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    The sensory archaeology of textiles

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    Textiles are sensuous; we respond to them through touch, vision and smell, movement, sound and temperature. Through sensations, textiles embody emotions of identity, and define hierarchies of power and value. Yet through the taphonomy of decay, ancient textiles are frequently devoid of their original sensory properties, they come to us as faded, fragile, dirty rags. A sensory archaeology of textiles, therefore, requires a suite of methods to reveal these sensations and a contextual analysis to interpret them within their chronological and regional archaeologies. In raising to this challenge, this chapter proposes for the first time a sensory archaeology of textiles. Through innovative case studies, the author invites the reader to recognise the implications of a sensory archaeology of textiles, and to consider the consequences for their own research fields

    From landscape of war to archaeological report: ten years of professional world War I archaeology in Flanders (Belgium)

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    With the commemoration of World War I (WWI) under way, a preliminary stocktaking can be made of archaeological research into the physical remains of this war. The question is to what extent the perspective on the study of WWI heritage, and consequently the way in which archaeological research into WWI remains has been conducted, has evolved over the last ten years. Are relics from WWI seen as a legitimate subject of inquiry or does its archaeology as a discipline still strive for recognition? This paper deals with the practices surrounding WWI archaeology in Flanders, Belgium, as well as the (methodological) problems concerning the study of WWI archaeological remains, based on the reports resulting from fieldwork carried out by professional archaeologists

    Haptic vision

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    This chapter argues that in Sunni Islam, vision is normatively configured as a sense more haptic than optical. Sight touches, glances. It does not see through; that is the prerogative of God, rulers, and mystics, and one of the joys of Paradise. In support of this argument, the chapter additionally shows how early to premodern Islamic art and architecture both reinforce and delight in this haptically configured vision: how superficiality is celebrated and depth eschewed

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Emotion and the senses in archaeology

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    Edited by two pioneers in the field of sensory archaeology, this Handbook comprises a key point of reference for the ever-expanding field of sensory archaeology: one that surpasses previous books in this field, both in scope and critical ..

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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