1,721,718 research outputs found
Fabricated group show Hexham
No full textFabricated Queens hall Hexham Curated by Dominic Smith works by JH Clay Cage PLA 3d Dimension print, Recline 22, Digital Print. Mercury remixed Milled polystyrene & Clay Cage Mov as0jhu
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Open 10.00am-5.00pm Monday-Friday and 10.00am-4.00pm Saturda
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Ananke's Sway: Architectures of Synaptic Passages
No full textPhilosopher Gilbert Simondon claims that what one perceives is neither outlines nor shapes, but thresholds of intensity. Therefore, Simondon points out that sensation is nothing but intensive and differential; it is the ‘seizure of a direction, not of an object.’ However, the issue is how one can examine the sensation of a direction that does not address the present but rather that which is yet to come. To do so, one can approach it as an issue of synapses. A synapse is a junction, an almost imperceptible gap through which an impulse of intensity passes by. As such, synapses manage to capture both the passage of an intensity (as a synaptic moment) and the formation of an extensity (as a synaptic location). In other words, synapses can be understood as constraints and for this reason, as information; after all, information is nothing but the reduction of potentials.In this paper, I will examine how architecture, in its technicities, operates as a synapse: how it allows for both the formation of an extensive space as well as for the very possibility of intuiting a space yet to come, and consequently, a subject yet to individuate. To do so, I will focus on how architectural technicities allow for a certain degree of indeterminacy due to their metastability and auto-normativity. With the help of goddess Ananke and her spindle, architecture will be understood as an intensive exercise on the indeterminate, on a figure that is not yet figured out, but does so on the basis of synaptic passages. Green Open Access added to TU Delft Institutional Repository 'You share, we take care!' - Taverne project https://www.openaccess.nl/en/you-share-we-take-care Otherwise as indicated in the copyright section: the publisher is the copyright holder of this work and the author uses the Dutch legislation to make this work public.Theory, Territories & Transition
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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