1,723,274 research outputs found
Replication Data for: Political Dynasties and the Selection of Cabinet Ministers
No full textReplication data and Stata do-files for Smith, Daniel M., and Shane Martin. 2017. “Political Dynasties and the Selection of Cabinet Ministers.” Legislative Studies Quarterly, 42(1): 131-165
Replication Data for: Political Dynasties and the Selection of Cabinet Ministers
No full textReplication data and Stata do-files for Smith, Daniel M., and Shane Martin. 2017. “Political Dynasties and the Selection of Cabinet Ministers.” Legislative Studies Quarterly, 42(1): 131-165
Interactively using Semantic Web knowledge: Creating scalable abstractions with FacetOntology
No full textThe amount of knowledge accessible on the Semantic Web is growing, and there is a need for a scalable solution to facilitate exploring that data. Currently approaches to exploring Semantic Web data either focus on exploring resources individually, following links during exploration, and making little use of collated data, or take the approach of collating and aligning multiple sources into one store for one purpose, and hand-crafting a specific browsing interface onto it. We present an approach that provides a scalable browsing interface, which can browse knowledge from the Semantic Web at will. Our approach creates abstractions of knowledge, collated into facets, which are described using FacetOntology. FacetOntology facilitates describing facets from RDF data, suitable for use in creating datasets for faceted browsing
Replication Data for: "The Contraction Effect: How Proportional Representation Affects Mobilization and Turnout"
No full textContains all data and code to reproduce tables and figures in "The Contraction Effect: How Proportional Representation Affects Mobilization and Turnout.
Replication Data for: "The Contraction Effect: How Proportional Representation Affects Mobilization and Turnout"
No full textContains all data and code to reproduce tables and figures in "The Contraction Effect: How Proportional Representation Affects Mobilization and Turnout.
Joan Lovinger, Torn Burnett, Neil Smith, Daniel Schwartz, Edna Tannenbaum, Ellen Jean Smith, Rabbi Mordecai Podet, Eileen Segal, Peggy Rosen
No full textBlack and white photograph of Joan Lovinger, Torn Burnett, Neil Smith, Daniel Schwartz, Edna Tannenbaum, Ellen Jean Smith, Rabbi Mordecai Podet, Eileen Segal, and Peggy Rosen
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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