737 research outputs found
Symbolic blood: cloths for excised women
No full textThe most interesting problems in fieldwork usually arise when one runs into outright unhelpfulness on the part of informants. When I first arrived in Kolokani, armed with photographs of numerous mud cloths from European museums, I was puzzled by the reaction to one particular image: the Basiae cloth. At the sight of this pattern, my informants burst into embarrassed laughter then became mute. Several months later I observed a N'Gale cloth and was equally confused by Fatmata Traore's reluctance to paint its black and white stripes on the wrapper I offered her. Why should these two cloths, the Basiae and N'Gale, arouse such resistance? No one was reluctant to explain the meanings of other patterns. Do these cloths have a different kind of meaning; if so, what is it?Copyright © by the President and Fellows of Harvard College. Originally printed in Res: Anthropology and Aesthetics, Issue 3, Spring 1982 (pp. 15-31). All rights reserved. No part of this article may be reproduced without permission of the Peabody Museum Press.Peer reviewed"Spring 1982
The mouth of the Komo
No full textMy purpose is to reexamine the significance of the Bamana and Malinke Komo mask in the light of new data collected in the Kita and Beledugu regions of Mali, West Africa. This information suggests that the headdress incorporates several levels of meaning and that an intense concern with the control of masculine sexuality and the mastery of human reproduction informs one of the less easily accessible, but crucially important, metaphors that lie concealed within the mask. The data also suggests that a deep-seated fear of the female sex is an important motivation for the creation of secret male associations and the artworks used in them.Copyright © by the President and Fellows of Harvard College. Originally printed in Res: Anthropology and Aesthetics, Issue 31, Spring 1997 (pp. 71-96). All rights reserved. No part of this article may be reproduced without permission of the Peabody Museum Press.Peer reviewed"Spring 1997
When is an object finished? The creation of the invisible among the Bamana of Mali
No full textMy aim is to investigate the way in which two interrelated African societies, the Bamana and Malinke of Mali, West Africa, viewed the production of art. It will explore Bamana and Malinke ideas about when an art object is 'finished' and why the ending of an object's 'life' is so fraught with danger for its user.Copyright © by the President and Fellows of Harvard College. Originally printed in Res: Anthropology and Aesthetics, Issue 39, Spring 2001 (pp. 102-136). All rights reserved. No part of this article may be reproduced without permission of the Peabody Museum Press.Peer reviewed"Spring 2001
A importância moral da dor e do sofrimento animal na ética de Peter Singer
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Ciências Humanas, Programa de Pós-Graduação em Filosofia, Florianópolis, 2012.O objetivo desta dissertação é defender a importância moral da consideração da dor e do sofrimento de animais não-humanos. Isso se dá através do principio da igual consideração de interesses desenvolvido por Peter Singer. A senciência possibilita os animais a terem interesses, no mínimo, o interesse evitar a dor e o sofrimento. É por essa razão que devem ser incluídos nas decisões morais. São reconstruídas e analisadas as objeções de Peter Harrison, Carl Cohen, R.G. Frey e Lawrence C. Becker direcionadas ao princípio de Singer, e que criticam os pressupostos básicos, quais sejam, a capacidade de sentirem dor/sofrimento e de terem interesses, sobre os quais se fundamenta a inclusão dos animais nas considerações morais. Cada uma dessas objeções é analisada e criticada de modo a demonstrar suas limitações e inconsistências, juntamente com as implicações morais geradas para seres humanos. Na análise dessas críticas, reforça-se a importância e a consideração moral que deve ser conferida à dor e ao sofrimento dos animais. Após essa discussão teórica, é analisado um caso de âmbito prático: a pesquisa científica sobre o câncer humano através do modelo animal. Verifica-se, a partir do princípio de Singer, a imoralidade de tal procedimento realizado em animais sencientes devido à violação de seus interesses. Com isso, a dissertação enfatiza a exigência ética de abolir o uso de animais nessa prática em razão da incapacidade preditiva dos animais, mas principalmente devido à dor e ao sofrimento causado neles e também aos seres humanos, que ficam sujeitos aos erros, prejuízos e sofrimentos originados pelo intenso uso animal nas pesquisas. Nessa conclusão, se constata que a insistência no uso de animais nos experimentos compromete o cientista a preferir usar seres humanos, uma vez que isso gera mais benefícios e resultados