35,913 research outputs found
Bertolino, James and Gary Snyder : discussion : Corner Poets #20; August 17th, 1976
No full textContents:
Discussion Corner Poets #20, with James Bertolino and Gary SnyderDescription on Reel Box: Corner Poets #20, Gary Snyder & Jim Bertolino
To air 8-17-76. Mono. 28:42
Heads up, but store tails out.
OQ - theme music ends
NOTE: WARNING. Levels on outro might be hotter than the rest of the program, be prepared!Processing notes from Digital Projects Department: Duplicate recording digitized and stored on Digital Projects SAN; folder and disc location wav file: 20120910/Disc 4. Folder and disc location for mp3 file: 20120910/Disc 6/9-10-12 mp3s. File named as "Elliston Lecture 08-17-76 Gary Snyder and Jim Bertolino".Digital Projects SAN: Folder and disc location for wav file: 20120222/Box1/Disc 1. Folder and disc location for mp3 file: 20120222/Box1/Disc 5/2-22-12 Box 1 mp3
[Portrait of James Snyder]
No full textUndated portrait of James L. Snyder, who served on the Texas Tech Board of Regents from 1977-1983
President & Mrs. Truman, Margaret Truman, Secretary & Mrs. John W. Snyder and Drucie Snyder to Senator & Mrs. James O. Eastland, 5 January 1949
Get PDFCopy printed invitation from President & Mrs. Truman, Margaret Truman, Secretary of the Treasury & Mrs. Snyder, & Drucie Snyder to Honorable and Mrs. James O. Eastland, re: reception on 21 January 1949. Envelope postmarked 5 January 1949. Original removed to VIP Restricted Access Location.https://egrove.olemiss.edu/joecorr_b/1010/thumbnail.jp
Engraved portrait of James Nayler (1618–1660)
No full textEngraved portrait of James Nayler (1618-1660) by Robert Grave (1768-1825). Inscribed, 'Born at Ardesloe, near Wakefield, in Yorkshire. Was an Independent and served Quarter Master in ye Parliament Army, about the Year 1641. turn'd Quaker in 1651. Punish'd as a Blasphemer 1656. Author of many Books & Dyed at Holm in Huntingtonshire 1660. Aged 44.
Replication data for "Primary Elections and the Provision of Public Goods"
No full textReplication files for JOP article "Primary Elections and the Provision of Public Goods
Chief Jim James.
No full textBlack-and-white photograph of a portrait of Chief Jim James, Chief of the Colville Indians in Washington State. He is wearing his hair in two braids, which are wrapped in a ribbon of fur, and a small section of hair tied at the top of his head. He is wearing earrings, a bone choker, and a single feather at the back of his head. He is wearing a shirt with a band of decoration on the should and down the front. In the lower right hand corner, under the artist's name, is written 42, and Spokane, W. Nicholas de Grandmaison painted another portrait of Chief Jim James in 1944, which was included in the book, "Drawn from the past : Nicholas de Grandmaison", written by Gordon Snyder, which was used to identify the person in this portrait. For reference, see NDG01_325.tif
Basketball -- Born to Sweep the World, by Leonard M. Snyder
No full textThis is an article, including front cover, of the article "Basketball -- Born to Sweep the World" written by Leonard M. Snyder and appearing in the YMCA Today Spring 1976 magazine. The article includes interviews with people who knew Naismith. It talks about the creation of basketball and has peoples impressions of James Naismith. People interviewed were Henry Shenk, Dr. Edwin Ebel and Adolph Rupp.To learn more about Dr. James Naismith, see: https://springfield.as.atlas-sys.com/agents/people/64
James Redford
Get PDFInterviewers: Kathryn Britts, Amanda McGregor, Suban Farah, Ciarah Bennett, Makayla Snyder
Interviewee: James Redford
Disclaimer: *In this transcription the “crunch words were included as well as the more prominent filler words like um, ah, and oh
Polyphony and the anxiety of influence in the fiction of Henry James
Get PDFJames's fiction, especially in the Middle Phase, centres
on the figure of the artist and is characterized by, the two
interrelated aspects which previous criticism has largely
overlooked: the Bakhtinian 'polyphonic' -creation of
'author-thinkers'; and the conflict between ephebes and
precursors, for which Harold-Bloom's concept of 'the-anxiety of
influence' is the most illuminating model. Polyphony is the
narrative mode, and influence is the intra-artistic, theme.
These, as the Introduction to the thesis makes clear, are
rehearsed in James's inaugural novel, Roderick Hudson. Rowland
Mallet is an author-thinker, and his failure is caused by
authorial limitations. His monologism -is impaired by his
mistaking empathy for the authorial sympathy. Likewise,
Hudson's failure does not arise from a mercurial temperament,
but from a polyphonic shortcoming: not possessing the power of
fiction to contain the fiction of power in, his mentor. And the
relationships among the three artists - Gloriani, Hudson and
Singleton - perfectly exemplify the Bloomian-theme. It is these
two concepts, polyphony and influence, which are the major
preoccupation in the Middle Phase; as, the works chosen
demonstrate. These are a novella, a novel, and a number of
short stories all of which have been unjustifiably neglected.
Chapter One, on The Aspern Papers, argues that Tina Bordereau,
far from being, the artless victim seen by many critics,
actually challenges and defeats the narrator by the very form
of her narrative. Her 'realist' discourse undermines his
language of 'romance', and shows up its internal unstability.
Chapter Two is an extensive study of the critical reception of
The Tragic Muse. The most common areas of critical attention
have been its contemporary topicality, its relation to previous
novels on similar themes, and the possible genealogy of Gabriel
Nash. Those have all missed the core of the work. - Chapter Three
demonstrates how polyphony and the anxiety of influence make
the novel what it really is. Influence arises from the
juxtaposition of, and the wrestling between, artistic ephebes
and their precursors (Nick and Nash,, Miriam and Madame Carre).
The dialogic quality defined by Bakhtin is crucial to the
proper, and even-handed, characterization of all, the conflicts
in the novel. And since most of James's tales in the eighties
and nineties -are about 'masters - and acolytes, the anxiety of
influence remains central. Chapter Four is a study of 'The
Author of Beltraffiol' and 'The Lesson of the Master'. Again the
characters' manipulations are a crucial focus in a way that
G6rard Genette's terminology helps to illuminate. The fact that
the ephebe is the author-thinker emphasizes the inextricability
of the Bakhtinian and the Bloomian in James. Just as
polyphony offers a different focus for explicating the poetics
of James's fiction; so the ephebal conflict provides the basis
for a fresh perception of James's own artistic struggle
Sally Ann Snyder Brinkerhoff
No full textSally Ann Snyder Brinkerhoff (1815-1895) was the wife of James Brinkerhoff, an 1850 pioneer
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