3,214 research outputs found
Cathy Smith portraits - shots 1 and 2, 1962
No full textCathy Smith in patterned dress portraitsKendall Webb Collectio
Cathy Smith portraits - shots 3 and 4, 1962
No full textCathy Smith in patterned dress portraitsKendall Webb Collectio
Ronnie, Vick, and Cathy Smith
No full textThis 1964 photograph, taken by Asheville Citizen-Times photographer June Glenn, Jr. (1921-2006), shows Ronnie, Vick, and Cathy Smith from Franklin, North Carolina after performing their composition “Someone in a Log Cabin” in honor of Hubert Hayes at the Mountain Youth Jamboree. Founder and director of the Mountain Youth Jamboree, Hubert H. Hayes (1901-1964) auditioned and directed youth to perform in folk dance, music, and folk and ballad singing. The jamboree was held in the Asheville City Auditorium (now known as Thomas Wolfe Auditorium) from 1948 to 1973, and Hayes’ wife, Leona Trantham Hayes (1913-1989) continued to direct the program after his death in 1964. Hubert Hayes was an author, playwright, and alumni of Duke University
Cathy Smith portraits - shots 1 and 2, 1964
No full textCathy Smith with bouffant or artichoke hairdo and bow portraitsKendall Webb Collectio
Cathy Smith portraits - shots 3 and 4, 1964
No full textCathy Smith with bouffant or artichoke hairdo and bow portraitsKendall Webb Collectio
Cathy berberian: Pioneer of contemporary vocality [2-s2.0-85086546804]
No full textCathy Berberian (1925-1983) was a vocal performance artist, singer and composer who pioneered a way of composing with the voice in the musical worlds of Europe, North America and beyond. As a modernist muse for many avant-garde composers, Cathy Berberian went on to embody the principles of postmodern thinking in her work, through vocality. She re-defined the limits of composition and challenged theories of the authorship of the musical score. This volume celebrates her unorthodox path through musical landscapes, including her approach to performance practice, gender performativity, vocal pedagogy and the culturally-determined borders of art music, the concert stage, the popular LP and the opera industry of her times. The collection features primary documentation-some published in English for the first time-of Berberian's engagement with the philosophy of voice, new music, early music, pop, jazz, vocal experimentation and technology that has come to influence the next generation of singers such as Theo Bleckmann, Susan Botti, Joan La Barbara, Rinde Eckert Meredith Monk, Carol Plantamura, Candace Smith and Pamela Z. Hence, this timely anthology marks an end to the long period of silence about Cathy Berberian's championing of a radical rethinking of the musical past through a reclaiming of the voice as a multifaceted phenomenon. With a Foreword by Susan McClary. © Pamela Karantonis, Francesca Placanica, Anne Sivuoja-Kauppala, Pieter Verstraete and the Contributors 2014. All rights reserved
Cathy berberian: Pioneer of contemporary vocality [2-s2.0-84938274440]
No full textCathy Berberian (1925-1983) was a vocal performance artist, singer and composer who pioneered a way of composing with the voice in the musical worlds of Europe, North America and beyond. As a modernist muse for many avant-garde composers, Cathy Berberian went on to embody the principles of postmodern thinking in her work, through vocality. She re-defined the limits of composition and challenged theories of the authorship of the musical score. This volume celebrates her unorthodox path through musical landscapes, including her approach to performance practice, gender performativity, vocal pedagogy and the culturally-determined borders of art music, the concert stage, the popular LP and the opera industry of her times. The collection features primary documentation-some published in English for the first time-of Berberian's engagement with the philosophy of voice, new music, early music, pop, jazz, vocal experimentation and technology that has come to influence the next generation of singers such as Theo Bleckmann, Susan Botti, Joan La Barbara, Rinde Eckert Meredith Monk, Carol Plantamura, Candace Smith and Pamela Z. Hence, this timely anthology marks an end to the long period of silence about Cathy Berberian's championing of a radical rethinking of the musical past through a reclaiming of the voice as a multifaceted phenomenon. With a Foreword by Susan McClary. © Pamela Karantonis, Francesca Placanica, Anne Sivuoja-Kauppala, Pieter Verstraete and the Contributors 2014. All rights reserved
Journal of the Fort Smith Historical Society
No full textOfficial Publication of Fort Smith Historical Society.Volume 37, Number
Journal of the Fort Smith Historical Society
No full textOfficial Publication of Fort Smith Historical Society.Volume 39, Number
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