1,720,962 research outputs found
The eCHASE System for Cross-border Use of European Multimedia Cultural Heritage Content in Education and Publishing
Europe’s digital cultural heritage content has tremendous exploitation potential in applications such as Education, Publishing, e-Commerce, Public-Access and Tourism. Value is hugely amplified if the content can be aggregated repurposed and distributed at a European level. The eCHASE project seeks to demonstrate that public-private partnerships between content holders and commercial service providers can create new services and a sustainable business based on access and exploitation of digital cultural heritage content. This paper describes the eCHASE demonstrator from a technical perspective, briefly detailing the tools and components which make up the system and the use of open standards
New Methods for Digitising, Searching, and Accessing Cultural Heritage Collections
The first session will describe the processes, tools and techniques that are used for digitising, cataloguing, searching, and accessing multimedia representations of works of art in a range of cultural heritage institutions from across Europe. Particular attention will be made to 3D content acquisition, advanced searching methodologies, and the use of digital content in eLearning applications. Practical issues such as fit with infrastructure (people, processes, culture, systems) and ease of use (training, deployment and operation) will also be discussed. The second session will present practical guidelines on how to use cultural heritage ontologies (specifically the CIDOC CRM) to structure, integrate and improve access to multimedia museum and gallery information. We will present both the challenges and benefits of using the CIDOC CRM and Semantic Web techniques to improve the understandability and navigation of large digital collections. We will discuss how mapping museum and gallery legacy systems to a common ontological model can facilitate interoperability and improve accessibility. Both sessions will focus on the IST FP5 supported Sculpteur project (http://www.sculpteurweb.org) as a case study and will include the wider experiences of the partners involved. Experiences will be presented from a range of museums and galleries that include the Victoria and Albert Museum and National Gallery in London, the Uffizi in Italy, and the Musee de Cherbourg and the Centre de Recherche et de Restauration des Musees de France (C2RMF). Facilities will be provided for hands-on access to the technology and techniques used in Sculpteur, including 3D content
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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