18,586 research outputs found

    Father Andrew Mullen 1790-1818: a study in early nineteenth century spirituality

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    This thesis is laid out in three parts: Part I. The life and death of Andrew Mullen. The life is based, to a large extent, on a long letter to his mother, Catherine Mullen, dated 7 January 1810. The letter gives a definite insight into his spirituality based on his membership of the Archconfraternity of the Blessed Sacrament. There is a hint that he had a premonition of an early death. Part II. The burial of Andrew Mullen and the immediate cult to him This is based on documentary evidence. Part III. Most of this part is a catalogue of testimonies taken from 1993 onwards. Then there is the conclusion on the popular devotion to Andrew Mullen stressing the theological aspect of the subject. In the course of writing the thesis it was decided to separate the documentary evidence from the oral tradition. This was advantageous in developing the thesis, and the documents provided a secure basis for the oral tradition. Two pieces of information were found in March 1997. They are death notices: 2 January 1819, The Leinster Journal and 7 January 1819, The Car low Morning Post. There is a slight discrepancy between the two on the date of his death. Also this discrepancy shows a slight difference from the date of the tombstone

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Jeffrey Smart, Paddington, New South Wales, 7 April 2008 /

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    Title devised by cataloguer based on information supplied by photographer, see file NLA12/558.; Part of the collection: Portraits of prominent Australians, 2005-2012.; "86 years old at the time, Australian painter Jeffrey Smart, photographed near The Australian Galleries in Paddington, Sydney on the 7th of April, 2008." -- Information from photographer.; Mode of access: Online

    author-bios-SRD-19-0063.R1 – Supplemental material for The Network Structure of Police Misconduct

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    Supplemental material, author-bios-SRD-19-0063.R1 for The Network Structure of Police Misconduct by George Wood, Daria Roithmayr and Andrew V. Papachristos in Socius</p

    Artistic Director of 2008 Adelaide Contemporary Music Festival

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    World premiere of new work by Constantine Koukias. World premiere of 'Lullabies and Crooked Dances' by Anne Cawrse (commissioned by the Festival). Australian premieres of works by: In Sun Cho; Mayke Nas; Willem Jeths; Sofia Gubaidulina. Plus works by: Tristram Cary; Henk Badings; Alfred Schnittke; Roger Smalley; Andrew Ford; Julian Yu; Isang Yun. Performers include Grainger String Quartet, Telesto Duo (John Addison, cello, and Tiziana Pintus, violin), Gabriella Smart (piano), greta Bradman (soprano), Trio d'anche Suave (from Japan). Three concerts Recorded and broadcast by ABC Classic FM. Extent : 3 public concerts over 3 days. Promoted by Soundstream Contemporary Music Festival.Gabriella Smar

    Field evaluation of a deep learning-based smart variable-rate sprayer for targeted application of agrochemicals

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    The field performance of a newly developed novel smart variable-rate sprayer was evaluated. The sprayer uses convolutional neural networks (CNNs) for target detection and spot-applications of agrochemicals within potato (Solanum tuberosum L.) fields attacked by lamb's quarters (Chenopodium album L.) and corn spurry (Spergula arvensis L.) weeds and the early blight potato disease caused by Alternaria solani Sorauer. There was a non-significant effect of treatment conditions (i.e., cloudy, partly cloudy, and sunny) on spray volume during weed and diseased plant detection experiments (p-value = 0.93 and 0.75, respectively) showing that the smart sprayer performed well during all treatment conditions. There was a significant effect of spraying application techniques on the use of spray volume (p-value ≤ 0.05) reflecting a significant saving of spraying liquid during variable-rate application (VA). On average, the sprayer reduced spray volume by 47 and 51% for weeds and diseased plant detection experiments as compared to the values of chemicals applied at constant-rate application (CA), respectively, under all treatment conditions. The analysis of water-sensitive papers (WSP) data resulted in non-significant differences between CA and VA under all field conditions. These results suggest that this sprayer has a great potential to get a suitable spot application of agrochemicals and reduce the use of plant protection products thereby ensuring farm profits and environmental stewardship.Natural Science and Engineering Research Council of Canad

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Andrew Field papers

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    Andrew Field (1938- ) is a scholar, translator, and author, who has published translations of Russian literature, critical studies, biographies, fiction, essays, and travel articles. He holds degrees from Columbia University as well as a Ph.D. from the University of Queensland, Brisbane, Australia. From 1977 to 1979, he was a professor at Griffith University, Brisbane, Australia. Dr. Field's papers consist of materials relating to the writing of his 1983 study of the life and work of Djuna Barnes, Djuna: the Formidable Miss Barnes (alternately entitled Djuna: The Life and Times of Djuna Barnes). Included in the collection are correspondence, manuscripts, research notes, clippings related to the book's publication and reception, and photographs. Also included is a handwritten manuscript of a poem by Barnes

    Ep. #185 - Andrew Blum

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    This recording and transcript form part of a collection of podcasts conducted by the Cultures of Energy at Rice University. Cultures of Energy brings writers, artists and scholars together to talk, think and feel their way into the Anthropocene. We cover serious issues like climate change, species extinction and energy transition. But we also try to confront seemingly huge and insurmountable problems with insight, creativity and laughter.Co-host Cymene reminisces this week about being the first intern hired by Wired magazine waaaay back in the day. Then (14:42) we are joined by journalist Andrew Blum (https://www.andrewblum.net)—the celebrated author of Tubes: A Journey to the Center of the Internet—to talk about his new book, The Weather Machine (Ecco/HarperCollins, 2019). We dive deep into it, beginning with our “golden age” of meteorology, and its improved computer simulations. We talk about human presence within massive information infrastructures, his interest in place philosophy, balancing attentions to weather and climate, comparing weather banality vs. weather catastrophe; and, Andrew explains to us the different ways of interpreting the history of weather forecasting. From there we turn to the intersection of war and weather, how Cold War rivalry and internationalism helped shape the weather machine as a global cooperative project, and whether private corporations like Google and IBM will control the future of forecasting. Chemtrails and other weather conspiracies make an appearance, as does the secret Nazi invasion of Canada to build a weather station. We close talking about weather and sympathy and sharing storm stories

    Artistic Director of 2010 Soundstream Contemporary Music Festival

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    World premieres of works by: James Cuddeford; Luke Altmann (Somniloquy); Katia Tiutiunnik (To the Enemy); Kat McGuffie; Toby Twining; Stephen Stanfield (A linient Me). Australian premieres of works by: Rodion Schchedrin (Homaga to Chopin); Howard Bashaw (Minimalisms 11). Also featured the South Australian premiere of George Antheil's Ballet Mecanique (1925), and works by Tristan Murail, Claude Vivier, Kaija Saariaho, Gerard Grisey, Alex Pozniak. Performed by : Ensemble Offspring, conducted by Roland Peelman. Gabriella Smart (piano). Clemens Leske (piano). Anna Goldsworthy (piano). Jonathan Heng (piano). Deborah Ng (piano). Brian Ritchie Trio. Vortex Percussion Ensemble, led by Andrew Wiering. John Addison (cello). Four concerts recorded and broadcast live from ABC Collinswood by ABC Classic FM, presented by Julian Day. Promoted by Soundstream Contemporary Music Festival and supported by Australia Council, Arts SA, ABC Classic FM, etc.Extent : 4 days : 4 concertsGabriella Smar
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