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Un secolo di multimedialità: sulla canzone napoletana e il cinema tra vecchie tecnologie e nuove pratiche
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Rosa e le altre, quel tipo di donna, letture e canzoni sulle cantanti emigrate napoletane di inizio Novecento, con Simona Frasca, Antonella Monetti, Rosalba Di Girolamo e Valeria Parrella
No full textCanzoni, ariette, gondole e barchette
No full textL'articolo tratta del genere della canzone in forma di barcarola,tra la metà del Settecento e il secondo Ottocento. Nella prima parte vengono evidenziati i tratti caratteristici del genere, a partire da una discussione della definizione data da Rousseau; e in seguito viene proposta una spiegazione del perché è utilizzato soprattutto il metro di 6/8. Nella seconda parte vengono analizzate due canzoni-barcarole particolarmente emblematiche: "La biondina in gondoleta", e "Santa Lucia"
Book reviews: Italian Birds of Passage: The Diaspora of Neapolitan Musicians in New York (Simona Frasca) Ethnic Italian Records: Analisi, conservazione e restauro del repertorio dell’emigrazione italo-americana su dischi a 78 giri (Giuliana Fugazzotto) Andarsene sognando: L’emigrazione nella canzone italiana (Eugenio Marino)
No full textReview of the three studies of Italian popular music in the diaspora: Italian Birds of Passage: The Diaspora of Neapolitan Musicians in New York.
by Simona Frasca (2014). Ethnic Italian Records: Analisi, conservazione e restauro del repertorio dell’emigrazione italo-americana su dischi a 78 giri, by Giuliana Fugazzotto, Andarsene sognando: L’emigrazione nella canzone italiana, by Eugenio Marino. These three books all attempt to deepen the understanding of the place of Italian song in a system of production, distribution, and reception shaped by and shaping cultural communities and culture industries
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
BIRDS OF PASSAGE FRAMMENTI DI INTERVISTE TRA NAPOLI E NEW YORK
No full texta lo-fi documentary which focuses on the Italian diaspora to US (1890-1940) seen through the perspective of musicians, performers, editors from the famous singers like Enrico Caruso to the most obscure vedette of vaudeville era. It's a collection of interviews which supports the book Birds of Passage - i musicisti napoletani a New York (1895-1940) by Simona Frasca, LIM Lucca, 2010
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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