2,087 research outputs found
Mariana Yampolsky 1925-2002. Num. 15 Año 5 (2002) otoño. Alquimia. Sistema Nacional de Fototecas
No full text- El universo de Mariana Yampolsky - Una gran confusión, por Patricia Cardona - La raíz y el camino, por Braulio Peralta - La riqueza fotográfica de México, por Angelina Camargo Breña - Antiguas haciendas mexicanas en fotografías, por Lilia Román - La forma más importante de comunicación, Ángeles Vázquez - Memoria del tiempo, por Ana María Longi - Fotografía y sociedad, por Ángel Cosmos y Alejandro Castellanos - El arte no debe ser preocupación entre los fotógrafos, por José Antonio Rodríguez - México es una sola luz: Mariana Yampolsky, por Mónica Rivera - En busca de una creatividad arquitectónica olvidada, por Angélica Abelleyra - Falta cariño hacia todo lo de ayer, por José Antonio Rodríguez - La arquitectura desde la raíz de la tierra, por Martha García - La fotografía es un momento con el que uno tropieza, por Yusfía Jiménez - The singing camera, por Gabriela Rábago Palafox - Detás de la lente, por Margarita González Arredondo - El gozo de mirar, por Blanca Ruiz - La emoción, premisa para poder transmitir algo al espectador, por Merry Mac Master - Todo es lícito para el ojo de la cámara, por Beatriz Palacios - Artista norteamericana. Mariana Yampolsky, por Federico Lan - Encuentros nacionales de Fototecas - Mariana Yampolsky: un legado múltiple, por Francisco Reyes Palma - Mexican suit. A history of photography in Mexico - Una memoria mexicana - México: un siglo en imágenes
Para a escrita de um livro de pesquisa
No full textUniversidad Mariana Starting from the need to articulate and carry out appropriate scriptural practices, when transforming the work that has already been done through a long research process, which has matured between proposals, procedures, methodologies and analysis of those results, is a task that can tend to be cumbersome, however, if from the beginning of this work the author is clear about the work in which he must go to develop a book that contributes to an area of knowledge, the process will be significant.Universidad Mariana Partir de la necesidad de articular y llevar a cabo adecuadas prácticas escriturales, al momento de transformar el trabajo que ya se ha realizado a través de un largo proceso de investigación, el cual ha madurado entre propuestas, procedimientos, metodologías y análisis de esos resultados, es una tarea que puede tender a ser engorrosa, sin embargo, si desde el inicio de esta labor el autor tiene claro el trabajo en el cual debe adentrarse para elaborar un libro que aporte a un área de conocimiento, el proceso resultará significativo.
Universidad Mariana A partir da necessidade de articular e levar a cabo práticas escriturísticas adequadas, ao transformar o trabalho que já foi feito através de um longo processo de pesquisa, que amadureceu entre propostas, procedimentos, metodologias e análises daqueles Resultados, é uma tarefa que pode tender a ser pesado, no entanto, se desde o início deste trabalho o autor é claro sobre o trabalho em que ele deve ir para desenvolver um livro que contribua para uma área de conhecimento, o processo será significativo
The degeneration of the female body in Mariana Enríquez's short stories
No full textopenEl presente trabajo pretende analizar como Mariana Enríquez en su literatura logra rescatar el cuerpo femenino, enfermo o sometido a la violencia de género y por esto marginalizado, pasando de víctima a cuerpo dueño de sí mismo. Se centra la atención principalmente en sus libros de cuentos: Los peligros de fumar en la cama, Las cosas que perdimos en el fuego y Un lugar soleado para gente sombría. La autora a través de los elementos de terror y de lo sobrenatural destaca las formas de violencia física, psicológica y social que afectan estos cuerpos que representan al mismo tiempo sufrimiento, pero también resistencia. A través de un análisis de varios cuentos, se muestra como Enríquez vuelve a valorar y ofrece una nueva perspectiva para considerar estos cuerpos sujetos a los problemas de género y que representan una metáfora de las desigualdades sociales.This paper aims to analyze how Mariana Enríquez in her literature manages to rescue the female body, ill or subjected to gender violence and therefore marginalized, going from victim to a body that own itself. The focus is on his storybooks: Los peligros de fumar en la cama, Las cosas que perdimos en el fuego y Un lugar soleado para gente sombría. The author, through the elements of terror and the supernatural, highlights the forms of physical, psychological and social violence that affect these bodies that represent both suffering and resistance. Through an analysis of several stories, it is shown how Enríquez revalues and offers a new perspective to consider these bodies subject to gender problems and that represent a metaphor for social inequalities
ICT in Latin America: A Microdata Analysis
No full textThis book is the final report of the ECLAC-IDRC project Observatory for the Information Society in Latin American and the Caribbean (OSILAC), Third Phase”. OSILAC III is a cooperating project between the International Development Research Centre (IDRC) and the Division of Production, Productivity and Management, ECLAC-UN, which aims at understanding the dynamics of the ICT evolution and revolution and producing evidence on its potential to support socio-economic development, particularly in developing countries. As such, microdata analysis drawn from National Household Surveys and National Innovation Surveys in Latin America were used in the framework of the project in the attempt to reach those objectives Both statistical information sources provide attractive potentialities in order to investigate not only determinants of innovation activities and technology diffusion, but also its economic impacts.ICT, Innovation, Productivity
Rehearsing the Mirror: The Gaze as Thought in “Capadocia”, by Mariana Oliver
No full textEl ensayo “Capadocia”, de Mariana Oliver, propone una reflexión sobre la mirada como forma de pensamiento. A partir de una poética de la observación, Oliver convierte la imagen en un dispositivo de conocimiento que vincula percepción y lenguaje. Este artículo examina cómo, en Aves migratorias, la autora desarrolla una escritura híbrida que conjuga elementos narrativos, cronísticos y reflexivos para explorar la tensión entre superficie y profundidad, tanto en el plano espacial como en el epistemológico. La mirada, entendida no solo como acto físico sino como proceso intelectual, permite a Oliver contrastar la visión del pasado con la del presente y articular una crítica a la superficialidad de la mirada contemporánea, representada por el turismo performativo y la fotografía como simulacro. En este marco, “Capadocia” se configura como un ensayo que piensa desde lo visible, donde la observación se convierte en un modo de conocimiento y en una ética del mirar.