mais seguros. A recusa moral ao uso de humanos em pesquisas implica, por outro lado, na recusa moral do uso de animais, ou seja, sua abolição.Abstract : The aim of this dissertation is to defend the moral importance of considering pain and suffering of nonhuman animals. This is achieved through The Principle of Equal Consideration of Interests developed by Peter Singer. The sentience enables nonhuman animals to have interests, at least the interest of avoiding pain and suffering. That is why it should be included in moral decisions. The objections of Peter Harrison, Carl Cohen, RG Frey and Lawrence C. Becker directed to the principle of Singer are reconstructed and analyzed, as they are criticizing the basic assumptions, i.e., the ability to feel pain/suffering and have interests, upon which is based the inclusion of animals in moral considerations. Each of these objections is analyzed and criticized in order to demonstrate their limitations and inconsistencies, simultaneously with its moral implications for humans. In the analysis of these criticisms, it reinforces the moral importance and considerations that should be given to pain and suffering of animals. After this theoretical discussion, a case study of practical scope is analyzed: animal testing for scientific research on human cancer. It is verified from the Singer's principle that such procedures performed on sentient animals are a violation of their interests and, therefore, immoral. Thus, the dissertation emphasizes the ethical demand to abolish the use of nonhuman animals in this practice due to their predictive inability, but mainly due to the pain and suffering caused to them and also to humans, who are subject to errors, injuries and suffering originated by the intense use of nonhuman animals on research. The conclusion verifies that the insistence on the use of nonhuman animals in experiments moves the scientist to prefer using humans in experiments since it generates greater benefit and more reliable results. The moral refusal to using humans in research implies the moral rejection of the use of animals in experiments and consequently, its abolition
Many Arts, One Body: Interview with Brett Hoover
No full textThe result, says professor Brett Hoover, who teaches theology at Loyola Marymount University in Los Angeles, is what he calls the shared parish, or parishes where two or more distinct cultural groups share a building while maintaining their own unique worship and ministries. Hoover, author of The Shared Parish: Latinos, Anglos, and the Future of U.S. Catholicism (New York University Press), spent years conducting ethnographic research on how these parishes function. [...]a balancing act is hard to achieve, but Hoover has some concrete suggestions for how parish leadership- both lay and ordained-can help foster a successful shared parish community. There are virtually no white Catholics in this parish, but it does have several distinct cultural groups, including an English-speaking Mexican American community, a Spanish-speaking Latin American immigrant community, and a Filipino community
Boys of England and Edwin J. Brett, 1866-99
No full textBoys of England was a Victorian boys' periodical. It was published weekly by Edwin J. Brett from 1866 to 1899, initially from the Fleet Street offices of the Newsagents'
Publishing Company, and later from Brett's own `Boys of England Office'. It was the first periodical of its kind, and achieved a large sale amongst eager youngsters.
The purpose of this thesis is to provide a general history of BOE and Brett, neither of which has yet been attempted. More specifically, the thesis is intended to address
misconceptions regarding Brett and his work. Historians of boys' periodical literature have tended to portray Brett's papers as largely supportive of middle class hegemony. They
argue that they failed to connect with the lives of their upper working and lower middle class readers. However, this thesis contends that in actual fact BOE engaged closely with
the lives of its readership, comprised mainly of boys from the `respectable' working classes. Therefore, BOE should rightly be considered an important, indigenous component
of working class society and culture in mid to late Victorian Britain.
To provide as comprehensive an analysis as possible, the thesis is divided into three sections: `Paper and Proprietor'; `Content'; `Response'. These sections are divided into further chapters, each exploring a salient facet of BOE and Brett. Some of these engage with, and challenge, the existing historiography of boys' periodical literature. Others introduce historiographies previously remote from the study of boys' papers, widening the
remit of this relatively self-contained field. Some examine entirely unstudied, or largely understudied, subject matter.
