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Smatresk, Neal, February 22, 2014 [Interview]
No full textNeal Smatresk was interviewed on February 22, 2014, by Devin McKinney about his life before and during his years at Gettysburg College, with specific focus on his participation in the spring 1971 Christ Chapel production of "Jesus Christ Superstar."Hanson, C. Arnold; Recla, Lawrence R.; Wyatt, Doug; Hylton, John; Brandenburg, Zane; Barnes, Robert D.; Cavaliere, A. Ralph; Beach, Neil W.; Schroeder, Allen C.Carl Arnold Hanson Years
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[Shirley Agustin, Deborah Smatresk, Neal Smatresk and Unidentified at 2014 Salute to Faculty Excellence event]
No full textPhotograph of (L-R) Shirley Agustin, Deborah Smatresk, Neal Smatresk and unidentified pose for a photo at the 2014 Salute to Faculty Excellence event, held in the Apogee Stadium Club. Shirley Agustin is the Industry Liaison at the College of Merchandising, Hospitality and Tourism and Neal Smatresk is the President of UNT
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Helping Students Thrive: President's Annual Report
No full textAnnual report for the University of North Texas (UNT) includes an overview of research, programs of study, and accomplishments of university departments as well as statistical breakdowns of enrollment, fiscal expenditures, and other operational information
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Fall Commencemnt: 2023
No full textCommencement program for the fall 2023 class of University of North Texas including a schedule of ceremonies, information about the university, and list of graduates by college
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The Portal to Texas History Impact Report, 2016-2017
No full textReport describing statistics about the makeup and usage of The Portal to Texas History site, during the 2016-2017 year. It includes a statement from the university president, and a brief interview with historian Gregg Cantrell
Welcome and introductions
No full textThe 2010 UNLV Clean Energy Forum will take place on the UNLV campus September 8th. The event focuses on clean energy production in Nevada, the US Southwest, and clean research projects nationwide. Subject matter will focus on financing, national policy, current technologies, and nuclear energy
Welcome and introductions
No full textThe 2010 UNLV Clean Energy Forum will take place on the UNLV campus September 8th. The event focuses on clean energy production in Nevada, the US Southwest, and clean research projects nationwide. Subject matter will focus on financing, national policy, current technologies, and nuclear energy
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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