayu Ting Ting, lirik lagu-lagu tersebut dipilih dari tiga album Tulus yang berjudul Tulus, Gajah, Monokrom dan dari empat album Ayu Ting Ting yang berjudul Geol Ajep-Ajep, Alamat Palsu, Best of Ayu Ting Ting dan Kamu, Kamu, Kamu. Metode yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif dengan melihat teks dan konteks melalui kajian budaya. Instrumen penelitian ini menggunakan dua buah tabel, tabel yang pertama adalah untuk melihat macam-macam dari tema cinta dalam lirik lagu-lagu yang dinyanyikan oleh Tulus dan Ayu Ting Ting, tabel yang kedua adalah untuk melihat representasi kelas sosial Pierre Bourdieu pada lirik lagu-lagu yang dinyanyikan oleh Tulus dan Ayu Ting Ting. Hasil penelitian menunjukkan bahwa representasi kelas sosial tidak hanya dilihat dari pendengar dan latar belakang penyanyi genre musik jazz dan dangdut saja, tetapi representasi kelas sosial juga dapat dilihat dari lirik lagu. Lirik lagu yang dinyanyikan oleh Tulus cenderung merepresentasikan kelas selera legitimate taste dan lirik lagu yang dinyanyikan oleh Ayu Ting Ting cenderung merepresentasikan kelas selera popular taste. Lirik lagu yang dinyanyikan oleh Tulus lebih dominan mengandung majas metafora dan personifikasi dan lirik lagu yang dinyanyikan oleh Ayu Ting Ting lebih dominan menggunalan majas smile atau perbandingan dengan pemilihan kata yang tidak baku.
This study aims to obtain information about social class representations from the lyrics of songs sung by Tulus and Ayu Ting Ting. It focuses on the meaning of the representation of Pierre Bourdieu's social class, namely legitimate taste and popular taste in the theme of love in the lyrics of songs sung by Tulus and Ayu Ting Ting. The object of this research is eight song lyrics sung by Tulus and eight song lyrics sung by Ayu Ting Ting, the lyrics of these songs were selected from three of Tulus’ albums entitled Tulus, Gajah, Monokrom, and from four of Ayu Ting Ting’s albums entitled Geol Ajep-Ajep, Alamat Palsu, Best of Ayu Ting Ting dan Kamu, Kamu, Kamu. The method used in this study is a qualitative descriptive method by looking at the text and context through a review of cultural studies. This study uses two tables as research instrument, the first table is to see the kinds of love themes in the lyrics of the songs sung by Tulus and Ayu Ting Ting, the second table is to see the representation of Pierre Bourdieu's social class in the lyrics of the songssung by Tulus and Ayu Ting Ting. The results shows that the representation of social class is not only seen from the listener and the background of the music jazz and dangdut singers, but it can also be seen from the song lyrics. The song lyrics sung by Tulus tends to represent the class of legitimate taste and the song lyrics sung by Ayu Ting Ting tends to represent the class of popular taste. The song lyrics sung by Tulus were more dominant in containing metaphore and personification of figure of speech, and the song lyrics sung by Ayu Ting Ting were more dominant in using simile or comparisons with informal word choices
Nan Song Lin'an wen hua
No full textBen shu shi "Nan Song shi yan jiu cong shu" zhi "Nan Song yu Hangzhou" zhi yi, yi Lin'an san zhi wei ji chu, yi xiang shi de shi liao, jie shao le nan Song du cheng Lin'an de ge lei wen hua qing kuang ji qi cheng jiu. Quan shu fen chao ting de wen hua ji guan--Mi shu sheng, nan Song chao ting de tu shu guan, chao ting de tian wen, yi yao ji gou, Guo zi jian yu san xue, chao ting de xiu shi ji gou, chao ting de jia ge dang an, chao ting yue wu ji gou, Lin'an ji de ke ji wen hua ming jia, Lin'an de can yin wen hua, Lin'an de Xi Hu yu you le, Lin'an de wen hua yu le, Lin'an de ti yu yu za ji, Lin'an de dao jiao, Lin'an de fo si, Lin'an de ci miao, Lin'an di fang wen xian deng pian zhan
