1,720,958 research outputs found

    Violations: The Boys of St. Vincent

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    Abstract: This paper analyzes The Boys of St. Vincent in the context of the conventions of the American made-for-television movie. It begins with a review of some of the critical literature, from both British and American sources, which has defined the genre. The author then offers a close analysis of The Boys of St. Vincent, and in the end assesses its social progressiveness using criteria developed by John Caughie and other British critics working for Screen in the 1980s. The author ultimately argues that The Boys of St. Vincent, because it significantly disrupts the conventions of the American telefeature, can be seen as politically progressive. These disruptions include a potent systemic critique of church and state, a critical and highly controversial examination of pedophilia, and a disruption of the visual conventions of the American form. Résumé: Cet article analyse The Boys of St. Vincent ("Les Garçons de Saint-Vincent") dans le contexte des conventions du téléfilm américain. Il commence par un examen d'une partie de la littérature critique de provenance anglaise et américaine qui a défini le genre. L'auteur offre ensuite une analyse détaillée des Boys of St. Vincent, et à la fin évalue la progressivité sociale du programme en recourant à des critères développés par John Caughie et d'autres critiques anglais écrivant pour la revue Screen au cours dans les années quatre-vingt. L'auteur soutient en fin de compte qu'on peut envisager The Boys of St. Vincent comme étant politiquement progressif, parce que l'émission renverse significativement les conventions du téléfilm américain. Ces enversements comprennent une puissante critique systémique de l'état et de l'église, un examen critique et très controversé de la pédophilie, et le bouleversement des conventions visuelles du format américain

    Making the past present: Peter Watkins's Culloden

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    Book abstract: Originally released in 1998, Documenting the Documentary responded to a scholarly landscape in which documentary film was largely understudied and undervalued aesthetically, and analyzed instead through issues of ethics, politics, and film technology. Editors Barry Keith Grant and Jeannette Sloniowski addressed this gap by presenting a useful survey of the artistic and persuasive aspects of documentary film from a range of critical viewpoints. This new edition of Documenting the Documentary adds five new essays on more recent films in addition to the text of the first edition

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods
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