6,560 research outputs found
Grua de intangibilidade e o desempenho empresarial das empresas americanas que negociam ações na NYSE
No full textArtigo apresentado à Universidade Federal de Rondônia – UNIR – Campus Professor Francisco Gonçalves Quiles como requisito parcial para a obtenção de grau de bacharel em Ciências Contábeis.
Orientador: Prof. Me. Evimael Alves Teixeira.Submitted by Leonel Santos ([email protected]) on 2016-02-03T23:16:41Z
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Previous issue date: 2014O principal objetivo deste trabalho foi verificar a relação entre o grau de intangibilidade e o desempenho das empresas Americanas que negociam ações na NYSE, pois, trabalhos de diversos autores afirmam que os ativos intangíveis, quando reconhecidos e bem administrados proporcionam benefícios para a organização, e por isso, as empresas estão reconhecendo cada vez mais seus ativos intangíveis, pelo entendimento de que esses ativos são como fontes de geração de valor para as mesmas e fazem parte da diferença entre seu valor de mercado e seu valor contábil. Para isso, utilizou-se o Grau de Intangibilidade, Giro do Ativo, Margem Líquida, Liquidez Corrente, Liquidez Seca, Rentabilidade do Ativo e Beta, considerando-se um recorte temporal de 2008 a 2012. Também utilizou-se do teste de Mann –Whitney para comparar os resultados entre os grupos Sempre Tangíveis Intensivas e Sempre Intangíveis Intensivas. Como resultado desta pesquisa, conclui-se que as empresas consideradas Sempre Intangíveis Intensivas obtiveram maior retorno, com desempenho econômico empresarial superior, maior capacidade produtiva, maior capacidade na geração de resultados e a situação financeira foi superior ao das empresas Sempre Tangíveis Intensivas. E ainda, que o risco de mercado é bem menor do que o das empresas do grupo tangível, enquanto o valor de mercado das empresas do grupo intangível se destacou e cresceu ao longo dos anos da pesquisa
Placa em homenagem ao Ministro Sálvio de Figueiredo Teixeira
No full textMaterial: metalDimensões: 15,5x23 cmPlaca metálica, escovada, com escritas cursivas em branco com as inscrições: 'Excelentíssimo Senhor Ministro Sálvio de Figueiredo Teixeira "O coração do homem dispõe o seu caminho, mas é o Senhor quem dirige seus passos" .(Prov. 16,9) Homenagem dos servidores da Secretaria Judiciária do Superior Tribunal de Justiça. Brasília, 1º de fevereiro de 2006.'RegularModo de aquisição: doaçãoData de aquisição: 04/04/2008Documento de doação: termo de doaçã
What Is the Impact of Cash Transfers on Labour Supply?
No full textSince the 1990s, Latin American governments have implemented various conditional cash transfer programmes (CCTs). The objective of CCTs is to alleviate poverty in the short run and create conditions for upward social mobility in the long run through human capital investments. CCTs target families living below the poverty lines, focusing on children and school-age adolescents. (?)What Is the Impact of Cash Transfers on Labour Supply?
Aspects of fishing and reproduction of the black grouper Mycteroperca bonaci (Poey, 1860) (Serranidae: Epinephelinae) in the Northeastern Brazil
No full textFig. 5. Transverse section of an early maturation ovary of Mycteroperca bonaci. Gonadal wall (GW), ovarian lamellae (OL), and oocytes in the late perinucleolus stage (*). Stain: H.E.Published as part of Teixeira, Simone Ferreira, Ferreira, Beatrice Padovani & Padovan, Isaíras Pereira, 2004, Aspects of fishing and reproduction of the black grouper Mycteroperca bonaci (Poey, 1860) (Serranidae: Epinephelinae) in the Northeastern Brazil, pp. 19-30 in Neotropical Ichthyology 2 (1) on page 23, DOI: 10.1590/S1679-62252004000100004, http://zenodo.org/record/541694
A mulher na escultura : em António Teixeira Lopes
No full textAntónio Teixeira Lopes (1866-1942) had discovered the first shapes with his father, the sculptor José Joaquim Teixeira Lopes. In 1882 while admiring Flor Agreste (Wild Flower) by Soares dos Reis, who would become his master later on, he discovered his artistic talent and decided to enrol the Arts School in Oporto. Two years later he enters the Arts School in Paris and becomes a pupil of Cavalier and Barrias. In 1890 with his marble sculpture Caim and the plaster one Viúva (widow), he achieves his first success in the Salon. His future aesthetic programme is defined. His most important imaginary was going to develop mainly around the female figure topic, where he praises the singularity of the body and above all he reveals a tragic, sensual and intimate character. Sculptures such as Viúva (Widow), Caridade (Charity), História (History) or Verdade (Truth) are inevitable references of the portuguese Naturalism, contributing to the fame of its author, who was awarded the highest decorations from the French and Portuguese nations while still alive. Teixeira Lopes lived and worked between the 19th and 20th centuries, having revealed himself as a crucial artist for the study of the Portuguese Sculpture, mainly due to the influence he had on another sculptor
