9,883 research outputs found
Singer's guide and estimator for general contactors of building; comprising of an easy system of estimating materials and labor at various prices throughout the United States.
No full textPreface signed: William S. Singer, author.Mode of access: Internet
William S. Schwartz papers 1925, ca. 1932-1935
No full textContains manuscripts of the play entitled "The Jazz Singer" by Samson Raphaelson in Yiddish and English, includes also photographs of William Schwartz in the role of the Jazz singer and general photo
The Singer or the Song? Developments in Performers' Rights from the Perspective of a Cultural Economist
No full textOver the last century, performers gradually acquired statutory protection of their economic and moral
rights. These rights are not copyright in the legal sense but neighboring rights and until recently, they
were mainly remuneration rights that are collectively administered. With the WPPT (WIPO
Performers and Phonograms Treaty), performers now have individual exclusive rights for digital
performances; this leads to the question: what has motivated this change – is it a change in the
perception of the value of performer or a change brought about by the changing technology of copying or,
indeed, a change that reflects different economic costs and benefits? The paper discusses the role of
copyright law as an incentive to performers and asks if the economic role of the performer is so different
from that of the author. The conclusion is that a complex interaction of the legal regulations, economic
conditions and institutional arrangements for administering these new rights will determine the outcome
William S. Peterson papers
No full textProfessor William Peterson has served the English Department at the University of Maryland from 1974 until he retired in 2004. He is the author or editor of fourteen books (several of them about William Morris and his Kelmscott Press) and is a free-lance book-designer. He has also edited two academic journals, Browning Institute Studies and Papers of the Bibliographical Society of America. The Peterson papers consist of correspondence, photographs, publications, and work papers related to his book, Victorian Heretic: Mrs. Humphrey Ward's "Robert Elsmere," and a proposed edition of the essays of Mrs. Ward. This collection is unprocessed, but a preliminary inventory is available
The death of William Golding: authorship and creativity in darkness visible and the paper men
No full textIn the seventies and eighties William Golding was deeply responsive to the critical, anti-authorial ethos that followed the publication of Roland Barthes's "La mort de I'auteur" (1968). In Darkness Visible (1979) and The Paper Men (1984) he investigates means by which to reaffirm authorial presence. Working through paradox, he performs the authorial death in these novels, and establishes language’s inadequacy as a means of conveying absolute meaning, authorial "vision," truth or revelation. Having done so he nonetheless gestures towards the divine, towards the possibility of a vatic communication. In this manner the novels work upon principles of contradiction and collapse. What remains is a discourse of hope, promise, desire, without means of substantiating such optimism. Thus Golding might be said to have practiced a form of negative theology, and to have anticipated in this respect some recent trends in literary theory
Can reforming global institutions help developing countries share more in the benefits from globalization?
No full textGlobalization could significantly expand trade, international investment, and technological advances, but the gains from global integration have been unevenly distributed across and within nations. Greater global interdependence has also brought greater macroeconomic volatility, resulting in several serious financial crises in the second half of the 1990s. The global matrix of Bretton Woods and United Nations institutions that developed starting in the 1940s, formed under a different balance of power, in a world of fixed exchange rates and limited capital mobility. Since the 1960s regional financial institutions have emerged because of the greater autonomy of different regions and the greater financial needs of development. The author reviews different proposals for reform of the international financial institutions and changes in the roles of the International Monetary Fund (IMF) and the World Bank. He highlights the implications for developing countries of (1) Policy conditionality. (2) The countercyclical role of multilaterals'lending. (3) Greater lending to middle-income than to low-income developing countries. (3) Access to liquidity at times of crisis. (4) Mechanisms for giving low-income countries a greater voice in IMF and World Bank decisionmaking. The author streses the overlapping responsibilities of the Bretton Woods and regional financial institutions and the need to reassess the allocation of responsibilities and to develop better coordination mechanisms between these institutions. Those designing institutional reform must consider the corporate capabilities of each type of institution. The corporate cultures of global and regional institutions differ. So does the kind of knowledge they generate and disseminate, and so do patterns of interactions with, and mechanisms for representation of, client countries.Finally, the author calls attention to the need to harmonize national and global growth-oriented policies in a way that reduces volatility and promotes social equity.Environmental Economics&Policies,Governance Indicators,Financial Intermediation,Economic Theory&Research,Banks&Banking Reform
Deal, Dr. William S.
No full textDr. William S. Deal of the Pilgrim Holiness, then Wesleyan Church (was a pastor evangelist, district superintendent, Bible college president, counselor and author).https://place.asburyseminary.edu/holinessphotos/1534/thumbnail.jp
Deal, Dr. William S.