Immunostimulation of tiger shrimp (Penaeus monodon) hemocytes for generation of microbicidal substances: Analysis of reactive oxygen species
No full textFIGURE 4 in Millettia puerarioides Prain (Fabaceae: Millettieae), a species with cauliflorous inflorescences newly recorded from China
No full textFIGURE 4. Millettia puerarioides Prain from Yingjiang County, Yunnan Province, China. A. Ting Zhang et al. 17CS15520 (IBSC); B. Zhu-Qiu Song 202017 (IBSC).Published as part of Song, Zhuqiu, Pan, Bo, Zhang, Ting, Tan, Yunhong, Zhang, Yongsheng, Yang, Zuwei & Xu, Dongxian, 2021, Millettia puerarioides Prain (Fabaceae: Millettieae), a species with cauliflorous inflorescences newly recorded from China, pp. 183-190 in Phytotaxa 507 (2) on page 188, DOI: 10.11646/phytotaxa.507.2.6, http://zenodo.org/record/542566
sj-docx-1-acr-10.1177_02841851211065142 - Supplemental material for MRI-based radiomics analysis to evaluate the clinicopathological characteristics of cervical carcinoma: a multicenter study
No full textSupplemental material, sj-docx-1-acr-10.1177_02841851211065142 for MRI-based radiomics analysis to evaluate the clinicopathological characteristics of cervical carcinoma: a multicenter study by Yi Liu, Ting Song, Tian-Fa Dong, Wei Zhang and Ge Wen in Acta Radiologica</p
Supplemental_File – Supplemental material for Biochar of distillers’ grains anaerobic digestion residue: Influence of pyrolysis conditions on its characteristics and ammonium adsorptive optimization
No full textSupplemental material, Supplemental_File for Biochar of distillers’ grains anaerobic digestion residue: Influence of pyrolysis conditions on its characteristics and ammonium adsorptive optimization by Xuebo Zheng, Ting Shi, Wenjing Song, Lei Xu and Jianxin Dong in Waste Management & Research</p
Two new and one newly recorded species of Polypedilum Kieffer 1912 with DNA barcodes from Oriental China (Chironomidae: Diptera)
No full textYan, Chuncai, Song, Chao, Liu, Ting, Zhao, Guangjun, Hou, Ziyuan, Cao, Wei, Wang, Xinhua (2017): Two new and one newly recorded species of Polypedilum Kieffer 1912 with DNA barcodes from Oriental China (Chironomidae: Diptera). Zootaxa 4238 (1): 109-118, DOI: https://doi.org/10.11646/zootaxa.4238.1.
Immunostimulation of Tiger Shrimp (Penaeus Monodon) Hemocytes for Generation of Microbicidal Substances--Analysis of Reactive Oxygen Species
No full textFIGURATIVE LANGUAGE USED IN THE LYRICS OF AYU TING TING’S SONGS
Get PDFIn a song, we can find lyrics which complete and beautify the song and makes the hearer more interested in hearing it. There are many kinds of genres in song. Dangdut is one of them. Nowadays dangdut song is not as good as it used to be and contains uneducated lyrics. In some lyrics, there are many words written using figurative languages. This study focused on analyzing the kinds figurative language that occur in the lyrics of Ayu Ting-Ting’s songs. It consists of four songs. The researchers choose these songs because there are so many figurative languages found in the songs lyrics. Therefore, this reserach examined what types of figurative language and the most dominant are used in Ayu Ting Ting’s songs. The research used descriptive qualitative approach supported by quantitative data in order to explore behaviour, perspective, feeling, and experience as figurative meaning. This research carried out by formulating problem, collecting data, classifying data and analyzing data. After investigating the sentence in the songs lyrics, the researchers found five kinds of figurative language and four songs lyrics that have figurative language. From 4 songs lyrics, there are 9 items of hyperbole, 3 items of metaphor, 11 items of personification, 7 items in paradox, and 1 item of oxymoron. The dominant of figurative language used in the song lyrics is personification and the least is oxymoron
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