3,220 research outputs found

    Founders: Christopher Taylor

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    \ua9 2021 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group. ‘Founders’ is an intermittent series of short, critical appreciations of scholars, researchers and others whose work and ideas, mainly in Britain, have made particularly sweeping, influential and foundational contributions to the development of historically- and archaeologically-informed landscape studies. This latest addition to the series concerns Christopher Taylor, whose death on 28th May 2021 was noted in the Landscapes editorial in issue 21.2

    Author correction: obesity and ethnicity alter gene expression in skin

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    Daniel Butler was omitted from the author list in the original version of this Article. The Author contributions section now reads: “J.M.W. designed, conducted, and contributed to the writing of the manuscript, prepared Fig. 1. S.G. evaluated and did statistical analysis on the skin and fat samples, prepared Figs. 2–9. J.O.A. evaluated and contributed to writing the manuscript. D.B prepared and sequenced DNA libraries for the skin microbiota data, and wrote the applicable parts of the methods section. C.M. analyzed and wrote up the skin microbiota data, prepared Fig. 10. All authors have read the manuscript and approved its contents. D.D. analyzed and wrote up the skin microbiota data. S.Z. ran and analyzed the skin metabolite data. J.S. assisted in design, analysis and wrote up the skin metabolite data. J.K. assisted in analysis write up of skin and fat data. J.L.B. assisted in analysis, interpretation and writing of the manuscript. P.R.H. designed, analyzed, interpreted the data, and was the primary author of the manuscript.” This has been corrected in the PDF and HTML versions of the Article, and in the accompanying Supplementary Information file.</p

    Death-of-the-author thesis

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    Christopher Pratt

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    The author briefly describes the process of silkscreen printmaking

    Metamorfosi e inversioni ironiche da Christopher Marlowe a Edith Sitwell

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    Il mio intervento si propone di analizzare le citazioni bibliche e classiche inserite da Christopher Marlowe nei suoi drammi, spesso con intenti ironici e dissacranti, specie nel Doctor Faustus e in The Jew of Malta, al fine di verificare gli scopi che si propone il drammaturgo con le distorsioni e le omissioni operate sui testi sacri da lui citati. Le potenzialità seminali della catena intertestuale sono testimoniate dalle citazioni rintracciabili in alcune poesie di Edith Sitwell, poetessa modernista, ispirate alla Seconda Guerra Mondiale e tratte dai drammi marloviani. Sono prestiti che ribadiscono che la Sitwell utilizza i meccanismi intertestuali conferendo alle parole “rubate” una nuova vitalità che conduce ad esiti intriganti e imprevedibili.This essay starts by examining the abundant Biblical references in Christopher Marlowe's drama, and especially The Jew of Malta and Doctor Faustus . It particularly assesses the degree of fidelity of such references to their source text, as it throws light on the distortions and omissions by which the playwright modifies Holy Scripture to fit his own ends. Subsequently, the essay considers the poetical production of the Modernist author Edith Sitwell, who, in her compositions inspired by World War II, recovers and refashions some significant passages from Marlowe's works. Indeed, Sitwell's verse is a valuable instance of her remarkable skill in awarding new vitality and relevance to words and phrases which she extracts from the literary tradition in order to transform and update them.ope

    Metamorfosi e inversioni ironiche da Christopher Marlowe a Edith Sitwell

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    Il mio intervento si propone di analizzare le citazioni bibliche e classiche inserite da Christopher Marlowe nei suoi drammi, spesso con intenti ironici e dissacranti, specie nel Doctor Faustus e in The Jew of Malta, al fine di verificare gli scopi che si propone il drammaturgo con le distorsioni e le omissioni operate sui testi sacri da lui citati. Le potenzialità seminali della catena intertestuale sono testimoniate dalle citazioni rintracciabili in alcune poesie di Edith Sitwell, poetessa modernista, ispirate alla Seconda Guerra Mondiale e tratte dai drammi marloviani. Sono prestiti che ribadiscono che la Sitwell utilizza i meccanismi intertestuali conferendo alle parole “rubate” una nuova vitalità che conduce ad esiti intriganti e imprevedibili.This essay starts by examining the abundant Biblical references in Christopher Marlowe's drama, and especially The Jew of Malta and Doctor Faustus . It particularly assesses the degree of fidelity of such references to their source text, as it throws light on the distortions and omissions by which the playwright modifies Holy Scripture to fit his own ends. Subsequently, the essay considers the poetical production of the Modernist author Edith Sitwell, who, in her compositions inspired by World War II, recovers and refashions some significant passages from Marlowe's works. Indeed, Sitwell's verse is a valuable instance of her remarkable skill in awarding new vitality and relevance to words and phrases which she extracts from the literary tradition in order to transform and update them

    The effects of estrogen deficiency on cortical bone microporosity and mineralization