No full textDr. William S. Deal of the Pilgrim Holiness, then Wesleyan Church (was a pastor evangelist, district superintendent, Bible college president, counselor and author).https://place.asburyseminary.edu/holinessphotos/1535/thumbnail.jp
A importância moral da dor e do sofrimento animal na ética de Peter Singer
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Ciências Humanas, Programa de Pós-Graduação em Filosofia, Florianópolis, 2012.O objetivo desta dissertação é defender a importância moral da consideração da dor e do sofrimento de animais não-humanos. Isso se dá através do principio da igual consideração de interesses desenvolvido por Peter Singer. A senciência possibilita os animais a terem interesses, no mínimo, o interesse evitar a dor e o sofrimento. É por essa razão que devem ser incluídos nas decisões morais. São reconstruídas e analisadas as objeções de Peter Harrison, Carl Cohen, R.G. Frey e Lawrence C. Becker direcionadas ao princípio de Singer, e que criticam os pressupostos básicos, quais sejam, a capacidade de sentirem dor/sofrimento e de terem interesses, sobre os quais se fundamenta a inclusão dos animais nas considerações morais. Cada uma dessas objeções é analisada e criticada de modo a demonstrar suas limitações e inconsistências, juntamente com as implicações morais geradas para seres humanos. Na análise dessas críticas, reforça-se a importância e a consideração moral que deve ser conferida à dor e ao sofrimento dos animais. Após essa discussão teórica, é analisado um caso de âmbito prático: a pesquisa científica sobre o câncer humano através do modelo animal. Verifica-se, a partir do princípio de Singer, a imoralidade de tal procedimento realizado em animais sencientes devido à violação de seus interesses. Com isso, a dissertação enfatiza a exigência ética de abolir o uso de animais nessa prática em razão da incapacidade preditiva dos animais, mas principalmente devido à dor e ao sofrimento causado neles e também aos seres humanos, que ficam sujeitos aos erros, prejuízos e sofrimentos originados pelo intenso uso animal nas pesquisas. Nessa conclusão, se constata que a insistência no uso de animais nos experimentos compromete o cientista a preferir usar seres humanos, uma vez que isso gera mais benefícios e resultados mais seguros. A recusa moral ao uso de humanos em pesquisas implica, por outro lado, na recusa moral do uso de animais, ou seja, sua abolição.Abstract : The aim of this dissertation is to defend the moral importance of considering pain and suffering of nonhuman animals. This is achieved through The Principle of Equal Consideration of Interests developed by Peter Singer. The sentience enables nonhuman animals to have interests, at least the interest of avoiding pain and suffering. That is why it should be included in moral decisions. The objections of Peter Harrison, Carl Cohen, RG Frey and Lawrence C. Becker directed to the principle of Singer are reconstructed and analyzed, as they are criticizing the basic assumptions, i.e., the ability to feel pain/suffering and have interests, upon which is based the inclusion of animals in moral considerations. Each of these objections is analyzed and criticized in order to demonstrate their limitations and inconsistencies, simultaneously with its moral implications for humans. In the analysis of these criticisms, it reinforces the moral importance and considerations that should be given to pain and suffering of animals. After this theoretical discussion, a case study of practical scope is analyzed: animal testing for scientific research on human cancer. It is verified from the Singer's principle that such procedures performed on sentient animals are a violation of their interests and, therefore, immoral. Thus, the dissertation emphasizes the ethical demand to abolish the use of nonhuman animals in this practice due to their predictive inability, but mainly due to the pain and suffering caused to them and also to humans, who are subject to errors, injuries and suffering originated by the intense use of nonhuman animals on research. The conclusion verifies that the insistence on the use of nonhuman animals in experiments moves the scientist to prefer using humans in experiments since it generates greater benefit and more reliable results. The moral refusal to using humans in research implies the moral rejection of the use of animals in experiments and consequently, its abolition
The yagé aesthetic of William Burroughs: the publication and development of his work 1953-1965
No full textPhDMy concern in this thesis is to show that a reconstruction of the publishing history of
the work of William Burroughs offers a new, critical perspective on his experiments
with psychoactive substances and their connection to his developing practice.
I begin with an exploration of the publication of The Yage Letters (1963) and Naked
Lunch (1959), and reveal how the complexities of their publishing histories shaped
their critical reception. I examine the legal defence of Naked Lunch as it developed
from the Big Table Post Office hearing through to the 1965 Boston trial and
demonstrate the degree to which censorship came to define the published text. The
legal defence of Naked Lunch, as it was incorporated into the Grove publication,
emphasised the issue of opiate addiction. The way in which Burroughs’ 1953 letters to
Allen Ginsberg were reworked as The Yage Letters did much to conceal the
significance of yagé for Burroughs’ later work. Together, these publishing histories
have obscured the relationship between his use of psychoactive substances and his
evolving aesthetic.
At the same time many of Burroughs’ most experimental - and important - works
appeared only in small, ephemeral magazines. His adoption of avant-garde strategies
such as collaboration and collage and his dedication to multimedia experimentation
with the non-chemical alteration of consciousness made conventional book
publication problematic or unsuitable. These experiments in aesthetic production, I
argue, are central to our understanding of Burroughs. His main published writings
must be re-evaluated as one element in this collage of multimedia activities.
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I argue that Burroughs’ experiences with yagé, mescaline and dimethyltryptamine
exerted an influence on his shift to experimentalism in the early 1960s, which sought
to replicate the experience of these altered states of consciousness. That this is so is
evident from a study of two collections of correspondence - Burroughs’ letters to
Ginsberg held at Columbia University Library and his letters to Brion Gysin in the
William S. Burroughs Papers held at the New York Public Library. My reading of
these letters forms an important component of my argument, working to reveal what
the conventional ‘published’ Burroughs serves to conceal.Arts and Humanities research Board.
Queen Mary University of London English Department
funding naked Lunch @ 50 conference in Pari
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