5,924 research outputs found
Tydi-lang: a language for typed streaming hardware: A manual for future Tydi-lang compiler developers
No full textTransferring composite data structures with variable-length fields often requires designing non-trivial protocols that are not compatible between hardware designs. When each project designs its own data format and protocols the ability to collaborate between hardware developers is diminished, which is an issue especially in the open-source community. Because the high-level meaning of a protocol is often lost in translation to low-level languages when a custom protocol needs to be designed, extra documentation is required, the interpretation of which introduces new opportunities for errors. The Tydi specification (Tydi-spec) was proposed to address the above issues by codifying the composite and variable-length data structures in a type and providing a standard protocol to transfer typed data among hardware components. The Tydi intermediate representation (Tydi-IR) extends the Tydi-spec by defining typed interfaces, typed components, and connections among typed components.In this paper, we propose Tydi-lang, a high-level hardware description language (HDL) for streaming designs. The language incorporates Tydi-spec to describe typed streams and provides templates to describe abstract reusable components. We also implement an open-source compiler from Tydi-lang to Tydi-IR. We leverage a Tydi-IR to VHDL compiler, and also present a simulator blueprint to identify streaming bottlenecks. We show several Tydi-lang examples to translate high-level SQL to VHDL to demonstrate that Tydi-lang can efficiently raise the level of abstraction and reduce design effort.https://github.com/twoentartian/tydi-lang Source code for the thesis project.Computer Scienc
L. Blech-Lidolf, La pensée philosophique et sociale de Simone Weil. Berne, Herbert Lang, Francfort-sur-le-Main, Peter Lang, 1976
No full textReix André. L. Blech-Lidolf, La pensée philosophique et sociale de Simone Weil. Berne, Herbert Lang, Francfort-sur-le-Main, Peter Lang, 1976. In: Revue d'histoire et de philosophie religieuses, 59e année n°1,1979. pp. 61-62
Simone Rosenkranz. — Die jüdisch-christliche Auseinandersetzung unter islamischer Herrschaft 7.-10. Jahrhundert. Berne, Lang, 2004 (Judaica et Christiana, 21)
No full textSchreckenberg Heinz. Simone Rosenkranz. — Die jüdisch-christliche Auseinandersetzung unter islamischer Herrschaft 7.-10. Jahrhundert. Berne, Lang, 2004 (Judaica et Christiana, 21). In: Cahiers de civilisation médiévale, 50e année (n°197), Janvier-mars 2007. pp. 103-105
Simone Rosenkranz. — Die jüdisch-christliche Auseinandersetzung unter islamischer Herrschaft 7.-10. Jahrhundert. Berne, Lang, 2004 (Judaica et Christiana, 21)
No full textSchreckenberg Heinz. Simone Rosenkranz. — Die jüdisch-christliche Auseinandersetzung unter islamischer Herrschaft 7.-10. Jahrhundert. Berne, Lang, 2004 (Judaica et Christiana, 21). In: Cahiers de civilisation médiévale, 50e année (n°197), Janvier-mars 2007. pp. 103-105
Variazioni sul tema di "Tosca" e "Madama Butterfly" da Giacomo Puccini a Fritz Lang e Jean Renoir
No full textL'articolo tratta le diverse variazioni sul tema di "Tosca" e "Madama Butterfly" da Giacomo Puccini a Fritz Lang e Jean Renoi
A comparative study of form and theology in the works of Flannery O'Connor and Simone Weil
No full textIn this comparative study of the form and theology of Flannery O'Connor and Simone Weil I interrogate how Weil's philosophical writings and her theology illuminate O'Connor's use of both narrative and non-fictional forms, and her Catholicism. The Introduction analyses how Weil's concept of superposed reading provides a new method of approaching both O'Connor, her writings, and O'Connor
studies, and focuses on how such apparently different women interconnect. Chapter One explores how both Weil and O'Connor attempt to write their theologies on the
souls of their readers yet are each subject to constraints imposed by form. Weil's concept of locating equilibrium between incommensurates is discussed, and her
distinctively philosophical approach to fictions and fictionality is used to investigate O'Connor's notion of prophetic fictions and the writer's role. Chapter Two assesses how both writers revivify Christian paradoxes. Weil's monstrous concept of affiiction, and O'Connor's use of the grotesque genre to jolt secular man into an
awareness of the sacred are scrutinised. Chapter Three studies how both writers consider an encounter between God and man is possible through the action of grace. My Conclusion interrogates how Weil's work can deepen our understanding of O'Connor's writings, and examines how successful O'Connor is at realising a truly
Christian literature. I conclude that despite being a writer of powerful fictions, O'Connor can not be totally successful in her mission as writer-prophet because
ultimately fiction escapes orthodoxy
L'essenza e l'esistenza. Frtz Lang e Jean Renoir: due modelli di regia, due modelli di autore
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