1,721,345 research outputs found
Interpret in context: generalizing from the single case in evaluation
No full textThis article presents an argument for how to generalize from a single case study evaluation of a social programme or policy, focusing on two essential elements of case study – context and particularity. Taking an interpretivist perspective and drawing on artistic and humanistic ways of understanding, it examines both different ways of generalizing from the case that retain a connection with the context in which they first arose and how we generalize by direct encounter with the particular. This argument is not new. It has its origins in earlier centuries and, in contemporary evaluation, dating back to the 1970s. However, in a political climate that privileges evaluation approaches stemming from large sample studies and experimental designs, it seems timely to restate the value of generalizing from the single case. Grounded in the reality of programme experience and retaining that connection with context and particulars in the case facilitates the use of evaluation knowledge
Cultural codes - who holds the key?: The concept and conduct of evaluation in Central and Eastern Europe
No full textThis article examines the impact of cultural codes on the conduct and outcomes of evaluation. Cultural codes are defined as symbols and systems of meaning that are relevant to members of a particular culture (or subculture). These codes can be utilized to facilitate communication within the ‘inside group’ and also to obscure the meaning to ‘outside groups’. Drawing on the authors' combined experiences in Central and Eastern Europe, the article explores how cultural codes emerged in these contexts and the challenges they presented to the conduct and utilization of evaluation and to the evaluators themselves. Evaluators must be prepared, it is suggested, to unlock their own internal codes in relation to those of other cultures in order to create the appropriate socio-political relationships that are a prerequisite for learning and change. The article concludes with a discussion of the kind of partnerships and trust it is necessary to establish to underpin a mutual unlocking of codes
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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