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    Recent studies have demonstrated matrix-mineral alterations in bone tissue surrounding osteocytes in estrogen-deficient animals.While cortical bone porosity has been shown to be a contributor to the mechanical properties of bone tissue, little analysis has been done to investigate the effects of estrogen deficiency on bone's microporosities, including the vascular and osteocyte lacunar porosities. In this study we examined alterations in cortical bone microporosity, mineralization, and cancellous bone architecture due to estrogen deficiency in the ovariectomized rat model of postmenopausal osteoporosis. Twenty-week-old female Sprague–Dawley rats were subjected to either ovariectomy or sham surgery. Six weeks post-surgery tibiae were analyzed using high-resolution micro-CT, backscattered electron imaging, nanoindentation, and dynamic histomorphometry. Estrogen deficiency caused an increase in cortical bone vascular porosity, with enlarged vascular pores and little change in tissue mineral density in the proximal tibial metaphysis. Measurements of cancellous architecture corresponded to previous studies reporting a decrease in bone volume fraction, an increase in trabecular separation, and a decrease in trabecular number in the proximal tibia due to estrogen deficiency. Nanoindentation results showed no differences in matrix stiffness in osteocyte-rich areas of the proximal tibia of estrogen-deficient rats, and bone labeling and backscattered electron imaging showed no significant changes in mineralization around the vascular pores. The findings demonstrate local surface alterations of vascular pores due to estrogen deficiency. An increase in cortical vascular porosity may diminish bone strength as well as alter bone mechanotransduction via interstitial fluid flow, both of which could contribute to bone fragility during postmenopausal osteoporosis.Peer reviewe

    "Cronica der Turckey" Sebastian Franck's Translation of the "Tractatus de Moribus, Condicionibus et Nequitia Turcorum" by Georgius de Hungaria

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    The Tractatus de moribus, condicionibus et nequitia Turcorum is one of the most important first-hand accounts of life in fifteenth-century Turkey known to modern scholarship. It is the work of a Christian former slave of the Turks, writing after his return to the West. Although the author does not name himself, he can be identified as a Dominican priest, Georgius de Hungaria, who died in Rome in 1502. His Tractatus is conceived as a work of anti-Islamic polemic, yet it contains a surprisingly unbiased appraisal of Turkish customs. First printed c.1480 when European apprehension in the face of Ottoman expansion was at its height, the Tractatus was reprinted in numerous editions, and was widely used as a source by other authors. Luther edited the text in 1530, using the positive account of Turkish customs and religious observance as a weapon in his polemic against the Roman Catholic Church: if heathens could perform such exemplary works, who could fail to doubt the efficacy of works as a means of salvation? Sebastian Franck in his German translation of the Tractatus went further: replacing Georgius' commentary with his own, he used the text to attack institutional religion as a whole and to promote his concept of a non-dogmatic, spiritual Church of individuals united with each other only through their union with God -a Church which was not closed to Moslems or members of any other creed. This translation or adaptation, the Cronica der Türckey, marks Franck's decisive break with the Lutheran cause and the beginning of his lonely path as a 'spiritual individualist'. Franck reworked his translation of the Tractatus for his major geographical work, the Weltbuch of 1534. This thesis concerns itself primarily with Franck's Cronica, providing the first modern critical edition of this text, in a near-diplomatic transcription with an extensive glossary. The thesis also includes transcriptions of the Tractatus; of Türckei, an anonymous translation of the Tractatus, and of relevant additional material from Franck's Weltbuch. None of these texts has been published in full in a modern edition. In the Introduction Franck's Cronica is compared in detail with the Tractatus, highlighting the changes that occur in translation; the character and the significance of these changes are then discussed. It is established that Franck, whilst being unwilling to reverse any of Georgius' value judgements on Islam and Turkish culture, is highly selective in his choice of material for translation, and frequently gives the text new nuances and adds his own comment. The question of the Tractatus' influence on Franck's further development as a writer and thinker is also raised. The investigation then turns to Franck's use of the Tractatus material in his Weltbuch. His eclecticism becomes apparent in this text, in which Georgius' account is juxtaposed - but not synthesised - with material from other sources, often of lesser veracity and greater anti-Islamic bias. Franck's distortion of the Tractatus material to suit his own line of argument is clearly discernible: from the unique phenomenon presented in the Tractatus the Turks become one more example of the general human tendency to externalise and dogmatise faith. In addition, the transmission of Cronica and Türckei is examined, and the relationship between these two translations is clarified: Franck certainly used Türckei in writing his Cronica, but is unlikely to be the author of the anonymous work

    Christopher Kier

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    For an exhibition of paintings by Kier, the author highlights the artist's application of repeated forms and icons in series. In an interview, Kier elaborates on the use of encaustic, influence, and his position within the Canadian art scene. Biographical notes. 2 bibl. ref

    Jean-Marie Delavalle : The Mirror, Method and Meaning in Monochrome

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    Campbell concentrates on Delavalle's recent works involving monochrome surfaces, situated at the intersection of painting and sculpture. The author refers to Lacan's notion of the "mirror-stage" and discusses the work conceived as a "physiognomic field." 12 bibl. ref
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