4,493 research outputs found
The geology of parts of the west coast of Palmer Land
No full textThis report is based on a PhD thesis by C.G. Smith submitted in 1977
Apophatic Elements in the Theory and Practice of Psychoanalysis: Pseudo-Dionysius and C.G. Jung
No full textThis thesis identifies apophatic elements in the theory and practice of psychoanalysis through an examination of Pseudo-Dionysius and C.G. Jung. Pseudo-Dionysius brought together Greek and Biblical currents of negative theology and the via negativa. The apophatic concepts and metaphors which appear in the work of Pseudo-Dionysius are identified. The psychology of Jung can be read as a continuation and extension of the apophatic tradition. The presence of neoplatonic themes in Jung’s work is discussed, as well as his references to Pseudo-Dionysius. There is a thorough examination of Jung’s discussion of opposites, including his reception of Nicholas of Cusa’s concept of the coincidence of opposites. The role of the transcendent function in Jung’s psychology is reviewed. The work of contemporary scholars of religion, philosophers and Jungian theorists are compared to Jung’s using the lens of apophasis. There is an exploration of ways in which motifs in Pseudo-Dionysius’ Ecclesiatical Hierarchy resonate with contemporary psychoanalytic psychotherapy. This study demonstrates that apophatic motifs saturate Jung’s work. It provides a platform for research into apophasis in the wider field of psychoanalysis
C.G. Jung et les théologiens
No full textHélène Kiener. C.G. Jung and the theologians. (C.G. Jung et les théologiens.)
This article is by one of the students of the psychologist C.G. Jung. She practised as a Jungian psychoanalyst in Strasbourg from 1946 to 1970. She deals here with the theological dimension, mostly implicit, of Jung's thouth, which is generally overlooked by theology. The author shows how the major theologians, who are the exception to the general rule, make room for Jungian anthropology, and she calls for a more open attitude in theology, because of the light thrown by Jung's thought on many theological statements.L'article qu'on lira est d'une élève du psychologue des profondeurs C. G. Jung. Elle a pratiqué elle-même l'analyse jungienne à Strasbourg de 1946 à 1970. La question traitée porte sur la dimension théologique généralement implicite de la pensée de Jung, assez négligée d'une manière générale par la théologie. L'auteur expose la manière dont les principaux théologiens, qui font exception , font droit à l'anthropologie jungienne, et en appelle à une ouverture plus grande de la théologie en raison de la lumière que la pensée de Jung jette sur bien des affirmations théologiques.Kiener Hélène. C.G. Jung et les théologiens. In: Revue d'histoire et de philosophie religieuses, 60e année n°3, Juillet-septembre 1980. pp. 293-311
Dr. H.H. Smith Visits Campus
No full textLafayette Parker,(left) academic dean at Winston-Salem State College, poses with Dr. H.H. Smith of Southern Illinois University. WSSC and SIU developed an academic/cultural relationship in the early 60s. Smith visited WSSC during the 1967-68 school year. (Info about woman is unavailable.
Poiesis and Obstruction in Art Practice
No full textThis PhD thesis examines the concept of poiesis, that is ‘calling into existence that which was not there before’, in the context of obstruction in studio practice. It poses the question ‘Is there a methodology that engages with obstruction which in turn calls new work’? In this thesis, the concept of poiesis emerging from the late Dr. Murray Cox’s ‘Aeolian Mode’, is analyzed alongside a concept of praxis, (a philosophical companion to poiesis), familiar to artistic practice. This thesis describes the orientation of the original idea, The Aeolian Mode, clinically developed by Dr. Murray Cox in Broadmoor Psychiatric Hospital. This PhD seeks to identify if there are similar ‘tenets of approach’ held within the methodology of ‘The Aeolian Mode’, that would be useful or are identifiable in artistic studio practice. This thesis draws on the work of the philosopher, Professor Richard Kearney, specifically Kearney’s ideas on the necessity of ‘the other’ for ‘radical possibility’ to occur. It maps a context of both Freudian and Jungian interpretations of art practice, identifying how these ideas have shaped the way art is seen today. Furthermore, it challenges the Freudian idea of ‘pathography’ and favours a Jungian approach of ‘individuation’ in the understanding of creative processes. It develops a ‘methodology of the conversation’, interviewing students, established artists, tutors about their approaches to obstruction/poiesis in art practice. Additionally, it examines my own obstruction to painting and identifies the methodology that released me from this obstruction. Conducting these interviews on art practice has enabled me to confirm my initial concerns about Freudian ‘pathography’ whilst validating the possibility of the Jungian concept of ‘individuation’ being of use to art practice. Finally, this PhD discusses the implications for further study and research, which have emerged during the ‘methodology of the conversation’ and the task of dissolving my obstruction to painting
- …