A mulher na escultura : em António Teixeira Lopes
No full textAntónio Teixeira Lopes (1866-1942) had discovered the first shapes with his father, the sculptor José Joaquim Teixeira Lopes. In 1882 while admiring Flor Agreste (Wild Flower) by Soares dos Reis, who would become his master later on, he discovered his artistic talent and decided to enrol the Arts School in Oporto. Two years later he enters the Arts School in Paris and becomes a pupil of Cavalier and Barrias. In 1890 with his marble sculpture Caim and the plaster one Viúva (widow), he achieves his first success in the Salon. His future aesthetic programme is defined. His most important imaginary was going to develop mainly around the female figure topic, where he praises the singularity of the body and above all he reveals a tragic, sensual and intimate character. Sculptures such as Viúva (Widow), Caridade (Charity), História (History) or Verdade (Truth) are inevitable references of the portuguese Naturalism, contributing to the fame of its author, who was awarded the highest decorations from the French and Portuguese nations while still alive. Teixeira Lopes lived and worked between the 19th and 20th centuries, having revealed himself as a crucial artist for the study of the Portuguese Sculpture, mainly due to the influence he had on another sculptor
A mulher na escultura : em António Teixeira Lopes
No full textAntónio Teixeira Lopes (1866-1942) had discovered the first shapes with his father, the sculptor José Joaquim Teixeira Lopes. In 1882 while admiring Flor Agreste (Wild Flower) by Soares dos Reis, who would become his master later on, he discovered his artistic talent and decided to enrol the Arts School in Oporto. Two years later he enters the Arts School in Paris and becomes a pupil of Cavalier and Barrias. In 1890 with his marble sculpture Caim and the plaster one Viúva (widow), he achieves his first success in the Salon. His future aesthetic programme is defined. His most important imaginary was going to develop mainly around the female figure topic, where he praises the singularity of the body and above all he reveals a tragic, sensual and intimate character. Sculptures such as Viúva (Widow), Caridade (Charity), História (History) or Verdade (Truth) are inevitable references of the portuguese Naturalism, contributing to the fame of its author, who was awarded the highest decorations from the French and Portuguese nations while still alive. Teixeira Lopes lived and worked between the 19th and 20th centuries, having revealed himself as a crucial artist for the study of the Portuguese Sculpture, mainly due to the influence he had on another sculptor
Correction: Teixeira, M.A.C. Diagnosing Lee Wave Rotor Onset Using a Linear Model Including a Boundary Layer. <i>Atmosphere</i> 2017, <i>8</i>, 5
No full textThe author would like to correct a published article by Teixeira [1], in which there is a factor of 2 missing from his Equation (24).[...
A frágil democracia: Simone Weil e o fim dos partidos políticos
No full text “Sobre a supressão geral dos partidos políticos”, de Simone Weil, seguido de “Partido, cultura, futuro”, de Teixeira Coelho (São Paulo, Ed. Iluminuras, 2018, 269 p.) “Sobre a supressão geral dos partidos políticos”, de Simone Weil, seguido de “Partido, cultura, futuro”, de Teixeira Coelho (São Paulo, Ed. Iluminuras, 2018, 269 p.)Esta resenha crítica trata do livro “Sobre a supressão geral dos partidos políticos”, de Simone Weil, no qual a filósofa francesa desacredita, totalmente, na figura da democracia representativa e, mais especificamente, em partido político. Consideramos um texto atual e propositivo diante da exacerbação das múltiplas guerras culturais e políticas, em todas as latitudes, que promovem antes o dissenso do que um consenso democrático. Buscamos no referencial nietzschiano do embate apolíneo-dionisíaco-metafísico-anarquista uma justificativa para ancorar a crítica de Simone Weil à democracia e sua posição de referencial niilista. Weil conclui que o partido político está morto
Placa em homenagem ao Ministro Sálvio de Figueiredo Teixeira
No full textMaterial: metalDimensões: 16x23,5 cmPlaca metálica com escritas cursivas na cor preta com as seguintes inscrições: ' Ao Ministro Sálvio de Figueiredo Teixeira, pela sua relevante contribuição à frente da Escola Nacional da Magistratura, cuja gestão foi um marco fundamental no engrandecimento da justiça brasileira. Escola Magistratura Regional Federal da 2ª Região. Rio de Janeiro, 19 de outrubro de 2001.'BomModo de aquisição: doaçãoData de aquisição: 04/04/2008Documento de aquisição: termo de doaçã
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