Mariana Oliver’s essay “Capadocia” offers a reflection on vision as a form of thought. Through a poetics of observation, Oliver transforms the image into a cognitive device that links perception and language. This article analyzes how, in Aves migratorias, the author develops a hybrid form of writing that combines narrative, chronicle, and reflective elements to explore the tension between surface and depth, both spatially and epistemologically. Vision, understood not only as a physical act but also as an intellectual process, enables Oliver to contrast past and present ways of seeing, articulating a critique of contemporary superficiality embodied in performative tourism and photography as simulacrum. Within this framework, “Capadocia” emerges as an essay that thinks through the visible, where observation becomes both a mode of knowledge and an ethics of seeing
Oral history interview with Mariana Llanos
No full textMariana Llanos, author, was born in a small town outside of Lima, Peru. Her parents were journalists and her father filmed documentaries, so she grew up around storytelling and took great pleasure in reading. She recalls receiving a leather-bond notebook from her father when she was a child and started writing in it and how her grandmother helped her print a book of poems when she was about ten years old. She attended the prestigious CuatroTablas theater school after high school. Llanos married and she and her husband decided to immigrate to the United States, settling in Oklahoma City in 2002. Llanos talks about returning to writing as an adult and has published many award-winning picture books and books for adults. She describes the resilience required for the writing life and discusses self-publishing versus working with a larger publisher. Llanos has won many awards for her activism and started #LatinxPitch which helps Latinx writers find representation in publishing world.The Deep Roots: Oklahoma Authors Collection is a series of interviews with authors who discuss their lives, work, and creative processes
Guanabarea mariana
No full text- mariana, Guanabarea Carvalho & Carpintero 1990. Carvalho J.C.M & D.L. Carpintero. Revista Brasileira de Biología 50 (3): 783–798. Holotype, female, MLP 5385 / 1 [Sta María – Misiones – XII- 46 – Viana leg.] [Holotypus] [Guanabarea – mariana – n.sp. – det: Carpintero]. Remarks. In the original publication it is stated that the holotype is housed in “Diego Carpintero” personal collection; later this author deposited this material in the MLP. - paraguaiana , Taedia Carvalho-Costa 1991. Carvalho J.C.M & L.A.A. Costa. The Anais da Academia Brasileira de Ciências 63 (4): 415–423. Holotype, male, MLP 5284 / 1 [Asunción Paraguay – 1985 – Benitez Dias] [Holotipo] [TAEDIA – paraguaiana n sp – JCM Carvalho det 1990].Published as part of Montemayor, Sara Itzel & Dellapé, Pablo Matías, 2013, An update of the types of Heteroptera (Hemiptera) housed at the Museo de La Plata Entomological Collection (Argentina), pp. 343-360 in Zootaxa 3599 (4) on page 346, DOI: 10.11646/zootaxa.3599.4.3, http://zenodo.org/record/21644
Novel Dialogue 5.5 They’re Not Metaphorical Demons: Mariana Enriquez and Magalí Armillas-Tiseyra (CH)
No full textBooker Prize shortlister Mariana Enriquez, author of Things We Lost in the Fire and The Dangers of Smoking in Bed, joins Penn State professor Magalí Armillas-Tiseyra and host Chris Holmes to talk about her most recent novel, Our Share of Night, her first to be translated into English. Our Share of Night follows a spiritual medium, Juan, who can commune with the dead and with the world of demons, and his son, Gaspar, as they go on a road trip to outrun a secretive occult society called The Order that hopes to use Juan and Gaspar in their unholy quest for immortality. Publishers Weekly called it “A masterpiece of literary horror.” In a wide-ranging conversation, Mariana reflects on being a horror writer in Argentina, a country that obsesses over its traumatic past. Indeed, Mariana’s interest in writing fiction in the horror genre was prompted by hearing her first horror stories, the terrors of torture and disappearances under the Argentine Junta government. The three discuss Mariana’s use of violence, especially when it involves children; the various afterlives of the translations of Mariana’s award-winning fiction; and the arborescence of the novel form. Humor and dry wit cut through these weighty topics to make for a lively conversation with one of Latin America’s most important contemporary writers
El universo de Mariana Yampolsky. Alquimia. Sistema Nacional de Fototecas: Mariana Yampolsky 1925-2002. Num. 15 Año 5 (2002) otoño
No full textArtista norteamericana. Mariana Yampolsky. Alquimia. Sistema Nacional de Fototecas: Mariana Yampolsky 1925-2002. Num. 15 Año 5 (2002) otoño
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