2,289 research outputs found
Authorship in the Interstices of History, Biography, Reality and Memory: Histoire(s) du cinéma and Cabra Marcado para Morrer
Full text linkEste artigo contrasta Histoire(s) du cinéma de Jean-Luc Godard e Cabra Marcado Para Morrer de Eduardo Coutinho, estão engajadas com a questão da autoria no cinema. Enquanto a imagem de Godard enfatiza a capacidade que tem um filme de transmitir a visão de mundo pessoal de um artista, a presença de Coutinho na tela funciona menos como um meio de subjetivar a obra do que como um catalizador instigando cetas reações nos "atores" filmados
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
De la laïcité à la française à la théorie normative de la religion (et retour).: Un entretien de Luc Foisneau avec Cécile Laborde
No full textThis interview with Cécile Laborde was conducted by Luc Foisneau in Aubervilliers on 13th April 2023. This interview has been published on the website Politika.io in French and English versions. In addition to Critical Republicanism (Oxford 2008) and a collective volume with John Maynor, Republicanism and Political Theory (Blackwell 2008), Cécile Laborde is the author of Liberalism's Religion (Harvard 2017). She's a Fellow of the British Academy and of the Royal Academy of Belgium.Cet entretien avec Cécile Laborde a été réalisé par Luc Foisneau à Aubervilliers le 13 avril 2023. Cet entretien a été publié sur le site Politika.io en versions française et anglaise. Outre Critical Republicanism (Oxford 2008) et un volume collectif avec John Maynor, Republicanism and Political Theory (Blackwell 2008), Cécile Laborde est l'auteur de Liberalism's Religion (Harvard 2017). Elle est membre de la British Academy et de l'Académie royale de Belgique
Mode of delivery after previous cesarean section in the Netherlands
No full textPoster abstract 326Ellen Schoorel, Sonja Melman, Sander van Kuijk, William Grobman, Ben Willem Mol, Luc Smits, Jan Nijhuis, Rosella Hermens, Hubertina Scheepers, SIMPLE study project grou
The role of novel nicotine-containing products on SARS-CoV-2 infection and COVID-19 progression
No full textA Canonical Form for PROV Documents: Dataset Underpinning Evaluation
No full textDataset supporting:
Luc Moreau (2017) A Canonical Form for PROV Documents and its Application to Equality, Signature, and Validation. ACM Transactions on Internet Technology.
We present a canonical form for PROV that is a normalized way of representing PROV documents as mathematical expressions. As opposed to the normal form specified by the PROV-CONSTRAINTS recommendation, the canonical form we present is defined for all PROV documents, irrespective of their validity, and it can be serialized in a unique way. The paper makes the case for a canonical form for PROV and its potential uses, namely: comparison of PROV documents in different formats, validation, and signature of PROV documents. A signature of a PROV document allows the integrity and the author of provenance to be ascertained; since the signature is based on the canonical form, these checks are not tied to a particular encoding, but can be performed on any representation of PROV.</span
Supplementary_file_1.rjf_online_supp – Supplemental material for Implementing a Preeclampsia Prediction Model in Obstetrics: Cutoff Determination and Health Care Professionals’ Adherence
No full textSupplemental material, Supplementary_file_1.rjf_online_supp for Implementing a Preeclampsia Prediction Model in Obstetrics: Cutoff Determination and Health Care Professionals’ Adherence by Pim van Montfort, Luc J. M. Smits, Ivo M. A. van Dooren, Stephanie M. P. Lemmens, Maartje Zelis, Iris M. Zwaan, Marc E. A. Spaanderman and Hubertina C. J. Scheepers in Medical Decision Making</p
Supplementary_figure_s1.rjf_onine_supp – Supplemental material for Implementing a Preeclampsia Prediction Model in Obstetrics: Cutoff Determination and Health Care Professionals’ Adherence
No full textSupplemental material, Supplementary_figure_s1.rjf_onine_supp for Implementing a Preeclampsia Prediction Model in Obstetrics: Cutoff Determination and Health Care Professionals’ Adherence by Pim van Montfort, Luc J. M. Smits, Ivo M. A. van Dooren, Stephanie M. P. Lemmens, Maartje Zelis, Iris M. Zwaan, Marc E. A. Spaanderman and Hubertina C. J. Scheepers in Medical Decision Making</p
Portrait of the Author in (Him/Her)self
No full textA fragment of a philosophical essay by Jean-Luc Nancy and Federico Ferrari titled Iconographie dell’auteur (Paris, 2005), published for the first time in Polish, that addresses the problem of a relationship between the image of the author and his/her work
Touching Freud's dog: H.D.'s tactile poetics
No full text"Do not touch me", Frau Emmy warns Freud in 1889. "Do not touch", Freud echoes in 1933. This time, he is referring to his pet chow, Yofi, warning H.D. that "she snaps - she is very difficult with strangers". Examining the prohibition in light of work by Jacques Derrida and Jean-Luc Nancy, this article charts the withdrawal that always interrupts touch. Despite Freud's taboo, however, H.D.'s writing seeks to make contact in strange and unnerving ways. Developing Julia Kristeva's account of the semiotic, this paper proposes a literature of touch. Reading H.D.'s poems, alongside Tribute to Freud, and her letters, the author demonstrates that H.D.'s poetics are always haunted by the very (im)possibility of contact
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