Ultimately, this thesis is intended to make a valuable contribution not only to the historiography of boys' papers specifically, and children's literature in general, but also to the wider historiographies of Victorian social and cultural history and the Victorian working class
Astonishing comics: a disability studies perspective on x-men comics
No full textDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2013Stan Lee co-created in 1963 the X-Men; comics characters who in consequence of developing super-powers at puberty due to natural genetic evolution suffer society?s prejudice. In their analysis of the X-Men Trilogy X-Men (Bryan Singer 2000); X2: X-Men United (Bryan Singer 2003); and X-Men: the Last Stand (Brett Ratner 2006); through a Disability Studies perspective Michael M. Chemers (2004), Ramona Ilea (2009), Martin Mantle (2007), and Jennifer Rinaldi (2008) argue that mutants can be understood as social characterizations of disability. This investigation studies whether this affirmation also holds true for mutants depicted in X-Men comics. I will analyze the comics storylines God Loves, Man Kills (Marvel Graphic Novel # 05) and Gifted (Astonishing X-Men # 01 - 06) ? on which X2: X-Men United and X-Men: the Last Stand were based respectively. Stan Lee foi o co-criador, em 1964, dos X-Men, personagens de histórias em quadrinhos os quais, em conseqüência de desenvolverem super-poderes na puberdade, são alvos do preconceito da sociedade. Ao analisar a Trilogia dos filmes dos X-Men - X-Men (Bryan Singer 2000); X2: X-Men United (Bryan Singer 2003); e X-Men: The Last Stand (Brett Ratner 2006); a partir de uma perspective de Estudos sobre Deficiência. Michael M. Chemers (2004), Ramona Ilea (2009), Martin Mantle (2007), e Jennifer Rinaldi (2008) argumentam que os mutantes podem ser compreendidos como caracterizações sociais de deficiência. Este estudo investiga se esta afirmação também é válida para os mutantes presentes nas histórias em quadrinhos dos X-Men. As linhas narrativas a serem analisadas são: God Loves, Man Kills (Marvel Graphic Novel 05) e Gifted (Astonishing X-Men # 01 - 06); nas quais foram baseados X2: X-Men United e X-Men: the Last Stand respectivamente
Figs. 5–6 in Scarab Beetles In Human Culture
No full textFigs. 5–6. (5): Scarab larvae, probably Megasoma actaeon (L.) (Dynastinae), collected near Manaus, Brazil. Photo by author. (6): Platycoelia lutescens being sold for food in a market in Quito, Ecuador, 1999. Photo by A. Paucar.Published as part of Ratcliffe, Brett C., 2006, Scarab Beetles In Human Culture, pp. 85-101 in The Coleopterists Bulletin (mo5) 60 on page 96, DOI: 10.1649/0010-065x(2006)60[85:sbihc]2.0.co;2, http://zenodo.org/record/491201
The wriggley rag [music] /
No full textFor voice and piano.; Portrait of singer Edwin Brett on cover.; "In J.C. Williamson's ... pantomime ... The forty thieves".; Also available online http://nla.gov.au/nla.mus-an6489388.Forty thieves (Pantomime
StochPy version 2.4 refresh release
No full textStochPy release 2.4
We are pleased to announce the first GitHub release of StochPy, now updated to be Python 3.7+ compatible. StochPy is a versatile stochastic modelling package which is designed for stochastic simulation of molecular control networks.
Many thanks to the community contributions made by @zesloth, @enricozb and @developerfab.
Author information
Timo R. Maarleveld, Brett G. Olivier, and Frank J. Bruggeman Centrum Wiskunde en Informatica, Amsterdam, Netherlands Vrije Universiteit University, Amsterdam, Netherlands
Major code contributors to the StochPy codebase
Brett G. Olivier (@bgoli)
Catharina Meyer
If you use StochPy please cite this publication:
StochPy: A Comprehensive, User-Friendly Tool for Simulating Stochastic Biological Processes http://dx.doi.org/10.1371/journal.pone.0079345
Licence
Copyright (c) 2011-2021, Timo R. Maarleveld, Brett G. Olivier, and Frank J. Bruggeman Vrije Universiteit Amsterdam. All rights reserved. StochPy is open source software distributed under the BSD 3-Clause License see LICENSE file for more details
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