5 research outputs found

    International legal treatment of war

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    In this paper, the author presents and analyses various attempts made by the factors in the international community to define the rules of behavior in waging war as a means of communication among states in resolving their mutual problems. Presenting first the history (several centuries long) of attempts to restrain war waging the author focuses on the endeavors of the League of Nations in the period between the two world wars as well as on the creation of regulations by the United Nations after World War II. The author points out that the United Nations has built a comprehensive system of waging war restraint that, among other things, not only prohibits aggressive war waging, but also any use of armed force or threat of use of force. Some forms of military interventions could be taken only within the UN corresponding procedure. In spite of the fact that the treatment of war is regulated by the law within UN, it is present in the contemporary world as a result of the existing political and economic relations. As the author concludes, war and force keep on being used in practice, sometimes in a very violent way. Thus, they violate the provisions of international law that regulates the rules and treatment of war in international relations.

    Inbetween the Worlds - Gastarbeiter Novel Taxi Driver of Munich: An Anthropological Analysis

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    From the perspective of the anthropology of migrations and literature, the paper analyzes The Taxi Driver of Munchen, a novel with autobiographical elements by the Croatian author and gastarbeiter Romano Mrkic. After outlining the basic genre characteristics of "migrant literature" and the so-called gastarbeiter novel, the paper proceeds to analyze the dominant themes and motifs in the novel The Taxi Driver of Munchen. This work, written in the tradition of realist narration, deals with the immediate experience of migranthood and represents a prototype of the first-generation gastarbeiter novel. It is narrated from the perspective of a "guest worker" in Germany - through the character of the protagonist, the taxi driver Marko Mandic, Romano Mrkic writes about himself and his immigrant experience, about important Others and the complex modalities of migrant identity and (non)bclonging. In addition to depicting the everyday experience of the gastarbeiter in Germany and their struggle to integrate into a new and different social environment, and describing the native population's ethnic prejudice and stereotypes in relation to the guest workers, Mrkic speaks from an insider perspective of "Yugo-Germans'" "adversities" of identity. His characters remain perpetually stuck between "two worlds", between "here" and "there", and between the past and the present, while the "myth of return" expressed through an overemphatic nostalgia for the homeland is the foundation of Mrkio's narrative. Through a thematic analysis of the novel, the paper explores the ideas of integration and assimilation of guest workers, as well as the cultural meanings that the author assigns to these processes
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